21st century
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Adler Samuel
Adler, Samuel
Albert, Adrienne
Amlin, Martin
Arnauts, Dimitri
Bacri, Nicolas
Baksa, Robert
Balter, Marcos
Beal, Jeff
Bilotta, John
Borisova-Ollas, Victoria
Bullard, Janice Maille
Bunch, Kenji
Carter, Elliott
Chamberlain, Nicole
Chyrzynski, Marcel
Clarke, Ian
Coleman, Valerie
Connesson, Guillaume
Costa Roldán, Eduardo
Cueto, Daniel
Dalbavie, Marc-André
Daugherty, Michael
Dehnhard, Tilmann
Desenne, Paul
Dorff, Daniel
Egger, Fabian Johannes
Eggert, Kenneth
Firšt, Nenad
Furrer, Beat
Garrop, Stacy
Ghidoni, Armando
Gibb, Charles
Hailstork, Adolphus
Harberg, Amanda
Hersh, Howard
Hoover, Katherine
Igudesman, Aleksey
Ittzés, Gergely
Kernis, Aaron Jay
Khoury, Houstaf
Kukal, Ondřej
León, Tania
Lias, Stephen
Liebermann, Lowell
Lindberg, Christian
Linthicum-Blackhorse, William
Louke, Phyllis Avidan
Magalif, Eugene
Mitchell, Jonathan
Monroe, Ervin
Mower, Mike
Mucha, Geraldine
Mulleman, Tim
Ornstein, Maarten
Pann, Carter
Panufnik, Roxanna
Pärt, Arvo
Pattillo, Greg
Penman, Katrina
Petrič, Ivo
Price, William
Pritsker, Gene
Pucihar, Blaž
Ran, Shulamit
Rea, Stephanie
Rotaru, Doina
Rozman, Anže
Schocker, Gary
Schwantner, Joseph
Sciarrino, Salvatore
Seif, Sami
Serebrier, José
Skipworth, Lachlan
Sollberger, Harvey
Somma, Victor
Uébayashi, Yuko
Vasks, Pēteris
Widmann, Jörg
Witt, Carl
Woolf, Randall
Yi, Chen
Alone, Together: A Monologue For Solo Flute
Samuel Adler: "Alone, Together: A Monologue For Solo Flute" was written in 2020 and dedicated to the American flutist Mimi Stillman, directly inspired by the circumstances of the COVID-19 pandemic.
The premiere performance was given by Mimi Stillman virtually online in October 2020. The composer was in remote attendance during the online event.
The title of the piece, "Alone, Together," perfectly encapsulates the shared global experience of isolation during the 2020 lockdowns, where people were physically alone but connected virtually.
Adler composed the piece specifically during this period, generating new works for solo performers as a response to the inability to hold traditional ensemble concerts. The piece is conceived as a "monologue," intended to be a reflection of that time. The composer mentioned in an interview with the dedicatee that he consciously writes his flute music away from the keyboard, imagining the unique sound and qualities of the instrument across its range.
Samuel Adler (1928) is a highly prolific and influential American composer, conductor, and educator whose career has had a profound impact on contemporary classical music. He is recognized for a vast and diverse output spanning over 500 works and for his impactful teaching career.
Born in Mannheim, Germany, Adler and his Jewish family fled the Nazi regime, immigrating to the United States in 1939. His father was Hugo Chaim Adler, a distinguished cantor and composer.
Samuel Adler pursued his musical education at top institutions: Boston University and Harvard University. He studied composition with Paul Hindemith and Aaron Copland.
His compositions cover nearly every genre, including five operas, six symphonies, numerous concertos, chamber music, and choral works. His music is characterized by its accessible, lyrical, and skillfully crafted nature, reflecting a blend of traditional forms with modern harmonic language. He has received numerous awards, including the ASCAP Lifetime Achievement Award.
Adler has held prominent teaching positions at major American universities. At the University of North Texas, he established and chaired the composition department (1958–1966). At the Eastman School of Music in Rochester, New York, where he taught composition and served as chair of the department (1966–1995). In 1997, he joined the faculty of the Juilliard School in New York.
He is the author of several widely used textbooks on music theory and composition, most notably The Study of Orchestration.