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21st century

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Adler Samuel

Adler, Samuel

Albert, Adrienne

Amlin, Martin

Arnauts, Dimitri

Bacri, Nicolas

Baksa, Robert

Balter, Marcos

Beal, Jeff

Bilotta, John

Borisova-Ollas, Victoria

Bullard, Janice Maille

Bunch, Kenji

Carter, Elliott

Chamberlain, Nicole

Chyrzynski, Marcel

Clarke, Ian

Coleman, Valerie

Connesson, Guillaume

Costa Roldán, Eduardo

Cueto, Daniel

Dalbavie, Marc-André

Daugherty, Michael

Dehnhard, Tilmann

Desenne, Paul

Dorff, Daniel

Egger, Fabian Johannes

Eggert, Kenneth

Firšt, Nenad

Furrer, Beat

Garrop, Stacy

Ghidoni, Armando

Gibb, Charles

Hailstork, Adolphus

Harberg, Amanda

Hersh, Howard

Hoover, Katherine

Igudesman, Aleksey

Ittzés, Gergely

Kernis, Aaron Jay

Khoury, Houstaf

Kukal, Ondřej

León, Tania

Lias, Stephen

Liebermann, Lowell

Lindberg, Christian

Linthicum-Blackhorse, William

Louke, Phyllis Avidan

Magalif, Eugene

Mitchell, Jonathan

Monroe, Ervin

Mower, Mike

Mucha, Geraldine

Mulleman, Tim

Ornstein, Maarten

Pann, Carter

Panufnik, Roxanna

Pärt, Arvo

Pattillo, Greg

Penman, Katrina

Petrič, Ivo

Price, William

Pritsker, Gene

Pucihar, Blaž

Ran, Shulamit

Rea, Stephanie

Rotaru, Doina

Rozman, Anže

Schocker, Gary

Schwantner, Joseph

Sciarrino, Salvatore

Seif, Sami

Serebrier, José

Skipworth, Lachlan

Sollberger, Harvey

Somma, Victor

Uébayashi, Yuko

Vasks, Pēteris

Widmann, Jörg

Witt, Carl

Woolf, Randall

Yi, Chen

Sonata for flute and piano

By Adler Samuel

Samuel Adler: flute sonata was written in 2004 and dedicated to Carol Wincenc, who premiered it in New York City on September 14, 2005.

The sonata was commissioned by the Juilliard School of Music to celebrate its 100th anniversary. Adler intended the piece to evoke the spirit of excited chamber music making, recalling his own college days. The program notes associated with its premiere provide additional context for all three movements: 1. "Dialogue," 2. "Slowly, but with great intensity," and 3. "Fantasia - Variations and Theme on 'Brian Boru's March'". These titles explore the idea of two equal partners in constant dialogue and employ modern compositional techniques within a tonal framework.

Carol Wincenc

Laura Melton (piano), 2008, Naxos

1. Dialogue

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Carol Wincenc

Laura Melton (piano), 2008, Naxos

2. Meditation

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Carol Wincenc

Laura Melton (piano), 2008, Naxos

3. Scherzo - Finale

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Adler Samuel

Samuel Adler (1928) is a highly prolific and influential American composer, conductor, and educator whose career has had a profound impact on contemporary classical music. He is recognized for a vast and diverse output spanning over 500 works and for his impactful teaching career.
Born in Mannheim, Germany, Adler and his Jewish family fled the Nazi regime, immigrating to the United States in 1939. His father was Hugo Chaim Adler, a distinguished cantor and composer.
Samuel Adler pursued his musical education at top institutions: Boston University and Harvard University. He studied composition with Paul Hindemith and Aaron Copland.
His compositions cover nearly every genre, including five operas, six symphonies, numerous concertos, chamber music, and choral works. His music is characterized by its accessible, lyrical, and skillfully crafted nature, reflecting a blend of traditional forms with modern harmonic language. He has received numerous awards, including the ASCAP Lifetime Achievement Award.
Adler has held prominent teaching positions at major American universities. At the University of North Texas, he established and chaired the composition department (1958–1966). At the Eastman School of Music in Rochester, New York, where he taught composition and served as chair of the department (1966–1995). In 1997, he joined the faculty of the Juilliard School in New York.
He is the author of several widely used textbooks on music theory and composition, most notably The Study of Orchestration.