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Romantic

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

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Akimenko Theodore

Akimenko, Theodore

Albeniz, Isaac

Andersen, Joachim

Barnett, John Francis

Bazzini, Antonio

Beach, Amy

Bellini, Vincenzo

Bizet, George

Blahetka, Leopoldine

Blodek, Wilhelm

Boehm, Theobald

Bonis, Mel

Borne, François

Brahms, Johannes

Briccialdi, Giulio

Bruch, Max

Caplet, André

Chaminade, Cécile

Chopin, Frédéric

Danzi, Franz Ignaz

Debussy, Claude

Demersseman, Jules-Auguste Edouard

Donizetti, Gaetano

Donjon, Johannes

Doppler, Albert Franz

Du Puy, Édouard

Dvořák, Antonin

Elgar, Edward

Fauré, Gabriel

Foote, Arthur

Franck, César

Frühling, Carl

Fürstenau, Anton Bernhard

Gade, Niels Wilhelm

Ganne, Louis

Génin, Paul Agricole

German, Edward

Glière, Reinhold

Godard, Benjamin

Gounod, Charles

Grandval, Clémence

Hahn, Reynaldo

Hüe, Georges Adolphe

Hummel, Johann Nepomuk

Jadassohn, Solomon

Kohler, Ernesto

Kreisler, Fritz

Kuhlau, Friedrich

Lefebvre, Charles Edouard

Liszt, Franz

Maier, Amanda

Massenet, Jules

Mendelssohn, Fanny

Mendelssohn, Felix

Mercadante, Saverio

Meyer-Olbersleben, Max

Molique, Wilhelm Bernhard

Morlacchi, Pietro

Mouquet, Jules

Nielsen, Carl

Paganini, Niccolo

Périlhou, Albert

Pierné, Gabriel

Popp, Wilhelm

Rabboni, Giuseppe

Reger, Max

Reichert, Matthieu Andre

Reinecke, Carl Heinrich Carsten

Ries, Ferdinand

Rietz, Julius

Rossini, Gioacchino

Saint-Saëns, Camille

Sarasate, Pablo de

Schubert, Franz

Schumann, Clara

Schumann, Robert

Sibelius, Jean

Silcher, Friedrich

Strauss, Richard

Taffanel, Claude Paul

Tulou, Jean-Louis

Vitali, Tomaso Antonio

Wagner, Siegfried

Widor, Charles Marie Jean Albert

Idylle for flute and piano Op. 14

Idylle for flute and piano Op. 14

By Akimenko Theodore

Theodore Akimenko: Idylle for flute and piano, Op. 14, most likely was written in 1902 when the piece was published by M.P. Belaieff in Leipzig. The score is dedicated to "Monsieur Th. Stepanoff".
The piece is a quintessential example of "salon music," blending European music traditions of the period with subtle echoes of Ukrainian folk songs from the composer's homeland. It is written in a lyrical, expressive style, leaning towards impressionism and late Romanticism.

Akimenko was a Ukrainian composer who studied with Rimsky-Korsakov and was an early teacher of Igor Stravinsky. He spent time in St. Petersburg and Paris, and his musical output was influenced by both Russian and French musical trends.

The piece is performed and categorized as a late Romantic work that was composed at the very beginning of the 20th century, since musically, the work is strongly rooted in 19th-century aesthetic ideals. It uses a lyrical, expressive, and highly tonal language typical of Romantic salon music and is characterized by its emotional depth and pastoral theme (Idylle). Its harmonies occasionally hint at the impressionistic styles emerging in Paris at the time, which would define early 20th-century music, but it does not abandon Romantic conventions.

Dejan Gavric (flute), Hanna Holeska (piano), live performance at the Artur Rubinstein Philharmonic Concert Hall of Lodz, 2019

Idylle

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Akimenko Theodore

Theodore Akimenko (1876 - 1945) was a Ukrainian composer, pianist, and teacher whose music bridges the gap between Russian Romanticism and French Impressionism.
Born in Kharkiv, Ukraine (then part of the Russian Empire), Akimenko displayed musical talent from a young age. He began his formal training at the St. Petersburg Conservatory, where he studied composition with Nikolai Rimsky-Korsakov and Anatoly Lyadov.
He developed a connection with Igor Stravinsky's family and provided Stravinsky with his first formal composition lessons, though Stravinsky later dismissed these early lessons as insignificant.
Following the Russian Revolution, Akimenko emigrated from Russia in 1923, eventually settling in Paris, France.
Akimenko's style synthesized the Russian compositional tradition with a delicate, often elusive harmonic language influenced by French composers like Claude Debussy and Maurice Ravel. His output is varied, encompassing opera, ballet, symphonic works, and a large body of character pieces for piano and chamber music. He left behind a significant legacy of music that, while often overlooked compared to his more famous contemporaries, is valued for its expressive and refined character.