Romantic
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Akimenko Theodore
Akimenko, Theodore
Albeniz, Isaac
Andersen, Joachim
Barnett, John Francis
Bazzini, Antonio
Beach, Amy
Bellini, Vincenzo
Bizet, George
Blahetka, Leopoldine
Blodek, Wilhelm
Boehm, Theobald
Bonis, Mel
Borne, François
Brahms, Johannes
Briccialdi, Giulio
Bruch, Max
Caplet, André
Chaminade, Cécile
Chopin, Frédéric
Danzi, Franz Ignaz
Debussy, Claude
Demersseman, Jules-Auguste Edouard
Donizetti, Gaetano
Donjon, Johannes
Doppler, Albert Franz
Du Puy, Édouard
Dvořák, Antonin
Elgar, Edward
Fauré, Gabriel
Foote, Arthur
Franck, César
Frühling, Carl
Fürstenau, Anton Bernhard
Gade, Niels Wilhelm
Ganne, Louis
Génin, Paul Agricole
German, Edward
Glière, Reinhold
Godard, Benjamin
Gounod, Charles
Grandval, Clémence
Hahn, Reynaldo
Hüe, Georges Adolphe
Hummel, Johann Nepomuk
Jadassohn, Solomon
Kohler, Ernesto
Kreisler, Fritz
Kuhlau, Friedrich
Lefebvre, Charles Edouard
Liszt, Franz
Maier, Amanda
Massenet, Jules
Mendelssohn, Fanny
Mendelssohn, Felix
Mercadante, Saverio
Meyer-Olbersleben, Max
Molique, Wilhelm Bernhard
Morlacchi, Pietro
Mouquet, Jules
Nielsen, Carl
Paganini, Niccolo
Périlhou, Albert
Pierné, Gabriel
Popp, Wilhelm
Rabboni, Giuseppe
Reger, Max
Reichert, Matthieu Andre
Reinecke, Carl Heinrich Carsten
Ries, Ferdinand
Rietz, Julius
Rossini, Gioacchino
Saint-Saëns, Camille
Sarasate, Pablo de
Schubert, Franz
Schumann, Clara
Schumann, Robert
Sibelius, Jean
Silcher, Friedrich
Strauss, Richard
Taffanel, Claude Paul
Tulou, Jean-Louis
Vitali, Tomaso Antonio
Wagner, Siegfried
Widor, Charles Marie Jean Albert
Idylle for flute and piano Op. 14
Theodore Akimenko: Idylle for flute and piano, Op. 14, most likely was written in 1902 when the piece was published by M.P. Belaieff in Leipzig. The score is dedicated to "Monsieur Th. Stepanoff".
The piece is a quintessential example of "salon music," blending European music traditions of the period with subtle echoes of Ukrainian folk songs from the composer's homeland. It is written in a lyrical, expressive style, leaning towards impressionism and late Romanticism.
Akimenko was a Ukrainian composer who studied with Rimsky-Korsakov and was an early teacher of Igor Stravinsky. He spent time in St. Petersburg and Paris, and his musical output was influenced by both Russian and French musical trends.
The piece is performed and categorized as a late Romantic work that was composed at the very beginning of the 20th century, since musically, the work is strongly rooted in 19th-century aesthetic ideals. It uses a lyrical, expressive, and highly tonal language typical of Romantic salon music and is characterized by its emotional depth and pastoral theme (Idylle). Its harmonies occasionally hint at the impressionistic styles emerging in Paris at the time, which would define early 20th-century music, but it does not abandon Romantic conventions.
Theodore Akimenko (1876 - 1945) was a Ukrainian composer, pianist, and teacher whose music bridges the gap between Russian Romanticism and French Impressionism.
Born in Kharkiv, Ukraine (then part of the Russian Empire), Akimenko displayed musical talent from a young age. He began his formal training at the St. Petersburg Conservatory, where he studied composition with Nikolai Rimsky-Korsakov and Anatoly Lyadov.
He developed a connection with Igor Stravinsky's family and provided Stravinsky with his first formal composition lessons, though Stravinsky later dismissed these early lessons as insignificant.
Following the Russian Revolution, Akimenko emigrated from Russia in 1923, eventually settling in Paris, France.
Akimenko's style synthesized the Russian compositional tradition with a delicate, often elusive harmonic language influenced by French composers like Claude Debussy and Maurice Ravel. His output is varied, encompassing opera, ballet, symphonic works, and a large body of character pieces for piano and chamber music. He left behind a significant legacy of music that, while often overlooked compared to his more famous contemporaries, is valued for its expressive and refined character.