20th century
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Andriessen Jurriaan
Aitken, Robert
Amirov, Fikret
Amlin, Martin
Amram, David
Andriessen, Jurriaan
Arnold, Malcolm
Arrieu, Claude
Auric, Georges
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Pastorale d’été for solo flute
Pastorale d’été for solo flute
J. Andriessen: Pastorale d’été for solo flute, most likely written in 1958. Time period when Jurriaan Andriessen was actively establishing his career in the Dutch music scene, particularly in theater and media, while also developing his distinctive compositional voice.
In 1957, he began working as a musical consultant and composer for the Haagse Comedie (the Hague Comedy), now known as the National Theatre. This role heavily influenced his output, which included numerous incidental music scores for plays.
In the early 1950s, Andriessen worked as a jazz pianist under the name "Leslie Cool," and he continued to incorporate elements of jazz into his work throughout his career. He was also a prolific composer and director for Dutch radio and television productions, including ballets and concert performances.
Andriessen was known for his ability to write in a variety of styles, drawing from diverse influences such as neoclassicism, folk music, film scores, and jazz. This made his music particularly well-suited for dramatic and incidental works.
Andriessen Jurriaan
Jurriaan Andriessen (1925 - 1996) was a prolific Dutch composer and conductor known for his eclectic style that drew on neoclassicism, jazz, and American film music. As a member of a prominent musical family that included his father Hendrik (Jurriaan was taught composition at the Utrecht Conservatory by his father) and brother Louis, he was immersed in a rich musical heritage. After his final examinations in 1947, he spent several months in Paris with the particular aim of studying film music. There, he also took lessons with Messiaen.
His stay in the United States on a Rockefeller Foundation fellowship from 1949 to 1951 was a fruitful one for his orchestral writing, during which he composed the "Tanglewood Overture" for Serge Koussevitsky, and the "Berkshire Symphonies", later used as ballet music by George Balanchine.
From 1954, he was the resident composer to the Haagse Comedie.
While highly regarded for his theatrical and incidental music, his work for wind instruments, and particularly the flute, is also notable.
Andriessen composed his Pastorale d'été for solo flute in 1958, a piece that showcases his light and elegant compositional voice. He also composed a Concerto for flute and orchestra in 1952, right upon his return from the US, demonstrating his affinity for writing for the instrument in a larger, orchestral context. His skill in crafting well-written and idiomatic wind music is a highlight of his varied oeuvre. Andriessen's contributions to the flute repertoire, such as these pieces, solidify his place within the Dutch music tradition.