20th century
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Arnold Malcolm
Aitken, Robert
Amirov, Fikret
Amlin, Martin
Amram, David
Andriessen, Jurriaan
Arnold, Malcolm
Arrieu, Claude
Auric, Georges
Babbit, Milton
Bacchus, Peter
Bacri, Nicolas
Baker, Michael Conway
Baksa, Robert
Barber, Samuel
Barrere, Georges
Bartók, Béla Viktor János
Baton, René-Emmanuel
Beaser, Robert
Bennet, Richard Rodney
Berg, Gunnar
Berio, Luciano
Bernofsky, Lauren
Bernstein, Leonard
Bloch, Ernest
Bolling, Claude
Bon, Maarten
Bonis, Mel
Boughton, Rutland
Boulanger, Marie-Juliette
Boulez, Pierre
Bourdin, Roger
Bournonville, Armand
Bowen, Edwin York
Bozza, Eugène Joseph
Bréville, Pierre
Brings, Allen
Brotons, Salvador
Brown, Elizabeth
Brun, Georges
Burkhard, Willy
Burton, Eldin
Büsser, Henri
Camus, Pierre
Carmichael, John
Carter, Elliott
Casella, Alfredo
Chaynes, Charles
Clarke, Ian
Colgrass, Michael
Colquhoun, Michael
Copland, Aaron
Corigliano, John
Cortese, Luigi
Currier, Sebastian
Dahl, Walter Ingolf Marcus
Damase, Jean-Michel
Davidovsky, Mario
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Debussy, Claude
Del Tredici, David
DeLaney, Charles Oliver
Delerue, Georges
Denisov, Edison
Dèsbriere, Jacques
Dick, Robert
Dinicu, Grigoraș
Dodgson, Stephen
Dohnányi, Ernő
Dubois, Pierre Max
Dukas, Paul
Durey, Louis
Dutilleux, Henri
Enescu, George
Farkas, Ferenc
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Ferroud, Pierre-Octave
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Folio, Cynthia
Foote, Arthur
Foss, Lukas
Françaix, Jean
Fukushima, Kazuo
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Gál, Hans
Gaubert, Philippe
Genzmer, Harald
George, Thom Ritter
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Glass, Philip
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Grier, Lita
Griffes, Charles Tomlinson
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Grovlez, Gabriel
Guarnieri, Mozart Camargo
Gubajdulina, Sofia
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Hanson, Howard Harold
Harberg, Amanda
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Harsányi, Tibor
Harty, Hamilton
Heiss, John
Heith, David
Henze, Hans-Werner
Higdon, Jennifer
Hindemith, Paul
Holliger, Heinz
Holmboe, Vagn
Honegger, Arthur
Hoover, Katherine
Hosokawa, Toshio
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Hüe, Georges Adolphe
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Ibert, Jacques
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Ives, Charles
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Jongen, Joseph
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Kay, Ulysses
Kelterborn, Rudolf
Ķeniņš, Tālivaldis
Kennan, Kent Wheeler
Kennedy, Martin
Kernis, Aaron Jay
Khachaturian, Aram
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Kodaly, Zoltan
Koechlin, Charles
Kornauth, Egon
Kraft, Leo
Krzywicki, Jan
Kupferman, Meyer
La Montaine, John
Lauber, Joseph
Lavista, Mario
Lee, Eugene
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Levinson, Gerald
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Loudova, Ivana
Mack, Dieter
Mahler, Gustav
Maresz, Yan
Martin, Frank
Martino, Donald
Martinů, Bohuslav
Meltzer, Harold
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Mouquet, Jules
Mower, Mike
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Offermans, Wil
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Rutter, John
Saariaho, Kaija
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Smit, Leo
Tailleferre, Germaine
Takemitsu, Tōru
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Tansman, Alexandre
Tomasi, Henri
Tower, Joan
Uébayashi, Yuko
Varèse, Edgar
Vasks, Pēteris
Weigl, Vally
Weinberg, Mieczysław
Wilder, Alec
Williams, Ralph Vaughan
Yi, Chen
Yun, Isang
Zgraja, Krystof
Sonata for Flute and Piano, Op. 121
Sonata for Flute and Piano, Op. 121
Malcolm Arnold: Sonata for Flute and Piano, Op. 121 was written in 1977 on commission by the Welsh Arts Council. The Sonata was dedicated to James Galway, who premiered it together with pianist Anthony Goldstone during the Cardiff Festival. As opposed to most of Arnold's compositions at that time, which were in a free fantasy form, the flute sonata is written as a classic sonata with three movements, like any traditional violin or piano sonata.
The year 1977 was a period of extreme personal and professional upheaval for Malcolm Arnold. This was the year Arnold returned to England after living in Dublin, Ireland, for five years. His return was precipitated by the collapse of his second marriage and deteriorating health. He was battling severe bouts of depression, alcoholism, and mental health issues during this time. Due to his personal struggles, his once-prolific output had slowed significantly. The Sonata was one of the few major works completed during this dark period, preceding a several-year gap in his composing career while he underwent intensive psychiatric treatment.
Charles Abramovic (piano), 2006, AVIE Records / Orchard
3. Maestoso con molto ritmico
Arnold Malcolm
Sir Malcolm Arnold (1921-2006) was one of the most prolific and versatile British composers of the 20th century. Renowned for his brilliant orchestration and melodic invention, he successfully bridged the gap between "serious" concert music and popular cinema.
Born in Northampton, England, into a prosperous family of shoemakers who were talented amateur musicians: his father was an amateur pianist and his mother a talented singer.
After seeing Louis Armstrong perform in Bournemouth at age 12, Arnold was inspired to take up the trumpet. He progressed so rapidly that he won a scholarship to the Royal College of Music at age 16, where he studied composition with Gordon Jacob and trumpet with Ernest Hall.
His rebellious streak was evident early; he was nearly expelled for his unconventional behavior, but eventually won the Brahms Prize in 1941.
He joined the London Philharmonic Orchestra (LPO) as a trumpeter in 1941 and became its principal trumpet at just 21 years old.
In 1848, he left the LPO to focus entirely on composition. Over the next three decades, he produced a staggering volume of work, including nine symphonies, seven ballets, two operas, and over 20 concertos.
He was one of the most sought-after film composers in history, scoring over 100 films. He won an Academy Award in 1958 for his score to The Bridge on the River Kwai.
His music is characterized by its "transparent" orchestration, wit, and frequent use of jazz and folk idioms. While often appearing sunny on the surface, his later works (like the Symphony No. 9) reveal a darker, more introspective side.
He was knighted by Queen Elizabeth II in 1993 for his services to music.