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20th century

Baroque

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20th century

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Solo repertoire

Piccolo

Alto flute

Bass flute

Bacchus Peter

Aitken, Robert

Amirov, Fikret

Amlin, Martin

Amram, David

Andriessen, Jurriaan

Arnold, Malcolm

Arrieu, Claude

Auric, Georges

Babbit, Milton

Bacchus, Peter

Bacri, Nicolas

Baker, Michael Conway

Baksa, Robert

Barber, Samuel

Barrere, Georges

Bartók, Béla Viktor János

Baton, René-Emmanuel

Beaser, Robert

Bennet, Richard Rodney

Berg, Gunnar

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Bernstein, Leonard

Bloch, Ernest

Bolling, Claude

Bon, Maarten

Bonis, Mel

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Dahl, Walter Ingolf Marcus

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Tomasi, Henri

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Yun, Isang

Zgraja, Krystof

Fantasy on The Allemande of The Partita: Improvising on Bach for solo flute

Fantasy on The Allemande of The Partita: Improvising on Bach for solo flute

By Bacchus Peter

Peter Bacchus: Fantasy on The Allemande of The Partita: Improvising on Bach for solo flute was written in 1994 as a contemporary "metaphrase" of J.S. Bach’s Partita in A Minor, BWV 1013. The work is dedicated to Samuel Baron, Bacchus’s mentor and the legendary flautist of the Bach Aria Group. Baron was the primary influence on Bacchus’s analytical approach to Baroque structures. It was premiered by Peter Bacchus in 1994 at a faculty recital at the Manhattan School of Music, where Bacchus was an active performer and educator.
In 1994, Bacchus was deeply involved in the New York chamber music scene, particularly with the Bach Aria Group. This was a year of intense reflection on the "modern" performance of Bach. Bacchus sought to create a work that bridged the gap between the strict urtext editions and the improvisational freedom that 18th-century performers would have naturally employed.
While 1994 was a year of "Neo-Romanticism" for many, Bacchus was part of a circle of composer-performers in New York who practiced "Structuralist Improvisation." Fantasy was his attempt to apply 20th-century harmonic "shading" to Bach’s 18th-century skeleton.
At the time of composition, Bacchus was teaching at the Manhattan School of Music. This composition was written to show students how to "deconstruct" a Bach movement to understand its harmonic implications before playing the original.

Peter Bacchus (flute), 2013

Fantasy on The Allemande of The Partita

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Bacchus Peter

Peter Bacchus (1954) is an American composer and flutist recognized for his unique synthesis of contemporary avant-garde techniques and historical performance practice.
He earned his formal degrees from the Manhattan School of Music, where he was immersed in the "New York School" of composition and performance. His education was marked by a dual focus: mastering the technical rigors of modernist flute playing while developing a sophisticated compositional voice under the influence of the city's leading theorists. A defining aspect of his artistic upbringing was his close relationship with Samuel Baron, the legendary flutist of the Bach Aria Group. Baron’s analytical approach to the works of J.S. Bach provided Bacchus with the structural foundation that later informed his Baroque-inspired contemporary works. Bacchus served as a longtime member and associate of the Bach Aria Group, where he honed his skills in historical "metaphrase". His style is characterized by structural clarity and a rejection of purely "effect-driven" avant-garde writing. He uses extended techniques (such as multiphonics and microtonal shading) not as gimmicks, but as harmonic intensifiers of traditional forms.