Baroque
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Bach Johann Sebastian
Albinoni, Tomaso Giovanni
Bach, Carl Philipp Emanuel
Bach, Johann Sebastian
Bach, Wilhelm Friedmann
Barre, Michel de la
Benda, Franz
Blavet, Michel
Boccherini, Luigi
Boismortier, Joseph Bodin de
Čart, Jiří
Chédeville, Nicolas
Corelli, Arcangelo
Corrette, Michel
Couperin, François
Handel, George Frideric
Hotteterre, Jacques-Martin
Leclair, Jean-Marie l'aîné
Locatelli, Pietro Antonio
Loeillet (de Gant), Jean-Baptiste
Marais, Marin
Marc, Thomas
Marcello, Benedetto
Martini, Giovanni Battista
Müthel, Johann Gottfried
Pachelbel, Johann
Pergolesi, Giovanni Battista
Platti, Giovanni Benedetto
Quantz, Johann Joachim
Telemann, Georg Philipp
Tromlitz, Johann George
Vitali, Tomaso Antonio
Vivaldi, Antonio
Air in D Major for flute and orchestra
Air in D Major for flute and orchestra
Toccata and Fugue in D-minor BWV565 for solo flute
Suite in C minor (BWV 997) for flute and piano
Chaconne in D minor (BWV 1004) for flute solo
Partita in A minor for flute solo (BWV 1013)
Sonata in G minor for flute and obbligato harpsichord (BWV 1020)
Sonata in B minor for transverse flute and obbligato harpsichord (BWV 1030)
Sonata in E-flat Major for flute and harpsichord (BWV 1031)
Sonata in A Major for transverse flute and harpsichord (BWV 1032)
Sonata in C Major for transverse flute and basso continuo (BWV 1033)
Sonata in E minor for transverse flute and basso continuo (BWV 1034)
Sonata in E Major for transverse flute and basso continuo (BWV 1035)
Suite No. 1 in G Major, BWV 1007 for flute solo
Suite No. 2 in D minor, BWV 1008 for flute solo
Suite No. 3 in C Major, BWV 1009 for flute solo
Suite No. 4 in E-Flat Major, BWV 1010 for flute solo
Suite No. 5 in C minor, BWV 1011 for flute solo
Suite No. 6 in D Major, BWV 1012 for flute solo
Suite No 2 in B minor for transverse flute solo, violins, viola and basso continuo (BWV 1067)
J.S. Bach: Air in D Major for flute and orchestra, BWV 1068 (from Orchestral Suite No. 3) was composed in 1730, as the second movement of a six-movement suite.
Initially written for strings and continuo alone by J.S. Bach during his tenure in Köthen, the suite was later arranged for orchestra. C.P.E. Bach wrote out the trumpet, oboe, and timpani parts, and J.S. Bach's student J.L. Krebs wrote out the second violin and viola parts.
The arrangement of the second movement, known as "Air on the G String," was made by German violinist August Wilhelmj in 1871, who transposed it down to C Major. That way, the first violin part can be played entirely on the violin's lowest string (the G string, hence the name), which gave the piece its popular title.
Wilhelmj’s adaptation emphasizes a Romantic-era sensibility, with muted accompaniment and subdued dynamics, contrasting with Bach’s original Baroque texture.
Wilhelmj's arrangement greatly popularized the piece, and although his version is rarely played anymore, his original title, "Air on the G string," has been retained as the commonly used name of various arrangements, whether or not a string instrument is playing on its G string. There have been made several arrangements for the flute.
Johann Sebastian Bach (1685-1750) was a German composer who is regarded as one of the most important composers in the history of music. Among most of his popular works – instrumental works for violin (Sonatas and Partitas), cello Suites, keyboard works (Goldberg Variations, The Well-Tempered Clavier) numerous organ compositions (e.g. Toccata and Fugue in D minor), numerous instrumental concertos for keyboard, violin and various instruments (Brandenburg Concertos) as well as some profound vocal music works: Mass in B minor; St. Matthew Passion etc.
J.S.Bach was born in Eisenach as part of The Bach family of musicians. Orphaned at the age of 10, young Johann Sebastian lived with his oldest brother Johann Christoph for five years. During the following years he worked at several protestant churches and as a Kapellmeister at the Prince Leopold court in Köthen (1717-1723).
In 1723 he was appointed as cantor at St. Thomas, the principal Lutheran church in Leipzig (after G.P.Telemann declined to relocate to Leipzig). Even though he was mostly perceived as organist at his time, he gained honorary appointment at the court of Frederic Augustus, King of Poland in Dresden.