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Baroque

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Bach Johann Sebastian

Albinoni, Tomaso Giovanni

Bach, Carl Philipp Emanuel

Bach, Johann Sebastian

Bach, Wilhelm Friedmann

Barre, Michel de la

Benda, Franz

Blavet, Michel

Boccherini, Luigi

Boismortier, Joseph Bodin de

Čart, Jiří

Chédeville, Nicolas

Corelli, Arcangelo

Corrette, Michel

Couperin, François

Handel, George Frideric

Hotteterre, Jacques-Martin

Leclair, Jean-Marie l'aîné

Locatelli, Pietro Antonio

Loeillet (de Gant), Jean-Baptiste

Marais, Marin

Marc, Thomas

Marcello, Benedetto

Martini, Giovanni Battista

Müthel, Johann Gottfried

Pachelbel, Johann

Pergolesi, Giovanni Battista

Platti, Giovanni Benedetto

Quantz, Johann Joachim

Telemann, Georg Philipp

Tromlitz, Johann George

Vitali, Tomaso Antonio

Vivaldi, Antonio

Sonata in E Major for transverse flute and basso continuo (BWV 1035)

By Bach Johann Sebastian

J.S. Bach flute sonata in E Major (BWV 1035) for transverse flute and basso continuo. Most scholars date the work to 1741, though some suggest it could be as late as 1747. It was written following Bach's visit to the court of Frederick the Great in Potsdam.
The piece is dedicated to Michael Gabriel Fredersdorf, the private secretary and valet to King Frederick the Great. Like the King, Fredersdorf was a skilled amateur flutist. Most likely, the sonata was first performed in Potsdam by Fredersdorf or Frederick the Great, likely with Bach’s son, Carl Philipp Emanuel Bach, at the harpsichord.
The year 1741 was a significant turning point in Bach’s final decade.
Having received the title of "Royal Court Composer" in 1736, Bach delegated more of his church duties to focus on projects of personal interest. In 1741, he resigned as director of the Leipzig Collegium Musicum. During this period, Bach was engaging with the modern galant and Empfindsamer Stil (sensitive style) popular at the Berlin court. BWV 1035 reflects this transition, featuring dance-like rhythms and lighter textures than his earlier, more strictly contrapuntal sonatas.
Around the same time he was visiting Potsdam, Bach published the Goldberg Variations (1741) and was working on the second book of the Well-Tempered Clavier.

Amy Porter

Oliver Jia (piano), live performance at University of Texas in 2018.

1. Adagio ma non tanto, 2. Allegro, 3. Siciliana, 4. Allegro Assai

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Emmanuel Pahud

Trevor Pinnock (harpsichord), Jonathan Manson (cello), 2008. Warner Classics

1. Adagio ma non tanto

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Emmanuel Pahud

Trevor Pinnock (harpsichord), Jonathan Manson (cello), 2008. Warner Classics

2. Allegro

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Emmanuel Pahud

Trevor Pinnock (harpsichord), Jonathan Manson (cello), 2008. Warner Classics

3. Siciliana

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Emmanuel Pahud

Trevor Pinnock (harpsichord), Jonathan Manson (cello), 2008. Warner Classics

4. Allegro Assai

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Jean-Pierre Rampal

Trevor Pinnock (harpsichord), Roland Pidoux (cello), 1985. Sony Classical

1. Adagio ma non tanto

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Jean-Pierre Rampal

Trevor Pinnock (harpsichord), Roland Pidoux (cello), 1985. Sony Classical

2. Allegro

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Jean-Pierre Rampal

Trevor Pinnock (harpsichord), Roland Pidoux (cello), 1985. Sony Classical

3. Siciliana

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Jean-Pierre Rampal

Trevor Pinnock (harpsichord), Roland Pidoux (cello), 1985. Sony Classical

4. Allegro Assai

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Bach Johann Sebastian

Johann Sebastian Bach (1685-1750) was a German composer who is regarded as one of the most important composers in the history of music. Among most of his popular works – instrumental works for violin (Sonatas and Partitas), cello Suites, keyboard works (Goldberg Variations, The Well-Tempered Clavier) numerous organ compositions (e.g. Toccata and Fugue in D minor), numerous instrumental concertos for keyboard, violin and various instruments (Brandenburg Concertos) as well as some profound vocal music works: Mass in B minor; St. Matthew Passion etc.
J.S.Bach was born in Eisenach as part of The Bach family of musicians. Orphaned at the age of 10, young Johann Sebastian lived with his oldest brother Johann Christoph for five years. During the following years he worked at several protestant churches and as a Kapellmeister at the Prince Leopold court in Köthen (1717-1723).
In 1723 he was appointed as cantor at St. Thomas, the principal Lutheran church in Leipzig (after G.P.Telemann declined to relocate to Leipzig). Even though he was mostly perceived as organist at his time, he gained honorary appointment at the court of Frederic Augustus, King of Poland in Dresden.