Baroque
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Bach Johann Sebastian
Albinoni, Tomaso Giovanni
Bach, Carl Philipp Emanuel
Bach, Johann Sebastian
Bach, Wilhelm Friedmann
Barre, Michel de la
Benda, Franz
Blavet, Michel
Boccherini, Luigi
Boismortier, Joseph Bodin de
Čart, Jiří
Chédeville, Nicolas
Corelli, Arcangelo
Corrette, Michel
Couperin, François
Handel, George Frideric
Hotteterre, Jacques-Martin
Leclair, Jean-Marie l'aîné
Locatelli, Pietro Antonio
Loeillet (de Gant), Jean-Baptiste
Marais, Marin
Marc, Thomas
Marcello, Benedetto
Martini, Giovanni Battista
Müthel, Johann Gottfried
Pachelbel, Johann
Pergolesi, Giovanni Battista
Platti, Giovanni Benedetto
Quantz, Johann Joachim
Telemann, Georg Philipp
Tromlitz, Johann George
Vitali, Tomaso Antonio
Vivaldi, Antonio
Suite in C minor (BWV 997) for flute and piano
Air in D Major for flute and orchestra
Toccata and Fugue in D-minor BWV565 for solo flute
Suite in C minor (BWV 997) for flute and piano
Chaconne in D minor (BWV 1004) for flute solo
Partita in A minor for flute solo (BWV 1013)
Sonata in G minor for flute and obbligato harpsichord (BWV 1020)
Sonata in B minor for transverse flute and obbligato harpsichord (BWV 1030)
Sonata in E-flat Major for flute and harpsichord (BWV 1031)
Sonata in A Major for transverse flute and harpsichord (BWV 1032)
Sonata in C Major for transverse flute and basso continuo (BWV 1033)
Sonata in E minor for transverse flute and basso continuo (BWV 1034)
Sonata in E Major for transverse flute and basso continuo (BWV 1035)
Suite No. 1 in G Major, BWV 1007 for flute solo
Suite No. 2 in D minor, BWV 1008 for flute solo
Suite No. 3 in C Major, BWV 1009 for flute solo
Suite No. 4 in E-Flat Major, BWV 1010 for flute solo
Suite No. 5 in C minor, BWV 1011 for flute solo
Suite No. 6 in D Major, BWV 1012 for flute solo
Suite No 2 in B minor for transverse flute solo, violins, viola and basso continuo (BWV 1067)
J.S. Bach: Suite in C minor (BWV 997) for flute and piano was written during Bach's Leipzig period, likely between 1738 and 1741, when Bach was the esteemed Kantor of the Thomaskirche in Leipzig.
The work was most likely composed for Bach's "hobby" instrument: lute-harpsichord (Lautenwerk), a keyboard instrument designed to imitate the sound of a lute.
Despite his focus on church music, Bach maintained an interest in secular instrumental works. He had an instrument maker build a Lautenwerk of his own design. The compositions for this specific instrument (BWV 996, 997, and 998) were likely personal projects or intended for a small circle of musicians and friends, such as the lutenist Silvius Leopold Weiss.
The Suite was published as a piano work in 1881, many years after Bach's death.
There are several arrangements for the flute. One of the most popular was made by Jean-Pierre Rampal (flute part) and Robert Veyron-Lacroix (piano/harpsichord).
Robert Veyron-Lacroix (harpsichord), 1975, Warner Music / Warner Classics
1. Prelude
Robert Veyron-Lacroix (harpsichord), 1975, Warner Music / Warner Classics
2. Fugue
Robert Veyron-Lacroix (harpsichord), 1975, Warner Music / Warner Classics
3. Sarabande
Robert Veyron-Lacroix (harpsichord), 1975, Warner Music / Warner Classics
4. Gigue & Double
Johann Sebastian Bach (1685-1750) was a German composer who is regarded as one of the most important composers in the history of music. Among most of his popular works – instrumental works for violin (Sonatas and Partitas), cello Suites, keyboard works (Goldberg Variations, The Well-Tempered Clavier) numerous organ compositions (e.g. Toccata and Fugue in D minor), numerous instrumental concertos for keyboard, violin and various instruments (Brandenburg Concertos) as well as some profound vocal music works: Mass in B minor; St. Matthew Passion etc.
J.S.Bach was born in Eisenach as part of The Bach family of musicians. Orphaned at the age of 10, young Johann Sebastian lived with his oldest brother Johann Christoph for five years. During the following years he worked at several protestant churches and as a Kapellmeister at the Prince Leopold court in Köthen (1717-1723).
In 1723 he was appointed as cantor at St. Thomas, the principal Lutheran church in Leipzig (after G.P.Telemann declined to relocate to Leipzig). Even though he was mostly perceived as organist at his time, he gained honorary appointment at the court of Frederic Augustus, King of Poland in Dresden.