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Baroque

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Bach Wilhelm Friedmann

Albinoni, Tomaso Giovanni

Bach, Carl Philipp Emanuel

Bach, Johann Sebastian

Bach, Wilhelm Friedmann

Barre, Michel de la

Benda, Franz

Blavet, Michel

Boccherini, Luigi

Boismortier, Joseph Bodin de

Čart, Jiří

Chédeville, Nicolas

Corelli, Arcangelo

Corrette, Michel

Couperin, François

Handel, George Frideric

Hotteterre, Jacques-Martin

Leclair, Jean-Marie l'aîné

Locatelli, Pietro Antonio

Loeillet (de Gant), Jean-Baptiste

Marais, Marin

Marc, Thomas

Marcello, Benedetto

Martini, Giovanni Battista

Müthel, Johann Gottfried

Pachelbel, Johann

Pergolesi, Giovanni Battista

Platti, Giovanni Benedetto

Quantz, Johann Joachim

Telemann, Georg Philipp

Tromlitz, Johann George

Vitali, Tomaso Antonio

Vivaldi, Antonio

Sonata for flute and basso continuo in E minor

By Bach Wilhelm Friedmann

Wilhelm Friedmann Bach: Sonata for flute and basso continuo No. 1 in E minor (BR WFB B 17) most probably was written around 1780, during his final decade in Berlin (1774–1784), a time when he struggled with stable employment.
The sonata's style serves as a bridge between the complex Baroque counterpoint of his father, Johann Sebastian Bach, and the more expressive, adventurous, and sometimes unpredictable Empfindsamer Stil (sensitive style) of the Classical era. The Siciliano middle movement, for instance, is also found in one of his harpsichord sonatas (WFB A 10), indicating a typical practice of adapting material between instruments.
Even though several recording and music databases list this sonata as Falck 52, the more standard and universally accepted catalog number for this sonata is BR WFB B 17 or Falk 88, based on Martin Falck's definitive thematic catalog (1913).

Wilbert Hazelzet

Jacques Ogg (harpsichord), Jaap ter Linden (cello), 2005, Edel Classics / Kantor New Media

1. Allegro ma non tanto

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Wilbert Hazelzet

Jacques Ogg (harpsichord), Jaap ter Linden (cello), 2005, Edel Classics / Kantor New Media

2. Siciliano

00:00
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Wilbert Hazelzet

Jacques Ogg (harpsichord), Jaap ter Linden (cello), 2005, Edel Classics / Kantor New Media

3. Vivace

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Bach Wilhelm Friedmann

Wilhelm Friedmann Bach (1710–1784) was the eldest son of Johann Sebastian Bach. A brilliant organist and improviser, his career was nonetheless marked by instability, and he died in poverty. He is nicknamed "the Halle Bach" after his last significant post.
Born in Weimar, Friedemann received a comprehensive musical education from his father, which is documented in the Clavier-Büchlein vor Wilhelm Friedemann Bach. He was educated at the prestigious St. Thomas School in Leipzig and studied law and mathematics at the University of Leipzig.
His professional life began with a successful appointment as organist at St. Sophia's Church in Dresden in 1733. In 1746, he moved to the more prestigious position of music director and organist at the Church of Our Lady in Halle, where he became known as "the Halle Bach".
After his father's death in 1750, Friedemann's life became increasingly difficult. He struggled with a contentious personality, conflicts with employers, and a general unwillingness to compose "fashionable, readily accessible music". In 1764, he left his job in Halle without securing another position and spent the next 20 years in a wandering life, supporting himself through teaching and occasional recitals.
W.F. Bach's music marks the transition between the Baroque style of his father and the expressive, emotionally charged Empfindsamer Stil (sensitive style) of the early Classical era.
His output includes numerous church cantatas, keyboard works (fantasias, polonaises, and fugues), concertos, and chamber music, notably his highly contrapuntal duets for two flutes.