Baroque
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Bach Wilhelm Friedmann
Albinoni, Tomaso Giovanni
Bach, Carl Philipp Emanuel
Bach, Johann Sebastian
Bach, Wilhelm Friedmann
Barre, Michel de la
Benda, Franz
Blavet, Michel
Boccherini, Luigi
Boismortier, Joseph Bodin de
Čart, Jiří
Chédeville, Nicolas
Corelli, Arcangelo
Corrette, Michel
Couperin, François
Handel, George Frideric
Hotteterre, Jacques-Martin
Leclair, Jean-Marie l'aîné
Locatelli, Pietro Antonio
Loeillet (de Gant), Jean-Baptiste
Marais, Marin
Marc, Thomas
Marcello, Benedetto
Martini, Giovanni Battista
Müthel, Johann Gottfried
Pachelbel, Johann
Pergolesi, Giovanni Battista
Platti, Giovanni Benedetto
Quantz, Johann Joachim
Telemann, Georg Philipp
Tromlitz, Johann George
Vitali, Tomaso Antonio
Vivaldi, Antonio
Sonata for flute and basso continuo in F Major
Wilhelm Friedmann Bach: Sonata for flute and basso continuo in F Major (BR WFB B 18), Falck 89, or sometimes Falk 51 (depending on database) most probably was written around 1780, during his final decade in Berlin (1774–1784), a time when he was freelancing as an organist and teacher in Berlin and struggling to find stable employment after leaving his post in Halle.
Like his E minor sonata, this work is considered a stylistic bridge between the Baroque and early Classical periods. It combines the rigorous counterpoint he inherited from his father, Johann Sebastian Bach, with the more expressive, adventurous, and highly individualistic Empfindsamer Stil (sensitive style) that characterized the mid-18th century.
This sonata is also known to be related to a keyboard sonata (WFB A 11), suggesting W.F. Bach adapted musical material between different instrumental works, a common practice of the time.
Jacques Ogg (harpsichord), Jaap ter Linden (cello), 2005, Edel Classics / Kantor New Media
1. Allegro non troppo
Jacques Ogg (harpsichord), Jaap ter Linden (cello), 2005, Edel Classics / Kantor New Media
2. Andantino
Jacques Ogg (harpsichord), Jaap ter Linden (cello), 2005, Edel Classics / Kantor New Media
3. Vivace
Wilhelm Friedmann Bach (1710–1784) was the eldest son of Johann Sebastian Bach. A brilliant organist and improviser, his career was nonetheless marked by instability, and he died in poverty. He is nicknamed "the Halle Bach" after his last significant post.
Born in Weimar, Friedemann received a comprehensive musical education from his father, which is documented in the Clavier-Büchlein vor Wilhelm Friedemann Bach. He was educated at the prestigious St. Thomas School in Leipzig and studied law and mathematics at the University of Leipzig.
His professional life began with a successful appointment as organist at St. Sophia's Church in Dresden in 1733. In 1746, he moved to the more prestigious position of music director and organist at the Church of Our Lady in Halle, where he became known as "the Halle Bach".
After his father's death in 1750, Friedemann's life became increasingly difficult. He struggled with a contentious personality, conflicts with employers, and a general unwillingness to compose "fashionable, readily accessible music". In 1764, he left his job in Halle without securing another position and spent the next 20 years in a wandering life, supporting himself through teaching and occasional recitals.
W.F. Bach's music marks the transition between the Baroque style of his father and the expressive, emotionally charged Empfindsamer Stil (sensitive style) of the early Classical era.
His output includes numerous church cantatas, keyboard works (fantasias, polonaises, and fugues), concertos, and chamber music, notably his highly contrapuntal duets for two flutes.