This website is using cookies. By continuing to browse the site, you are agreeing to our use of cookies. Find out more.

21st century

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Bacri Nicolas

Adler, Samuel

Albert, Adrienne

Amlin, Martin

Arnauts, Dimitri

Bacri, Nicolas

Baksa, Robert

Balter, Marcos

Beal, Jeff

Bilotta, John

Borisova-Ollas, Victoria

Bullard, Janice Maille

Bunch, Kenji

Carter, Elliott

Chamberlain, Nicole

Chyrzynski, Marcel

Clarke, Ian

Coleman, Valerie

Connesson, Guillaume

Costa Roldán, Eduardo

Cueto, Daniel

Dalbavie, Marc-André

Daugherty, Michael

Dehnhard, Tilmann

Desenne, Paul

Dorff, Daniel

Egger, Fabian Johannes

Eggert, Kenneth

Firšt, Nenad

Furrer, Beat

Garrop, Stacy

Ghidoni, Armando

Gibb, Charles

Hailstork, Adolphus

Harberg, Amanda

Hersh, Howard

Hoover, Katherine

Igudesman, Aleksey

Ittzés, Gergely

Kernis, Aaron Jay

Khoury, Houstaf

Kukal, Ondřej

León, Tania

Lias, Stephen

Liebermann, Lowell

Lindberg, Christian

Linthicum-Blackhorse, William

Louke, Phyllis Avidan

Magalif, Eugene

Mitchell, Jonathan

Monroe, Ervin

Mower, Mike

Mucha, Geraldine

Mulleman, Tim

Ornstein, Maarten

Pann, Carter

Panufnik, Roxanna

Pärt, Arvo

Pattillo, Greg

Penman, Katrina

Petrič, Ivo

Price, William

Pritsker, Gene

Pucihar, Blaž

Ran, Shulamit

Rea, Stephanie

Rotaru, Doina

Rozman, Anže

Schocker, Gary

Schwantner, Joseph

Sciarrino, Salvatore

Seif, Sami

Serebrier, José

Skipworth, Lachlan

Sollberger, Harvey

Somma, Victor

Uébayashi, Yuko

Vasks, Pēteris

Widmann, Jörg

Witt, Carl

Woolf, Randall

Yi, Chen

12 monologues pascaliens Op. 92 for flute solo

By Bacri Nicolas

Nicolas Bacri: 12 monologues pascaliens Op. 92 for flute solo was written in 2004. The piece is dedicated jointly to two prominent French musicians: Philippe Bernold (flutist) and François Leleux (oboist), since the piece can be performed either on flute or oboe.

The title "Monologues Pascaliens" alludes to the French philosopher Blaise Pascal, suggesting a work of contemplation and serious expression. The 12 short movements are designed to explore varied emotional and technical possibilities of the solo instrument within a concise framework (total duration is approximately 7 minutes and 30 seconds). The piece requires increasing virtuosity through its movements, ranging from Adagio cantabile to Vivace alla giga.

Danielle Breisach

2024, Toccata Classics / Naxos

1. Adagio cantabile

00:00
YouTube icon

Danielle Breisach

2024, Toccata Classics / Naxos

2. Andante misterioso

00:00
YouTube icon

Danielle Breisach

2024, Toccata Classics / Naxos

3. Tempo di walzer

00:00
YouTube icon

Danielle Breisach

2024, Toccata Classics / Naxos

4. Adagio misterioso

00:00
YouTube icon

Danielle Breisach

2024, Toccata Classics / Naxos

5. Andante drammatico

00:00
YouTube icon

Danielle Breisach

2024, Toccata Classics / Naxos

6. Vivace alla giga

00:00
YouTube icon

Danielle Breisach

2024, Toccata Classics / Naxos

7. Adagio e rubato

00:00
YouTube icon

Danielle Breisach

2024, Toccata Classics / Naxos

8. Vivace alla giga

00:00
YouTube icon

Danielle Breisach

2024, Toccata Classics / Naxos

9. Adagio sereno

00:00
YouTube icon

Danielle Breisach

2024, Toccata Classics / Naxos

10. Largo mistico

00:00
YouTube icon

Danielle Breisach

2024, Toccata Classics / Naxos

11. Adagio espressivo

00:00
YouTube icon

Danielle Breisach

2024, Toccata Classics / Naxos

12. Epilogue. Adagio

00:00
YouTube icon

Bacri Nicolas

Nicolas Bacri (1961) is a French composer, known for his return to melodic, tonal expression. He is one of France's most frequently performed and recorded composers, having created over 150 works across various genres.
Born in Paris, France, Bacri began piano lessons at age seven. He pursued formal music education at the Conservatoire de Paris (CNSM), where he studied composition under notable figures like Serge Nigg and Michel Philippot, graduating with a premier prix in 1983.
He was awarded residencies at the French Academy in Rome (Villa Medici) and the Casa de Velázquez in Madrid. From 1987 to 1991, he served as the Director of Chamber Music for Radio France, where he was noted for organizing the first complete cycle of Shostakovich's string quartets in France. He later held composer-in-residence positions with several French orchestras and has taught at the Geneva Conservatory and the Conservatoire à Rayonnement Régional de Paris.
While his early works leaned toward post-Webernian atonality, he later embraced a style that blends classical rigor, romantic expression, and modern techniques.
Overall, he has composed 7 symphonies, over 30 concertos, 11 string quartets, and the opera "Cosi Fanciulli".