20th century
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Barber Samuel
Aitken, Robert
Arnold, Malcolm
Barber, Samuel
Bartók, Béla Viktor János
Beaser, Robert
Bennet, Richard Rodney
Berio, Luciano
Bernstein, Leonard
Bloch, Ernest
Bolling, Claude
Boulanger, Marie-Juliette
Bozza, Eugène Joseph
Brown, Elizabeth
Brun, Georges
Burton, Eldin
Büsser, Henri
Camus, Pierre
Carter, Elliott
Casella, Alfredo
Clarke, Ian
Colquhoun, Michael
Copland, Aaron
Corigliano, John
Dahl, Walter Ingolf Marcus
Damase, Jean-Michel
Davidovsky, Mario
Debussy, Claude
Del Tredici, David
Denisov, Edison
Dick, Robert
Dohnányi, Ernő
Dutilleux, Henri
Enescu, George
Feld, Jindřich
Ferroud, Pierre-Octave
Foote, Arthur
Foss, Lukas
Françaix, Jean
Fukushima, Kazuo
Gaubert, Philippe
Gieseking, Walter
Gordeli, Otar
Griffes, Charles Tomlinson
Grovlez, Gabriel
Guarnieri, Mozart Camargo
Hanson, Howard Harold
Harsányi, Tibor
Harty, Hamilton
Heiss, John
Heith, David
Higdon, Jennifer
Hindemith, Paul
Honegger, Arthur
Hoover, Katherine
Hosokawa, Toshio
Hovhaness, Alan
Hüe, Georges Adolphe
Ibert, Jacques
Ichiyanagi, Toshi
Ittzés, Gergely
Jacob, Gordon
Jemnitz, Sándor
Jirák, Karel Boleslav
Jolivet, André
Karg-Elert, Sigfrid
Kennan, Kent Wheeler
Kornauth, Egon
La Montaine, John
Liebermann, Lowell
Martin, Frank
Martino, Donald
Martinů, Bohuslav
Messiaen, Olivier
Mihalovici, Marcel
Milhaud, Darius
Mouquet, Jules
Mower, Mike
Muczynski, Robert
Nielsen, Carl
Offermans, Wil
Piazzolla, Astor
Piston, Walter
Poulenc, Francis
Prokofiev, Sergey
Rachmaninoff, Sergei
Ran, Shulamit
Ravel, Maurice
Reynolds, Verne
Rivier, Jean
Rota, Nino
Roussel, Albert
Rutter, John
Saariaho, Kaija
Sancan, Pierre
Schulhoff, Erwin
Schwantner, Joseph
Sciarrino, Salvatore
Shostakovich, Dmitri
Tailleferre, Germaine
Takemitsu, Tōru
Taktakishvili, Otar
Varèse, Edgar
Vasks, Pēteris
Weigl, Vally
Williams, Ralph Vaughan
Yun, Isang
Canzone for Flute and Piano (Op. 38)
Canzone for Flute and Piano (Op. 38)
S. Barber: Canzone for Flute and Piano originally was written in 1958 as Elegy for Flute and dedicated to a friend, German art student and amateur flutist Manfred Ibel while spending summer together in Martha's Vineyard, an island located south of Cape Cod in Massachusetts. In 1962, when Barber was commissioned a Piano concerto for the opening of Lincoln Center in New York, he adapted Elegy music material for the second movement Canzone of his Piano concerto. Nevertheless, this work had been published as Canzone (Elegy) for Flute and Piano (Op 38a) in 1962.
Barber Samuel
Samuel Barber (1910-1981) was an American composer who is mostly known for his Adagio for Strings (arranged from the slow movement of his String Quartet and later adapted as a choral work Agnus Dei in 1967 as well), Symphony in One Movement, Essay for Orchestra and concertos. Due to his lyric expressivist style, Barber's music often is described as neo-Romantic.