Piccolo
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Beaser Robert
Adler, Samuel
Andersen, Joachim
Auric, Georges
Baksa, Andreas
Beaser, Robert
Benshoof, Ken
Boisson, Felix
Bonnisseau, Frédéric
Chamberlain, Nicole
Damase, Jean-Michel
Daugherty, Michael
Dehnhard, Tilmann
Donatoni, Franco
Dorff, Daniel
Harberg, Amanda
Huylebroeck, Jan
Jacob, Gordon
Janáček, Leoš
Koechlin, Charles
Krek, Uroš
Lavista, Mario
Liebermann, Lowell
Loeb, David
Mălăncioiu, Gabriel
Martinů, Bohuslav
Meltzer, Harold
Morlacchi, Pietro
Mower, Mike
Musgrave, Thea
Papandopulo, Boris
Persichetti, Vincent
Poulenc, Francis
Reichert, Matthieu Andre
Rotaru, Doina
Schocker, Gary
Silva, Pattápio
Smith, Matt
Vivaldi, Antonio
Wilder, Alec
Yun, Isang
R. Beaser: Souvenirs for piccolo flute and piano was written in 2001 by comission of the piccolo committee of the National Flute Association. The idea of six Souvenirs came from Beaser’s earlier work: Mountain Songs for flute and guitar (1985), exploring folk elements and Appalachian tunes. Three of the six Souvenirs are completely original, two are based on folk tunes and one is an invented “Trope on a Lorca” transcription of a Spanish folk song The Four Mules. In 2002 Beaser arranged the Souvenirs for clarinet and piano.
Robert Beaser (1954) is an American composer, percussionist, and conductor whose compositional style is known as "New Tonality” and is compared with that of the late Samuel Barber.
Born in Boston, Massachusetts, he grew up in a household that valued intellectual and artistic pursuits. He began his musical journey as a percussionist and conductor before focusing on composition. His early exposure to orchestral textures from the percussion section deeply influenced his later "colorful" approach to orchestration.
He received a rigorous education at Yale University, where he earned both his Bachelor's and Master of Music degrees. He studied with several of the 20th century’s most prestigious composers, including Jacob Druckman, Krzysztof Penderecki, Toru Takemitsu, and Betsy Jolas.
In 1977, Beaser became the youngest composer ever to win the Prix de Rome from the American Academy in Rome, an experience that allowed him to refine his tonal voice away from the strict academic avant-garde of the era.
Beaser has had a legendary tenure at The Juilliard School, where he was appointed to the faculty in 1993 and served as the Chairman of the Composition Department for over 25 years. From 1978 to 1990, he was the co-Music Director and conductor of Musical Elements, a leading contemporary chamber ensemble in New York City that premiered over 200 new works.
Beaser is often described as a "neo-Romantic" who reclaimed the expressive power of tonality.
Among his most well-known works are "Mountain Songs" for which Beaser won a Grammy Award, a guitar concerto, "Manhattan Roll" for wind band, and opera "The Food of Love".