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Piccolo

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Beaser Robert

Adler, Samuel

Andersen, Joachim

Auric, Georges

Baksa, Andreas

Beaser, Robert

Benshoof, Ken

Boisson, Felix

Bonnisseau, Frédéric

Chamberlain, Nicole

Damase, Jean-Michel

Daugherty, Michael

Dehnhard, Tilmann

Donatoni, Franco

Dorff, Daniel

Harberg, Amanda

Huylebroeck, Jan

Jacob, Gordon

Janáček, Leoš

Koechlin, Charles

Krek, Uroš

Lavista, Mario

Liebermann, Lowell

Loeb, David

Mălăncioiu, Gabriel

Martinů, Bohuslav

Meltzer, Harold

Morlacchi, Pietro

Mower, Mike

Musgrave, Thea

Papandopulo, Boris

Persichetti, Vincent

Poulenc, Francis

Reichert, Matthieu Andre

Rotaru, Doina

Schocker, Gary

Silva, Pattápio

Smith, Matt

Vivaldi, Antonio

Wilder, Alec

Yun, Isang

Souvenirs for piccolo and piano

By Beaser Robert

R. Beaser: Souvenirs for piccolo flute and piano was written in 2001 by comission of the piccolo committee of the National Flute Association. The idea of six Souvenirs came from Beaser’s earlier work: Mountain Songs for flute and guitar (1985), exploring folk elements and Appalachian tunes. Three of the six Souvenirs are completely original, two are based on folk tunes and one is an invented “Trope on a Lorca” transcription of a Spanish folk song The Four Mules. In 2002 Beaser arranged the Souvenirs for clarinet and piano.

Leonard Garrison

Jonathan Sokasits (piano), 2009, Albany Records

Souvenirs: Happy Face

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Leonard Garrison

Jonathan Sokasits (piano), 2009, Albany Records

Souvenirs: Lily Monroe

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Leonard Garrison

Jonathan Sokasits (piano), 2009, Albany Records

Souvenirs: Y2K

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Leonard Garrison

Jonathan Sokasits (piano), 2009, Albany Records

Souvenirs: Spain

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Leonard Garrison

Jonathan Sokasits (piano), 2009, Albany Records

Souvenirs: Cindy Redux

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Leonard Garrison

Jonathan Sokasits (piano), 2009, Albany Records

Souvenirs: Ground 0

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Beaser Robert

Robert Beaser (1954) is an American composer, percussionist, and conductor whose compositional style is known as "New Tonality” and is compared with that of the late Samuel Barber.
Born in Boston, Massachusetts, he grew up in a household that valued intellectual and artistic pursuits. He began his musical journey as a percussionist and conductor before focusing on composition. His early exposure to orchestral textures from the percussion section deeply influenced his later "colorful" approach to orchestration.
He received a rigorous education at Yale University, where he earned both his Bachelor's and Master of Music degrees. He studied with several of the 20th century’s most prestigious composers, including Jacob Druckman, Krzysztof Penderecki, Toru Takemitsu, and Betsy Jolas.
In 1977, Beaser became the youngest composer ever to win the Prix de Rome from the American Academy in Rome, an experience that allowed him to refine his tonal voice away from the strict academic avant-garde of the era.
Beaser has had a legendary tenure at The Juilliard School, where he was appointed to the faculty in 1993 and served as the Chairman of the Composition Department for over 25 years. From 1978 to 1990, he was the co-Music Director and conductor of Musical Elements, a leading contemporary chamber ensemble in New York City that premiered over 200 new works.
Beaser is often described as a "neo-Romantic" who reclaimed the expressive power of tonality.
Among his most well-known works are "Mountain Songs" for which Beaser won a Grammy Award, a guitar concerto, "Manhattan Roll" for wind band, and opera "The Food of Love".