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Beethoven Ludwig van
Beethoven, Ludwig van
Cambini, Giovanni Giuseppe
Campagnoli, Bartolomeo
Devienne, François
Gluck, Christoph Willibald
Gossec, Francois-Joseph
Graf, Friedrich Hartmann
Grétry, André Ernest Modeste
Hartmann, Johan Peter
Haydn, Franz Joseph
Haydn, Johann Michael
Hoffmeister, Franz Anton
Hugot, Antoine
Hummel, Johann Nepomuk
Jadin, Louis-Emmanuel
Lebrun, Ludwig August
Mozart, Wolfgang Amadeus
Müller, August Eberhard
Nicolai, Johann Gottlieb
Piccinni, Niccolò
Pleyel, Ignace Joseph
Rault, Felix
Reicha, Josef
Romberg, Bernhard
Rosetti, Francesco Antonio
Schwindel, Friedrich
Stamitz, Anton
Stamitz, Carl Philipp
Wagenseil, Georg Christoph
Wendling, Johann Baptist
Wunderlich, Johann Georg
Ludwig van Beethoven: 10 National Airs with variations, Op. 107 was written in 1819, as a companion set to a previously composed set of 6 airs with variations, Op. 105.
Like the previous set, this work was a commission from George Thomson, an Edinburgh-based publisher who specialized in collecting and arranging folk songs from Scotland, Ireland, Wales, and other countries. Thomson commissioned many prominent European composers of the era for these arrangements, which were very popular among amateur musicians at the time.
Thomson explicitly advised Beethoven:
"You must write the variations in a familiar, easy, and slightly brilliant style, so that the greatest number of our ladies can play and enjoy them."
No. 1: "I bin a Tiroler Bua" (An Alpine air from Tyrol)
No. 2: "Bonnie Laddie, Highland Laddie" (Scottish air)
No. 3: "Volkslied aus Kleinrussland" (Russian folk song)
No. 4: "St. Patrick's Day" (Irish air)
No. 5: "A Madel, ja a Madel" (Tyrolean air)
No. 6: "O, Mary, at thy Window be" (Scottish air)
No. 7: "Schöne Minka, ich muss scheiden"
Russian/Ukrainian air, also known as "The Cossack was riding over the Danube"
No. 8: "O, Thou art the Lad of my Heart" (Scottish air)
No. 9: "Remember the Brave" (Scottish air)
No. 10: "The Highland Watch" (Scottish march)
Together with Op. 105, these works offer a fascinating glimpse into Beethoven's engagement with popular folk traditions and his ability to elevate simple melodies into sophisticated and inventive musical statements.
Ludwig van Beethoven (1770-1827) was a German composer, regarded as one of the most important composers of classical period.
Inspired by works of Schiller, Goethe, Kant and ideals of the French Revolution, he was passionate about expressing values of freedom, humanism and dignity of the individual, laying ground for Romanticism.
Born in Bonn, in a musical family of Flemish origin, Beethoven early acquired piano skills. His musical mentor, court organist C.G.Neefe was a person of high ideals and broad cultural interests, making young Beethoven as his assistant and court organist at the age of 12. He gradually acquired pupils of influential aristocrats that eventually, with a personal endorsement of J.Haydn, helped him to move to Vienna to study piano with W.A.Mozart, and composition with J.Haydn. Soon he acquired reputation as piano virtuoso and received notable commissions to compose, gradually leading to his first symphony in 1800.
The first decade of the 19th century was not only very prolific period of writing symphonies, concertos, quartets, and overall acclaim, but marked the beginning of his heroic struggle against encroaching deafness. Last eight years of his life he deafness became total, using conversation books to be able to communicate with others. Beethoven used sketchbooks to continue to compose, often complimenting notes with comments. His reputation and published works allowed him to maintain the freedom, being able to support himself without need to have any official position and obligations. Thus he continued to work until his last years, not only managing to finish his last large-scale work, the Ninth Symphony in 1824, but compose three string quartets as well, on commission of knyaz Golitsyn.