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Beethoven Ludwig van

Beethoven, Ludwig van

Cambini, Giovanni Giuseppe

Campagnoli, Bartolomeo

Devienne, François

Gluck, Christoph Willibald

Gossec, Francois-Joseph

Graf, Friedrich Hartmann

Grétry, André Ernest Modeste

Hartmann, Johan Peter

Haydn, Franz Joseph

Haydn, Johann Michael

Hoffmeister, Franz Anton

Hugot, Antoine

Hummel, Johann Nepomuk

Jadin, Louis-Emmanuel

Lebrun, Ludwig August

Mozart, Wolfgang Amadeus

Müller, August Eberhard

Nicolai, Johann Gottlieb

Piccinni, Niccolò

Pleyel, Ignace Joseph

Rault, Felix

Reicha, Josef

Romberg, Bernhard

Rosetti, Francesco Antonio

Schwindel, Friedrich

Stamitz, Anton

Stamitz, Carl Philipp

Wagenseil, Georg Christoph

Wendling, Johann Baptist

Wunderlich, Johann Georg

6 National Airs with variations, Op. 105

By Beethoven Ludwig van

Ludwig van Beethoven: 6 National Airs with variations, Op. 105 was written in 1818-1819, and published in Vienna by Artaria. Each of the six pieces is a theme and variations based on a folk tune from Britain or Austria.
The collection was commissioned by the Scottish publisher George Thomson, a keen amateur musician who was dedicated to collecting and publishing sets of British and other folk songs. Thomson had previously commissioned other major composers like Joseph Haydn and Ignaz Pleyel for similar projects.
Thomson wanted these arrangements to be accessible to a wide audience of amateur musicians. Therefore, the instrumentation is flexible: it is scored for piano with an optional part for flute or violin.

Thomson explicitly advised Beethoven:
"You must write the variations in a familiar, easy, and slightly brilliant style, so that the greatest number of our ladies can play and enjoy them."

No. 1: "The Cottage Maid" (Scottish/Welsh air)
No. 2: "Of Noble Race Was Shinkin" (Scottish air)
No. 3: "A Schüsserl und a Reindel" (Austrian air)
No. 4: "The Last Rose of Summer" (Irish air)
No. 5: "Chiling O'Guiry" (Irish air)
No. 6: "Paddy Whack" (Irish air)

Beethoven took great joy in exploring the harmonic and contrapuntal possibilities within these simple folk melodies, imparting a harmonic adventurousness not found in the original tunes.

Patrick Gallois

Maria Prinz (piano), 2015, Naxos

No. 1 "The cottage maid"

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Patrick Gallois

Maria Prinz (piano), 2015, Naxos

No. 2 “Of noble stock was Shinkin”

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Patrick Gallois

Maria Prinz (piano), 2015, Naxos

No. 3 “Austrian air”

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Patrick Gallois

Maria Prinz (piano), 2015, Naxos

No. 4 “The last rose of summer”

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Patrick Gallois

Maria Prinz (piano), 2015, Naxos

No. 5 “Chiling O'Guiry”

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Patrick Gallois

Maria Prinz (piano), 2015, Naxos

No. 6 “Paddy whack”

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Beethoven Ludwig van

Ludwig van Beethoven (1770-1827) was a German composer, regarded as one of the most important composers of classical period.
Inspired by works of Schiller, Goethe, Kant and ideals of the French Revolution, he was passionate about expressing values of freedom, humanism and dignity of the individual, laying ground for Romanticism.
Born in Bonn, in a musical family of Flemish origin, Beethoven early acquired piano skills. His musical mentor, court organist   C.G.Neefe was a person of high ideals and broad cultural interests, making young Beethoven as his assistant and court organist at the age of 12. He gradually acquired pupils of influential aristocrats that eventually, with a personal endorsement of J.Haydn, helped him to move to Vienna to study piano with W.A.Mozart, and composition with J.Haydn. Soon he acquired reputation as piano virtuoso and received notable commissions to compose, gradually leading to his first symphony in 1800.

The first decade of the 19th century was not only very prolific period of writing symphonies, concertos, quartets, and overall acclaim, but marked the beginning of his heroic struggle against encroaching deafness. Last eight years of his life he deafness became total, using conversation books to be able to communicate with others. Beethoven used sketchbooks to continue to compose, often complimenting notes with comments. His reputation and published works allowed him to maintain the freedom, being able to support himself without need to have any official position and obligations. Thus he continued to work until his last years, not only managing to finish his last large-scale work, the Ninth Symphony in 1824, but compose three string quartets as well, on commission of knyaz Golitsyn.