Classical
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Beethoven Ludwig van
Beethoven, Ludwig van
Cambini, Giovanni Giuseppe
Campagnoli, Bartolomeo
Devienne, François
Gluck, Christoph Willibald
Gossec, Francois-Joseph
Graf, Friedrich Hartmann
Grétry, André Ernest Modeste
Hartmann, Johan Peter
Haydn, Franz Joseph
Haydn, Johann Michael
Hoffmeister, Franz Anton
Hugot, Antoine
Hummel, Johann Nepomuk
Jadin, Louis-Emmanuel
Lebrun, Ludwig August
Mozart, Wolfgang Amadeus
Müller, August Eberhard
Nicolai, Johann Gottlieb
Piccinni, Niccolò
Pleyel, Ignace Joseph
Rault, Felix
Reicha, Josef
Romberg, Bernhard
Rosetti, Francesco Antonio
Schwindel, Friedrich
Stamitz, Anton
Stamitz, Carl Philipp
Wagenseil, Georg Christoph
Wendling, Johann Baptist
Wunderlich, Johann Georg
Ludwig van Beethoven: Romance for flute and piano No. 2, Op. 50 was written in 1798. Originally: Romance for flute and piano, Op. 50. Although composed before the Romance No. 1 in G major (Op. 40), it was not published until 1805, leading to its later opus number. No formal dedication is known for this work. However, it is closely associated with Ignaz Schuppanzigh, the prominent violinist who led Beethoven’s preferred string quartet.
The Romance reflects a "stately and singing" quality characteristic of Beethoven's early period, but hints at the lyrical depth that would define his later Romantic works. Scholars suggest the Romance may have originally been intended as the slow movement for an unfinished violin concerto Beethoven was working on earlier in the 1790s.
In 1798, at the age of 27, Beethoven was just beginning to experience the persistent buzzing and ringing in his ears that would lead to his eventual deafness. Despite his health concerns, he was highly successful in Vienna as a virtuoso pianist and composer. The same year, he composed his Op. 12 Violin Sonatas and began work on his first string quartets (Op. 18).
Ludwig van Beethoven (1770-1827) was a German composer, regarded as one of the most important composers of classical period.
Inspired by works of Schiller, Goethe, Kant and ideals of the French Revolution, he was passionate about expressing values of freedom, humanism and dignity of the individual, laying ground for Romanticism.
Born in Bonn, in a musical family of Flemish origin, Beethoven early acquired piano skills. His musical mentor, court organist C.G.Neefe was a person of high ideals and broad cultural interests, making young Beethoven as his assistant and court organist at the age of 12. He gradually acquired pupils of influential aristocrats that eventually, with a personal endorsement of J.Haydn, helped him to move to Vienna to study piano with W.A.Mozart, and composition with J.Haydn. Soon he acquired reputation as piano virtuoso and received notable commissions to compose, gradually leading to his first symphony in 1800.
The first decade of the 19th century was not only very prolific period of writing symphonies, concertos, quartets, and overall acclaim, but marked the beginning of his heroic struggle against encroaching deafness. Last eight years of his life he deafness became total, using conversation books to be able to communicate with others. Beethoven used sketchbooks to continue to compose, often complimenting notes with comments. His reputation and published works allowed him to maintain the freedom, being able to support himself without need to have any official position and obligations. Thus he continued to work until his last years, not only managing to finish his last large-scale work, the Ninth Symphony in 1824, but compose three string quartets as well, on commission of knyaz Golitsyn.