This website is using cookies. By continuing to browse the site, you are agreeing to our use of cookies. Find out more.

Classical

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Beethoven Ludwig van

Beethoven, Ludwig van

Cambini, Giovanni Giuseppe

Campagnoli, Bartolomeo

Devienne, François

Gluck, Christoph Willibald

Gossec, Francois-Joseph

Graf, Friedrich Hartmann

Grétry, André Ernest Modeste

Hartmann, Johan Peter

Haydn, Franz Joseph

Haydn, Johann Michael

Hoffmeister, Franz Anton

Hugot, Antoine

Hummel, Johann Nepomuk

Jadin, Louis-Emmanuel

Lebrun, Ludwig August

Mozart, Wolfgang Amadeus

Müller, August Eberhard

Nicolai, Johann Gottlieb

Piccinni, Niccolò

Pleyel, Ignace Joseph

Rault, Felix

Reicha, Josef

Romberg, Bernhard

Rosetti, Francesco Antonio

Schwindel, Friedrich

Stamitz, Anton

Stamitz, Carl Philipp

Wagenseil, Georg Christoph

Wendling, Johann Baptist

Wunderlich, Johann Georg

Serenade for Flute and Piano, Op. 8

By Beethoven Ludwig van

Ludwig van Beethoven: Serenade for Flute and Piano, Op. 8 was written in 1797, originally as a String Trio in D major for violin, viola, and cello. The arrangement for flute and piano was made by Theobald Böhm.
This work is structured as a suite of short, lighthearted movements, beginning and ending with a March (Marcia), and belongs to the 18th-century tradition of "entertainment music" intended for informal or outdoor settings.
In 1797, Beethoven was a 27-year-old rising star in Vienna, better known as a brilliant pianist and improviser than a composer.
He had successfully established himself in Vienna’s high social circles, frequently performing at private residences of aristocrats like Prince Lichnowsky.
However, the year 1797 was likely the year when Beethoven first noticed symptoms of hearing impairment, such as ringing in his ears (tinnitus) and difficulty hearing high-pitched sounds. This may have been triggered by a severe illness, possibly typhus, that he suffered during the summer of that year.
Beethoven was beginning to feel the social isolation his hearing loss would later cause, though he initially kept his condition a closely guarded secret to protect his career.

Raffaele Trevisani

Paola Girardi (piano), 2021, Da Vinci Classics

1. Marcia. Allegro; Adagio

00:00
YouTube icon

Raffaele Trevisani

Paola Girardi (piano), 2021, Da Vinci Classics

2. Adagio

00:00
YouTube icon

Raffaele Trevisani

Paola Girardi (piano), 2021, Da Vinci Classics

3. Minuet. Allegretto

00:00
YouTube icon

Raffaele Trevisani

Paola Girardi (piano), 2021, Da Vinci Classics

4. Allegretto alla polacca

00:00
YouTube icon

Raffaele Trevisani

Paola Girardi (piano), 2021, Da Vinci Classics

5. Tema con variazioni. Andante quasi allegretto

00:00
YouTube icon

Beethoven Ludwig van

Ludwig van Beethoven (1770-1827) was a German composer, regarded as one of the most important composers of classical period.
Inspired by works of Schiller, Goethe, Kant and ideals of the French Revolution, he was passionate about expressing values of freedom, humanism and dignity of the individual, laying ground for Romanticism.
Born in Bonn, in a musical family of Flemish origin, Beethoven early acquired piano skills. His musical mentor, court organist   C.G.Neefe was a person of high ideals and broad cultural interests, making young Beethoven as his assistant and court organist at the age of 12. He gradually acquired pupils of influential aristocrats that eventually, with a personal endorsement of J.Haydn, helped him to move to Vienna to study piano with W.A.Mozart, and composition with J.Haydn. Soon he acquired reputation as piano virtuoso and received notable commissions to compose, gradually leading to his first symphony in 1800.

The first decade of the 19th century was not only very prolific period of writing symphonies, concertos, quartets, and overall acclaim, but marked the beginning of his heroic struggle against encroaching deafness. Last eight years of his life he deafness became total, using conversation books to be able to communicate with others. Beethoven used sketchbooks to continue to compose, often complimenting notes with comments. His reputation and published works allowed him to maintain the freedom, being able to support himself without need to have any official position and obligations. Thus he continued to work until his last years, not only managing to finish his last large-scale work, the Ninth Symphony in 1824, but compose three string quartets as well, on commission of knyaz Golitsyn.