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20th century

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Berg Gunnar

Aitken, Robert

Amirov, Fikret

Amlin, Martin

Amram, David

Andriessen, Jurriaan

Arnold, Malcolm

Arrieu, Claude

Auric, Georges

Babbit, Milton

Bacchus, Peter

Bacri, Nicolas

Baker, Michael Conway

Baksa, Robert

Barber, Samuel

Barrere, Georges

Bartók, Béla Viktor János

Baton, René-Emmanuel

Beaser, Robert

Bennet, Richard Rodney

Berg, Gunnar

Berio, Luciano

Bernofsky, Lauren

Bernstein, Leonard

Bloch, Ernest

Bolling, Claude

Bon, Maarten

Bonis, Mel

Boughton, Rutland

Boulanger, Marie-Juliette

Boulez, Pierre

Bourdin, Roger

Bournonville, Armand

Bowen, Edwin York

Bozza, Eugène Joseph

Bréville, Pierre

Brings, Allen

Brotons, Salvador

Brown, Elizabeth

Brun, Georges

Burkhard, Willy

Burton, Eldin

Büsser, Henri

Camus, Pierre

Carmichael, John

Carter, Elliott

Casella, Alfredo

Chaynes, Charles

Clarke, Ian

Colgrass, Michael

Colquhoun, Michael

Copland, Aaron

Corigliano, John

Cortese, Luigi

Currier, Sebastian

Dahl, Walter Ingolf Marcus

Damase, Jean-Michel

Davidovsky, Mario

De Lorenzo, Leonardo

Debussy, Claude

Del Tredici, David

DeLaney, Charles Oliver

Delerue, Georges

Denisov, Edison

Dèsbriere, Jacques

Dick, Robert

Dinicu, Grigoraș

Dodgson, Stephen

Dohnányi, Ernő

Dubois, Pierre Max

Dukas, Paul

Durey, Louis

Dutilleux, Henri

Enescu, George

Farkas, Ferenc

Feld, Jindřich

Ferroud, Pierre-Octave

Flothuis, Marius

Folio, Cynthia

Foote, Arthur

Foss, Lukas

Françaix, Jean

Fukushima, Kazuo

Gade, Jacob

Gál, Hans

Gaubert, Philippe

Genzmer, Harald

George, Thom Ritter

Ghidoni, Armando

Gieseking, Walter

Glass, Philip

Glière, Reinhold

Golovin, Andrei

Gordeli, Otar

Grier, Lita

Griffes, Charles Tomlinson

Grinblat, Romuald

Grovlez, Gabriel

Guarnieri, Mozart Camargo

Gubajdulina, Sofia

Hahn, Reynaldo

Hailstork, Adolphus

Halphen, Fernand

Hanson, Howard Harold

Harberg, Amanda

Harbison, John

Harsányi, Tibor

Harty, Hamilton

Heiss, John

Heith, David

Henze, Hans-Werner

Higdon, Jennifer

Hindemith, Paul

Holliger, Heinz

Holmboe, Vagn

Honegger, Arthur

Hoover, Katherine

Hosokawa, Toshio

Hovhaness, Alan

Hüe, Georges Adolphe

Hurel, Philippe

Ibert, Jacques

Ichiyanagi, Toshi

Ittzés, Gergely

Ives, Charles

Jacob, Gordon

James, Bob

Jemnitz, Sándor

Jirák, Karel Boleslav

Jóhannsson, Magnús Blöndal

Jolivet, André

Jongen, Joseph

Karg-Elert, Sigfrid

Kay, Ulysses

Kelterborn, Rudolf

Ķeniņš, Tālivaldis

Kennan, Kent Wheeler

Kennedy, Martin

Kernis, Aaron Jay

Khachaturian, Aram

Kocsár, Miklós

Kodaly, Zoltan

Koechlin, Charles

Kornauth, Egon

Kraft, Leo

Krzywicki, Jan

Kupferman, Meyer

La Montaine, John

Lauber, Joseph

Lavista, Mario

Lee, Eugene

Leeuwen, Ary van

Levinson, Gerald

Liebermann, Lowell

Loudova, Ivana

Mack, Dieter

Mahler, Gustav

Maresz, Yan

Martin, Frank

Martino, Donald

Martinů, Bohuslav

Meltzer, Harold

Messiaen, Olivier

Mihalovici, Marcel

Milhaud, Darius

Mouquet, Jules

Mower, Mike

Muczynski, Robert

Nielsen, Carl

Norby, Erik

Nordenstrom, Gladys

Offermans, Wil

Olsen, Carl Gustav Sparre

Paget, Daniel

Perle, George

Petrovics, Emil

Piazzolla, Astor

Piston, Walter

Poulenc, Francis

Prokofiev, Sergey

Rachmaninoff, Sergei

Ran, Shulamit

Raphael, Günter

Rautavaara, Einojuhani

Ravel, Maurice

Reynolds, Verne

Riegger, Wallingford

Rivier, Jean

Rodrigo, Joaquin

Rota, Nino

Rotaru, Doina

Rouse, Christopher

Roussel, Albert

Rutter, John

Saariaho, Kaija

Sancan, Pierre

Schmidt, Ole

Schocker, Gary

Schulhoff, Erwin

Schwantner, Joseph

Sciarrino, Salvatore

Shostakovich, Dmitri

Sibelius, Jean

Smit, Leo

Tailleferre, Germaine

Takemitsu, Tōru

Taktakishvili, Otar

Tansman, Alexandre

Tomasi, Henri

Tower, Joan

Uébayashi, Yuko

Varèse, Edgar

Vasks, Pēteris

Weigl, Vally

Weinberg, Mieczysław

Wilder, Alec

Williams, Ralph Vaughan

Yi, Chen

Yun, Isang

Zgraja, Krystof

"Pastourelle" for flute solo

"Pastourelle" for flute solo

By Berg Gunnar

Gunnar Berg: Pastourelle for flute solo was written in 1950. Berg wrote the piece during his attendance at the Salzburg Seminar in American Studies (now known as the Salzburg Global Seminar) at Schloss Leopoldskron. Most likely the piece was written in close Association with flutist Gabriele Zimmermann, who attended the same 1950 seminar in Salzburg. Zimmermann notably became the first female solo flutist in a German orchestra (Stuttgart Philharmonic) shortly thereafter.
The piece has gained modern recognition through performances by flutists like Henrik Svitzer (2011) and Helene Schulthess.
Pastourelle is written as a free rondo and notably lacks bar lines, emphasizing an improvised, fluid character. Despite this freedom, the score is tightly controlled with complex rhythmic exercises and a principal theme dominated by intervals of fourths.
1950 was a pivotal year for Berg. It marked his definitive shift toward atonal and serialist music. That same year, he also composed his Suite for Cello, which is considered the first Danish serial composition.
Having moved to Paris in 1948, Berg became part of the international avant-garde circle that included Olivier Messiaen, Pierre Boulez, Karlheinz Stockhausen, and John Cage.

Eyvind Rafn (flute), 1992, Dacapo / Naxos

Pastourelle

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Berg Gunnar

Gunnar Berg (1909–1989) was a Swiss-born Danish composer who became one of the most radical and uncompromising figures of the post-war European avant-garde. He is recognized as the first Danish composer to fully embrace and implement total serialism.
Born in St. Gallen, Switzerland, to Danish parents, Berg grew up in an international environment. He moved to Copenhagen as a young man, initially pursuing a career in business before dedicating himself to music. His early musical studies took place at the Royal Danish Academy of Music, where he studied piano with Elisabeth Jürgens and theory with Knud Jeppesen.
The most transformative period of his upbringing occurred in 1948 when he moved to Paris. There, he studied with Arthur Honegger and attended the legendary classes of Olivier Messiaen. It was in this fertile environment that he befriended figures like Pierre Boulez and Karlheinz Stockhausen, who deeply influenced his structural thinking.
Berg was the first to introduce the strict serial techniques of the "Darmstadt School" to Denmark. His music is characterized by extreme structural rigor, often utilizing "group serialism" where pitch, duration, and dynamics are all meticulously organized.
Among his key compositions: Suite for Cello (1950), Pastourelle for solo flute (1950), and "Gaffky’s 1-10", a major cycle for piano that remains a landmark of Danish modernism.