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20th century

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Berio Luciano

Aitken, Robert

Amirov, Fikret

Amlin, Martin

Amram, David

Andriessen, Jurriaan

Arnold, Malcolm

Arrieu, Claude

Auric, Georges

Babbit, Milton

Bacchus, Peter

Bacri, Nicolas

Baker, Michael Conway

Baksa, Robert

Barber, Samuel

Barrere, Georges

Bartók, Béla Viktor János

Baton, René-Emmanuel

Beaser, Robert

Bennet, Richard Rodney

Berg, Gunnar

Berio, Luciano

Bernofsky, Lauren

Bernstein, Leonard

Bloch, Ernest

Bolling, Claude

Bon, Maarten

Bonis, Mel

Boughton, Rutland

Boulanger, Marie-Juliette

Boulez, Pierre

Bourdin, Roger

Bournonville, Armand

Bowen, Edwin York

Bozza, Eugène Joseph

Bréville, Pierre

Brings, Allen

Brotons, Salvador

Brown, Elizabeth

Brun, Georges

Burkhard, Willy

Burton, Eldin

Büsser, Henri

Camus, Pierre

Carmichael, John

Carter, Elliott

Casella, Alfredo

Chaynes, Charles

Clarke, Ian

Colgrass, Michael

Colquhoun, Michael

Copland, Aaron

Corigliano, John

Cortese, Luigi

Currier, Sebastian

Dahl, Walter Ingolf Marcus

Damase, Jean-Michel

Davidovsky, Mario

De Lorenzo, Leonardo

Debussy, Claude

Del Tredici, David

DeLaney, Charles Oliver

Delerue, Georges

Denisov, Edison

Dèsbriere, Jacques

Dick, Robert

Dinicu, Grigoraș

Dodgson, Stephen

Dohnányi, Ernő

Dubois, Pierre Max

Dukas, Paul

Durey, Louis

Dutilleux, Henri

Enescu, George

Farkas, Ferenc

Feld, Jindřich

Ferroud, Pierre-Octave

Flothuis, Marius

Folio, Cynthia

Foote, Arthur

Foss, Lukas

Françaix, Jean

Fukushima, Kazuo

Gade, Jacob

Gál, Hans

Gaubert, Philippe

Genzmer, Harald

George, Thom Ritter

Ghidoni, Armando

Gieseking, Walter

Glass, Philip

Glière, Reinhold

Golovin, Andrei

Gordeli, Otar

Grier, Lita

Griffes, Charles Tomlinson

Grinblat, Romuald

Grovlez, Gabriel

Guarnieri, Mozart Camargo

Gubajdulina, Sofia

Hahn, Reynaldo

Hailstork, Adolphus

Halphen, Fernand

Hanson, Howard Harold

Harberg, Amanda

Harbison, John

Harsányi, Tibor

Harty, Hamilton

Heiss, John

Heith, David

Henze, Hans-Werner

Higdon, Jennifer

Hindemith, Paul

Holliger, Heinz

Holmboe, Vagn

Honegger, Arthur

Hoover, Katherine

Hosokawa, Toshio

Hovhaness, Alan

Hüe, Georges Adolphe

Hurel, Philippe

Ibert, Jacques

Ichiyanagi, Toshi

Ittzés, Gergely

Ives, Charles

Jacob, Gordon

James, Bob

Jemnitz, Sándor

Jirák, Karel Boleslav

Jóhannsson, Magnús Blöndal

Jolivet, André

Jongen, Joseph

Karg-Elert, Sigfrid

Kay, Ulysses

Kelterborn, Rudolf

Ķeniņš, Tālivaldis

Kennan, Kent Wheeler

Kennedy, Martin

Kernis, Aaron Jay

Khachaturian, Aram

Kocsár, Miklós

Kodaly, Zoltan

Koechlin, Charles

Kornauth, Egon

Kraft, Leo

Krzywicki, Jan

Kupferman, Meyer

La Montaine, John

Lauber, Joseph

Lavista, Mario

Lee, Eugene

Leeuwen, Ary van

Levinson, Gerald

Liebermann, Lowell

Loudova, Ivana

Mack, Dieter

Mahler, Gustav

Maresz, Yan

Martin, Frank

Martino, Donald

Martinů, Bohuslav

Meltzer, Harold

Messiaen, Olivier

Mihalovici, Marcel

Milhaud, Darius

Mouquet, Jules

Mower, Mike

Muczynski, Robert

Nielsen, Carl

Norby, Erik

Nordenstrom, Gladys

Offermans, Wil

Olsen, Carl Gustav Sparre

Paget, Daniel

Perle, George

Petrovics, Emil

Piazzolla, Astor

Piston, Walter

Poulenc, Francis

Prokofiev, Sergey

Rachmaninoff, Sergei

Ran, Shulamit

Raphael, Günter

Rautavaara, Einojuhani

Ravel, Maurice

Reynolds, Verne

Riegger, Wallingford

Rivier, Jean

Rodrigo, Joaquin

Rota, Nino

Rotaru, Doina

Rouse, Christopher

Roussel, Albert

Rutter, John

Saariaho, Kaija

Sancan, Pierre

Schmidt, Ole

Schocker, Gary

Schulhoff, Erwin

Schwantner, Joseph

Sciarrino, Salvatore

Shostakovich, Dmitri

Sibelius, Jean

Smit, Leo

Tailleferre, Germaine

Takemitsu, Tōru

Taktakishvili, Otar

Tansman, Alexandre

Tomasi, Henri

Tower, Joan

Uébayashi, Yuko

Varèse, Edgar

Vasks, Pēteris

Weigl, Vally

Weinberg, Mieczysław

Wilder, Alec

Williams, Ralph Vaughan

Yi, Chen

Yun, Isang

Zgraja, Krystof

Sequenza I for Flute solo

Sequenza I for Flute solo

By Berio Luciano

L. Berio: Sequenza I for solo Flute was written in 1958 and dedicated to Severino Gazzeloni. This is the first of Sequenza, where Berio set himself the task of writing multi-voiced music for the solo instrument. The work is composed with a spatial rhythmic notation, allowing some temporal freedom for the performer. Each of Sequenza often are called "extended techniques"  for exploring the full possibilities of each instrument. Although there's a second, rather significantly altered edition of this piece published in 1992, which Berio himself called "unethical", most flutists still prefer the original edition of 1958. However, it is worthwhile to compare both versions to be able see the differences in flute of thought 34 years apart.

Emmanuel Pahud

2018, Parlophone Records / Warner

Sequenza I

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Karl-Heinz Schütz

2017, live at Ilsin hall, Seoul

Sequenza I

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Mario Bruno

(from 00:20), live performance, 21 July 2017, Accademia Chigiana in Siena, Italy

Sequenza I

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Berio Luciano

Luciano Berio (1925-2003) was one of the most influential Italian composers in history. He is celebrated for his pioneering work in electronic music, his "sequenza" series for solo instruments, and his innovative use of the human voice.
Born in Oneglia, Italy, into a deeply musical family. Both his father, Ernesto, and his grandfather, Adolfo, were organists and composers. He received his initial musical training from them at home.
During World War II, Berio was conscripted into the army but served for only one day. While learning to use a gun, he suffered a severe hand injury when the weapon exploded. This injury ended his aspirations of becoming a concert pianist, leading him to pivot permanently toward composition and conducting.
After the war, he studied at the Milan Conservatory under Giulio Cesare Paribeni and Giorgio Federico Ghedini. It was here that he met the American soprano Cathy Berberian, who became his first wife and a primary muse for his vocal works.
In 1955, Berio co-founded the Studio di Fonologia Musicale in Milan with Bruno Maderna. This was one of the first and most important laboratories for electronic music in Europe, where he experimented with the manipulation of speech and sound.
His musical style was influenced by Igor Stravinsky and experiments with serial and electronic techniques. From 1974-1980, Berio was the director of the electro-acoustic division of IRCAM (French Institute known for its research on music and sound). Berio rejected the rigidity of strict serialism, instead favoring a "pluralist" approach that incorporated folk songs, opera, linguistics, and electronic textures.