20th century
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Bernofsky Lauren
Aitken, Robert
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Sonatine for flute and piano
Lauren Bernofsky: Sonatine for flute and piano was written in 2000. The work was written for flutist Rosanne Santucci, originally titled "Concert Piece" before being published by Theodore Presser Company as Sonatine. The piece won the National Flute Association’s Newly Published Music Competition shortly after its release.
Despite being a single movement, it follows a standard sonata form: Exposition, Development, and Recapitulation. It utilizes "scale-colors" rather than traditional tonic-dominant key relationships, creating an "other-worldly dreamscape" through exotic scales and lyrical arabesques.
By 2000, Bernofsky had established her distinct philosophy that music should be a joy for both performer and listener. She was increasingly commissioned for large-scale works, including her orchestral tone poem Ode to a Forgotten Past, which premiered in May 2000. While trained as a violinist, 2000 marked a period where she solidified her reputation for writing expertly for wind and brass instruments.
Lauren Bernofsky (1967) is an American composer and violinist whose music is celebrated for its lyricism, accessibility, and expert understanding of instrumental color.
Born and raised in St. Louis, Missouri, Bernofsky grew up in an environment where music and science were deeply intertwined. Her father, Carl Bernofsky, was a research scientist, while her mother was an artist. She began playing the violin at a young age, a discipline that heavily informs her melodic and gestural approach to composition.
She earned her Bachelor of Music in composition from the Hartt School, followed by a Master’s degree from the New England Conservatory. She completed her Doctor of Musical Arts (D.M.A.) in composition at Boston University, where she was a student of the legendary composer Lukas Foss.
Bernofsky is a vocal proponent of the philosophy that music should be a joyous experience for both the performer and the listener. She avoids the stark atonality of mid-20th-century modernism in favor of an expressive, tonal, and often programmatic language. Among her most notable compositions: Trumpet Concerto (1998), opera "Mora's Boat", and Sonatine for flute and piano (2000).