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20th century

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Solo repertoire

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Alto flute

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Bernofsky Lauren

Aitken, Robert

Amirov, Fikret

Amlin, Martin

Amram, David

Andriessen, Jurriaan

Arnold, Malcolm

Arrieu, Claude

Auric, Georges

Babbit, Milton

Bacchus, Peter

Bacri, Nicolas

Baker, Michael Conway

Baksa, Robert

Barber, Samuel

Barrere, Georges

Bartók, Béla Viktor János

Baton, René-Emmanuel

Beaser, Robert

Bennet, Richard Rodney

Berg, Gunnar

Berio, Luciano

Bernofsky, Lauren

Bernstein, Leonard

Bloch, Ernest

Bolling, Claude

Bon, Maarten

Bonis, Mel

Boughton, Rutland

Boulanger, Marie-Juliette

Boulez, Pierre

Bourdin, Roger

Bournonville, Armand

Bowen, Edwin York

Bozza, Eugène Joseph

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Brings, Allen

Brotons, Salvador

Brown, Elizabeth

Brun, Georges

Burkhard, Willy

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Büsser, Henri

Camus, Pierre

Carmichael, John

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Casella, Alfredo

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Dahl, Walter Ingolf Marcus

Damase, Jean-Michel

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DeLaney, Charles Oliver

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Dinicu, Grigoraș

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Durey, Louis

Dutilleux, Henri

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Françaix, Jean

Fukushima, Kazuo

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Genzmer, Harald

George, Thom Ritter

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Glass, Philip

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Hanson, Howard Harold

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Heiss, John

Heith, David

Henze, Hans-Werner

Higdon, Jennifer

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Hüe, Georges Adolphe

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Smit, Leo

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Tansman, Alexandre

Tomasi, Henri

Tower, Joan

Uébayashi, Yuko

Varèse, Edgar

Vasks, Pēteris

Weigl, Vally

Weinberg, Mieczysław

Wilder, Alec

Williams, Ralph Vaughan

Yi, Chen

Yun, Isang

Zgraja, Krystof

Sonatine for flute and piano

Sonatine for flute and piano

By Bernofsky Lauren

Lauren Bernofsky: Sonatine for flute and piano was written in 2000. The work was written for flutist Rosanne Santucci, originally titled "Concert Piece" before being published by Theodore Presser Company as Sonatine. The piece won the National Flute Association’s Newly Published Music Competition shortly after its release.
Despite being a single movement, it follows a standard sonata form: Exposition, Development, and Recapitulation. It utilizes "scale-colors" rather than traditional tonic-dominant key relationships, creating an "other-worldly dreamscape" through exotic scales and lyrical arabesques.
By 2000, Bernofsky had established her distinct philosophy that music should be a joy for both performer and listener. She was increasingly commissioned for large-scale works, including her orchestral tone poem Ode to a Forgotten Past, which premiered in May 2000. While trained as a violinist, 2000 marked a period where she solidified her reputation for writing expertly for wind and brass instruments.

Patricia Surman (flute), Jooeun Pak (piano), 2020, Patricia Surman / CDBaby

Sonatine

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Bernofsky Lauren

Lauren Bernofsky (1967) is an American composer and violinist whose music is celebrated for its lyricism, accessibility, and expert understanding of instrumental color.
Born and raised in St. Louis, Missouri, Bernofsky grew up in an environment where music and science were deeply intertwined. Her father, Carl Bernofsky, was a research scientist, while her mother was an artist. She began playing the violin at a young age, a discipline that heavily informs her melodic and gestural approach to composition.
She earned her Bachelor of Music in composition from the Hartt School, followed by a Master’s degree from the New England Conservatory. She completed her Doctor of Musical Arts (D.M.A.) in composition at Boston University, where she was a student of the legendary composer Lukas Foss.
Bernofsky is a vocal proponent of the philosophy that music should be a joyous experience for both the performer and the listener. She avoids the stark atonality of mid-20th-century modernism in favor of an expressive, tonal, and often programmatic language. Among her most notable compositions: Trumpet Concerto (1998), opera "Mora's Boat", and Sonatine for flute and piano (2000).