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Bizet George
Akimenko, Theodore
Albeniz, Isaac
Andersen, Joachim
Barnett, John Francis
Bazzini, Antonio
Beach, Amy
Bellini, Vincenzo
Bizet, George
Blahetka, Leopoldine
Blodek, Wilhelm
Boehm, Theobald
Bonis, Mel
Borne, François
Brahms, Johannes
Briccialdi, Giulio
Bruch, Max
Caplet, André
Chaminade, Cécile
Chopin, Frédéric
Danzi, Franz Ignaz
Debussy, Claude
Demersseman, Jules-Auguste Edouard
Donizetti, Gaetano
Donjon, Johannes
Doppler, Albert Franz
Du Puy, Édouard
Dvořák, Antonin
Elgar, Edward
Fauré, Gabriel
Foote, Arthur
Franck, César
Frühling, Carl
Fürstenau, Anton Bernhard
Gade, Niels Wilhelm
Ganne, Louis
Génin, Paul Agricole
German, Edward
Glière, Reinhold
Godard, Benjamin
Gounod, Charles
Grandval, Clémence
Hahn, Reynaldo
Hüe, Georges Adolphe
Hummel, Johann Nepomuk
Jadassohn, Solomon
Kohler, Ernesto
Kreisler, Fritz
Kuhlau, Friedrich
Lefebvre, Charles Edouard
Liszt, Franz
Maier, Amanda
Massenet, Jules
Mendelssohn, Fanny
Mendelssohn, Felix
Mercadante, Saverio
Meyer-Olbersleben, Max
Molique, Wilhelm Bernhard
Morlacchi, Pietro
Mouquet, Jules
Nielsen, Carl
Paganini, Niccolo
Périlhou, Albert
Pierné, Gabriel
Popp, Wilhelm
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Reger, Max
Reichert, Matthieu Andre
Reinecke, Carl Heinrich Carsten
Ries, Ferdinand
Rietz, Julius
Rossini, Gioacchino
Saint-Saëns, Camille
Sarasate, Pablo de
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Schumann, Clara
Schumann, Robert
Sibelius, Jean
Silcher, Friedrich
Strauss, Richard
Taffanel, Claude Paul
Tulou, Jean-Louis
Vitali, Tomaso Antonio
Wagner, Siegfried
Widor, Charles Marie Jean Albert
"Entr'acte" from opera "Carmen" for flute and piano
George Bizet: "Entr'acte" for flute and piano from the opera "Carmen" was written in 1875. Originally scored for solo flute and harp (supported by strings and woodwinds) as an orchestral intermezzo.
The Entr’acte is performed between Acts II and III. It serves as a peaceful, pastoral contrast to the high-stakes drama of the opera. It sets the scene for the smugglers' mountain retreat at dawn, reflecting a sense of tranquility and the natural beauty of the Spanish highlands before the tragic final acts unfold.
George Bizet (1838–1875) was a French Romantic composer, best known as the creator of "Carmen", he is recognized today as a master of melody and orchestration.
Born in Paris to a musical family, he was recognized as a prodigy and admitted to the Paris Conservatoire at age nine, where he studied piano with Antoine Marmontel and composition with Fromental Halévy.
At age 17, he composed his Symphony in C, a work of remarkable maturity that remained unperformed until its rediscovery in 1935.
In 1857, he won the prestigious Prix de Rome, allowing him to spend three years studying in Italy.
Despite his talent, all his life Bizet struggled to find critical success in the competitive Parisian opera scene.
His two operas, "Les pêcheurs de perles" (The Pearl Fishers, 1863) and "La jolie fille de Perth" (The Fair Maid of Perth, 1867), received lukewarm reception. A bit more success he achieved with the incidental music for the play L'Arlésienne (1872), particularly the orchestral suite he derived from it. Gritty realism and an amoral heroine of his final opera, "Carmen," shocked contemporary audiences and critics, leading Bizet to believe it was a failure. Bizet died of a heart attack at the age of 36 in Bougival on June 3, 1875. Exactly three months after the premiere of Carmen and on his sixth wedding anniversary. He passed away unaware that Carmen would soon become one of the most frequently performed and beloved operas in history.