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Romantic

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Bizet George

Akimenko, Theodore

Albeniz, Isaac

Andersen, Joachim

Barnett, John Francis

Bazzini, Antonio

Beach, Amy

Bellini, Vincenzo

Bizet, George

Blahetka, Leopoldine

Blodek, Wilhelm

Boehm, Theobald

Bonis, Mel

Borne, François

Brahms, Johannes

Briccialdi, Giulio

Bruch, Max

Caplet, André

Chaminade, Cécile

Chopin, Frédéric

Danzi, Franz Ignaz

Debussy, Claude

Demersseman, Jules-Auguste Edouard

Donizetti, Gaetano

Donjon, Johannes

Doppler, Albert Franz

Du Puy, Édouard

Dvořák, Antonin

Elgar, Edward

Fauré, Gabriel

Foote, Arthur

Franck, César

Frühling, Carl

Fürstenau, Anton Bernhard

Gade, Niels Wilhelm

Ganne, Louis

Génin, Paul Agricole

German, Edward

Glière, Reinhold

Godard, Benjamin

Gounod, Charles

Grandval, Clémence

Hahn, Reynaldo

Hüe, Georges Adolphe

Hummel, Johann Nepomuk

Jadassohn, Solomon

Kohler, Ernesto

Kreisler, Fritz

Kuhlau, Friedrich

Lefebvre, Charles Edouard

Liszt, Franz

Maier, Amanda

Massenet, Jules

Mendelssohn, Fanny

Mendelssohn, Felix

Mercadante, Saverio

Meyer-Olbersleben, Max

Molique, Wilhelm Bernhard

Morlacchi, Pietro

Mouquet, Jules

Nielsen, Carl

Paganini, Niccolo

Périlhou, Albert

Pierné, Gabriel

Popp, Wilhelm

Rabboni, Giuseppe

Reger, Max

Reichert, Matthieu Andre

Reinecke, Carl Heinrich Carsten

Ries, Ferdinand

Rietz, Julius

Rossini, Gioacchino

Saint-Saëns, Camille

Sarasate, Pablo de

Schubert, Franz

Schumann, Clara

Schumann, Robert

Sibelius, Jean

Silcher, Friedrich

Strauss, Richard

Taffanel, Claude Paul

Tulou, Jean-Louis

Vitali, Tomaso Antonio

Wagner, Siegfried

Widor, Charles Marie Jean Albert

"Menuet" from the play "L'Arlésienne"

By Bizet George

George Bizet: "Menuet" from the play "L'Arlésienne" for flute and orchestra (piano or harp) is the third movement of Georges Bizet's "L'Arlésienne Suite" No. 2, which was written in 1867. The music was originally composed by Bizet for Act III of his opera "La jolie fille de Perth" (The Fair Maid of Perth).
In 1879, after Bizet's death, his friend Ernest Guiraud compiled L'Arlésienne Suite No. 2 and "stole" this Menuet from the earlier opera to fill out the suite. The Suite was premiered on March 21, 1880, at the Cirque d'Hiver in Paris, conducted by Jules Pasdeloupe.
Originally, the melody from "La jolie fille de Perth" accompanied a scene of aristocratic seduction. Its later inclusion in the L'Arlésienne suite helped cement it as a standard "salon" and concert piece.

Emmanuel Pahud

Yannick Nézet-Séguin (conductor), Rotterdam Philharmonic Orchestra, 2010, Warner Classics

Menuet

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María Cecilia Muñoz

Alina Traine (harp), 17 July, 2021, Live at the National Auditorium of Buenos Aires, Argentina

Menuet

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Bizet George

George Bizet (1838–1875) was a French Romantic composer, best known as the creator of "Carmen", he is recognized today as a master of melody and orchestration.
Born in Paris to a musical family, he was recognized as a prodigy and admitted to the Paris Conservatoire at age nine, where he studied piano with Antoine Marmontel and composition with Fromental Halévy.
At age 17, he composed his Symphony in C, a work of remarkable maturity that remained unperformed until its rediscovery in 1935.
In 1857, he won the prestigious Prix de Rome, allowing him to spend three years studying in Italy.
Despite his talent, all his life Bizet struggled to find critical success in the competitive Parisian opera scene.
His two operas, "Les pêcheurs de perles" (The Pearl Fishers, 1863) and "La jolie fille de Perth" (The Fair Maid of Perth, 1867), received lukewarm reception. A bit more success he achieved with the incidental music for the play L'Arlésienne (1872), particularly the orchestral suite he derived from it. Gritty realism and an amoral heroine of his final opera, "Carmen," shocked contemporary audiences and critics, leading Bizet to believe it was a failure. Bizet died of a heart attack at the age of 36 in Bougival on June 3, 1875. Exactly three months after the premiere of Carmen and on his sixth wedding anniversary. He passed away unaware that Carmen would soon become one of the most frequently performed and beloved operas in history.