This website is using cookies. By continuing to browse the site, you are agreeing to our use of cookies. Find out more.





20th century

21st century

Solo repertoire


Alto flute

Bass flute

Boehm Theobald

Andersen, Joachim

Boehm, Theobald

Borne, François

Caplet, André

Chaminade, Cécile

Chopin, Frédéric

Danzi, Franz Ignaz

Demersseman, Jules-Auguste Edouard

Donizetti, Gaetano

Donjon, Johannes

Doppler, Albert Franz

Fauré, Gabriel

Frühling, Carl

Ganne, Louis

Godard, Benjamin

Grandval, Clémence

Hüe, Georges Adolphe

Kuhlau, Friedrich

Mercadante, Saverio

Molique, Wilhelm Bernhard

Mouquet, Jules

Périlhou, Albert

Reinecke, Carl Heinrich Carsten

Saint-Saëns, Camille

Schubert, Franz

Schumann, Robert

Strauss, Richard

Taffanel, Claude Paul

Tulou, Jean-Louis

Wagner, Siegfried

Widor, Charles Marie Jean Albert

Grand Polonaise for flute and piano "(Op 16)

By Boehm Theobald

T. Boehm: Grand Polonaise for flute and piano (Op 16) was written in 1831, the same year when Frédéric Chopin finished his Grande Polonaise for piano and orchestra. The polonaise is an original Polish folk dance which sometimes was commonly used by Baroque composers as part of Baroque suites (including J.S.Bach).

Denis Bouriakov

Jeonghwa Hur (piano), 2021, recital recording

Grand Polonaise

YouTube icon

Jasmine Choi

Hugh Sung (piano), 2011, CDBaby

Grand Polonaise

YouTube icon

Paolo Taballione

James Jaewon Moon (piano), 2020, recital at Seoul Arts Center

Grand Polonaise

YouTube icon

Boehm Theobald

Theobald Boehm (1794-1881) was a German  flutist, composer and innovator who perfected the modern, Western concert flute and improved fingering system which became known as "Boehm system". From 1832 till 1847 he created new models of flute which was documented in his book "The Flute and Flute Playing".

Boehm’s new approach to redesign traditional flute led to possibility to build larger flutes, such as alto flute etc. The fingering system created by Boehm later was adapted for oboe and clarinet as well.
Boehm’s flute making skills came from his  upbringing: his father was a goldsmith. The acquired craft and experiments with various metals and materials led to making his own flute. Later young Theobald studied acoustics at the University of Munich while playing flute in the Royal Bavarian Orchestra.