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Romantic

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Romantic

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Solo repertoire

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Boehm Theobald

Akimenko, Theodore

Albeniz, Isaac

Andersen, Joachim

Barnett, John Francis

Bazzini, Antonio

Beach, Amy

Bellini, Vincenzo

Bizet, George

Blahetka, Leopoldine

Blodek, Wilhelm

Boehm, Theobald

Bonis, Mel

Borne, François

Brahms, Johannes

Briccialdi, Giulio

Bruch, Max

Caplet, André

Chaminade, Cécile

Chopin, Frédéric

Danzi, Franz Ignaz

Debussy, Claude

Demersseman, Jules-Auguste Edouard

Donizetti, Gaetano

Donjon, Johannes

Doppler, Albert Franz

Du Puy, Édouard

Dvořák, Antonin

Elgar, Edward

Fauré, Gabriel

Foote, Arthur

Franck, César

Frühling, Carl

Fürstenau, Anton Bernhard

Gade, Niels Wilhelm

Ganne, Louis

Génin, Paul Agricole

German, Edward

Glière, Reinhold

Godard, Benjamin

Gounod, Charles

Grandval, Clémence

Hahn, Reynaldo

Hüe, Georges Adolphe

Hummel, Johann Nepomuk

Jadassohn, Solomon

Kohler, Ernesto

Kreisler, Fritz

Kuhlau, Friedrich

Lefebvre, Charles Edouard

Liszt, Franz

Maier, Amanda

Massenet, Jules

Mendelssohn, Fanny

Mendelssohn, Felix

Mercadante, Saverio

Meyer-Olbersleben, Max

Molique, Wilhelm Bernhard

Morlacchi, Pietro

Mouquet, Jules

Nielsen, Carl

Paganini, Niccolo

Périlhou, Albert

Pierné, Gabriel

Popp, Wilhelm

Rabboni, Giuseppe

Reger, Max

Reichert, Matthieu Andre

Reinecke, Carl Heinrich Carsten

Ries, Ferdinand

Rietz, Julius

Rossini, Gioacchino

Saint-Saëns, Camille

Sarasate, Pablo de

Schubert, Franz

Schumann, Clara

Schumann, Robert

Sibelius, Jean

Silcher, Friedrich

Strauss, Richard

Taffanel, Claude Paul

Tulou, Jean-Louis

Vitali, Tomaso Antonio

Wagner, Siegfried

Widor, Charles Marie Jean Albert

Rondo Allegretto, Op. 30 for flute and piano from "Souvenir Des Alpes"

By Boehm Theobald

Theobald Boehm: Rondo Allegretto, Op. 30 for flute and piano was written in 1852. It is the fourth piece of the set titled Souvenir des Alpes (Opp. 27–32). The piece is categorized as a Morceau de Salon (salon piece). The entire Op. 27–32 set is dedicated to Richard Greville, Esq..
Like the other pieces in this set, Op. 30 was written shortly after Boehm perfected his cylindrical silver flute in 1847. The piece served as a practical demonstration of the new instrument's improved intonation and technical agility, particularly in the lower and middle registers. Boehm and his circle of students frequently performed these salon pieces in Munich to promote the artistic versatility of the Boehm-system flute.
The "Souvenir" title highlights the Romantic era's fascination with the Alps. While earlier pieces in the set emphasize lyrical, "singing" qualities, this Rondo Allegretto provides a light, dance-like contrast that showcases the flute's crisp articulation and bright tonal character.

Irina Stachinskaya

Nino Gurevich (piano), live performance, Munich, 2019

Rondo Allegretto

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Boehm Theobald

Theobald Boehm (1794-1881) was a German flutist, composer, and innovator who perfected the modern Western concert flute and developed an improved fingering system, which became known as the "Boehm system".

He was born, lived, worked, and died in the same house at No. 20 Altheimereck, Munich, Bavaria, where he occupied a flat. His father was a renowned jeweler and goldsmith who had entrusted his profession to the young Boehm by the age of fourteen.
As a boy, Boehm was very fond of music and taught himself the flageolet (tin whistle) and the one-keyed flute. At the age of 16, he made himself a copy of a Grenser instrument, a four-keyed flute. Around that time, Johann Nepomuk Capeller, the flutist of the Royal Court Orchestra, started to give him lessons, and by the time Boehm was 18 years old, he had acquired the position of first flute at the Royal Isarthor Theatre in Munich.

In 1819, at the age of 25, Boehm ended his career as a goldsmith and devoted himself fully to music. Overall, Boehm has composed 47 compositions for the flute.

From 1832 till 1847 he created new models of flute which was documented in his book "The Flute and Flute Playing". Boehm’s new approach to redesign traditional flute led to possibility to build larger flutes, such as alto flute etc. The fingering system created by Boehm later was adapted for oboe and clarinet as well.
Boehm’s flute making skills came from his upbringing: his father was a goldsmith. The acquired craft and experiments with various metals and materials led to making his own flute. Later young Theobald studied acoustics at the University of Munich while playing flute in the Royal Bavarian Orchestra.