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Baroque

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Boismortier Joseph Bodin de

Albinoni, Tomaso Giovanni

Bach, Carl Philipp Emanuel

Bach, Johann Sebastian

Bach, Wilhelm Friedmann

Barre, Michel de la

Benda, Franz

Blavet, Michel

Boccherini, Luigi

Boismortier, Joseph Bodin de

Čart, Jiří

Chédeville, Nicolas

Corelli, Arcangelo

Corrette, Michel

Couperin, François

Handel, George Frideric

Hotteterre, Jacques-Martin

Leclair, Jean-Marie l'aîné

Locatelli, Pietro Antonio

Loeillet (de Gant), Jean-Baptiste

Marais, Marin

Marc, Thomas

Marcello, Benedetto

Martini, Giovanni Battista

Müthel, Johann Gottfried

Pachelbel, Johann

Pergolesi, Giovanni Battista

Platti, Giovanni Benedetto

Quantz, Johann Joachim

Telemann, Georg Philipp

Tromlitz, Johann George

Vitali, Tomaso Antonio

Vivaldi, Antonio

Suite for flute solo No 3 in G minor, Op. 35

By Boismortier Joseph Bodin de

J.B. de Boismortier: Six Suites for flute solo, Op 35, were published in Paris in 1731. Typical French baroque style with elegant agréments, short dance movements, and very playable ranges.
All suites written as true unaccompanied traverso suites, with optional continuo.
When playing “solo,” articulate the bass line implicitly through phrasing and tone color; when adding continuo (ad libitum), keep registrations light so the flute’s agréments remain audible.

 

Bernhard Bohm

1989, CPO / Naxos

1. Prelude

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Bernhard Bohm

1989, CPO / Naxos

2. Courante

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Bernhard Bohm

1989, CPO / Naxos

3. Rondeau

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Bernhard Bohm

1989, CPO / Naxos

4. Autre rondeau

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Bernhard Bohm

1989, CPO / Naxos

5. Sarabande

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Bernhard Bohm

1989, CPO / Naxos

6. Gavotte

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Boismortier Joseph Bodin de

Joseph Bodin de Boismortier (1689-1755) was a versatile French composer known for his operas, ballets, sacred music, as well as many instrumental works that helped to define the soundscape of early-18th-century Paris. Born and Thionville (France) and raised in Metz and Perpignan, he absorbed provincial musical life before moving to Paris in 1723, where he secured a royal privilege to engrave and publish his own music.
That entrepreneurial step—unusual for the time—let him write directly for the city’s booming market of skilled amateurs and print quickly in elegant, player-friendly editions. By his late fifties, he had issued well over 100 opus numbers, becoming not just popular but financially successful, a rare feat for a composer of his era.
By his late 50s he managed to compose and publish over 100 works and became very popular and even rich. Boismortier is known as the first composer to write the first French solo concerto (cello or bassoon) in 1729, as well as many compositions for the transverse flute. Since he wrote music mostly for amateur musicians, he also wrote a flute instruction method that has been considered lost.