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21st century

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Borisova-Ollas Victoria

Adler, Samuel

Albert, Adrienne

Amlin, Martin

Arnauts, Dimitri

Bacri, Nicolas

Baksa, Robert

Balter, Marcos

Beal, Jeff

Bilotta, John

Borisova-Ollas, Victoria

Bullard, Janice Maille

Bunch, Kenji

Carter, Elliott

Chamberlain, Nicole

Chyrzynski, Marcel

Clarke, Ian

Coleman, Valerie

Connesson, Guillaume

Costa Roldán, Eduardo

Cueto, Daniel

Dalbavie, Marc-André

Daugherty, Michael

Dehnhard, Tilmann

Desenne, Paul

Dorff, Daniel

Egger, Fabian Johannes

Eggert, Kenneth

Firšt, Nenad

Furrer, Beat

Garrop, Stacy

Ghidoni, Armando

Gibb, Charles

Hailstork, Adolphus

Harberg, Amanda

Hersh, Howard

Hoover, Katherine

Igudesman, Aleksey

Ittzés, Gergely

Kernis, Aaron Jay

Khoury, Houstaf

Kukal, Ondřej

León, Tania

Lias, Stephen

Liebermann, Lowell

Lindberg, Christian

Linthicum-Blackhorse, William

Louke, Phyllis Avidan

Magalif, Eugene

Mitchell, Jonathan

Monroe, Ervin

Mower, Mike

Mucha, Geraldine

Mulleman, Tim

Ornstein, Maarten

Pann, Carter

Panufnik, Roxanna

Pärt, Arvo

Pattillo, Greg

Penman, Katrina

Petrič, Ivo

Price, William

Pritsker, Gene

Pucihar, Blaž

Ran, Shulamit

Rea, Stephanie

Rotaru, Doina

Rozman, Anže

Schocker, Gary

Schwantner, Joseph

Sciarrino, Salvatore

Seif, Sami

Serebrier, José

Skipworth, Lachlan

Sollberger, Harvey

Somma, Victor

Uébayashi, Yuko

Vasks, Pēteris

Widmann, Jörg

Witt, Carl

Woolf, Randall

Yi, Chen

Four Pieces for flute solo

Four Pieces for flute solo

By Borisova-Ollas Victoria

Victoria Borisova-Ollas: Four Pieces for flute solo was written in 2007. The pieces were written for and in collaboration with the world-renowned flutist Emmanuel Pahud. Pahud provided feedback on the early drafts of the score during the composition process. The pieces were first published in 2007 as part of a collaborative volume by Universal Edition titled Flute Project: New Pieces for Flute Solo, which featured five composers collaborating with five prominent flutists.
The titles of these four short pieces are intended to trigger the imagination of both the player and the audience:
1. Birdy: Energetic, featuring chirping sounds and contrasting silences.
2. Elegy: A lyrical, melodic movement and the most frequently performed of the set.
3. Happy Hour: A spikey, virtuosic miniature filled with chromatic alterations and semiquavers.
4. Walk on Moonlight: Atmospheric, using fragmented sounds that resolve into a lyrical phrase.
In 2007, Borisova-Ollas was firmly established as a leading voice in contemporary Swedish music, having recently received an Award of the Swedish Music Publishers Association for her work The Ground Beneath Her Feet. This period marked a peak in her chamber music productivity, following the 2005 premiere of her Symphony No. 1 and preceding her major 2008 commission, Angelus, for the city of Munich.

Nicole Esposito

Live performance at the University of Iowa, 2024

1. Birdy; 2. Elegy; 3. Happy Hour; 4. Walk on Moonlight

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Borisova-Ollas Victoria

Victoria Borisova-Ollas (1969) is an award-winning Russian-Swedish composer known for her vivid orchestral colors and "glittering" soundscapes.
Born in Vladivostok, Russia, she received her initial training at the Moscow Central School of Music and the Tchaikovsky Conservatory, where she studied under Nikolai Korndorf.
In 1992, she moved to Sweden and continued her advanced studies at the Royal College of Music in Stockholm and the Malmö Academy of Music. She completed further post-graduate research at the Royal Academy of Music in London, studying with Paul Patterson.
Her compositions are characterized by a dramatic sense of narrative and an ability to create dense, shimmering orchestral textures.
Among her most notable compositions: orchestra work "Angelus" (2008); an "orchestral song cycle" with narration based on the novel by Salman Rushdie: "The Ground Beneath Her Feet"(2007), and "Exodus" (2021).