21st century
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Borisova-Ollas Victoria
Adler, Samuel
Albert, Adrienne
Amlin, Martin
Arnauts, Dimitri
Bacri, Nicolas
Baksa, Robert
Balter, Marcos
Beal, Jeff
Bilotta, John
Borisova-Ollas, Victoria
Bullard, Janice Maille
Bunch, Kenji
Carter, Elliott
Chamberlain, Nicole
Chyrzynski, Marcel
Clarke, Ian
Coleman, Valerie
Connesson, Guillaume
Costa Roldán, Eduardo
Cueto, Daniel
Dalbavie, Marc-André
Daugherty, Michael
Dehnhard, Tilmann
Desenne, Paul
Dorff, Daniel
Egger, Fabian Johannes
Eggert, Kenneth
Firšt, Nenad
Furrer, Beat
Garrop, Stacy
Ghidoni, Armando
Gibb, Charles
Hailstork, Adolphus
Harberg, Amanda
Hersh, Howard
Hoover, Katherine
Igudesman, Aleksey
Ittzés, Gergely
Kernis, Aaron Jay
Khoury, Houstaf
Kukal, Ondřej
León, Tania
Lias, Stephen
Liebermann, Lowell
Lindberg, Christian
Linthicum-Blackhorse, William
Louke, Phyllis Avidan
Magalif, Eugene
Mitchell, Jonathan
Monroe, Ervin
Mower, Mike
Mucha, Geraldine
Mulleman, Tim
Ornstein, Maarten
Pann, Carter
Panufnik, Roxanna
Pärt, Arvo
Pattillo, Greg
Penman, Katrina
Petrič, Ivo
Price, William
Pritsker, Gene
Pucihar, Blaž
Ran, Shulamit
Rea, Stephanie
Rotaru, Doina
Rozman, Anže
Schocker, Gary
Schwantner, Joseph
Sciarrino, Salvatore
Seif, Sami
Serebrier, José
Skipworth, Lachlan
Sollberger, Harvey
Somma, Victor
Uébayashi, Yuko
Vasks, Pēteris
Widmann, Jörg
Witt, Carl
Woolf, Randall
Yi, Chen
Four Pieces for flute solo
Victoria Borisova-Ollas: Four Pieces for flute solo was written in 2007. The pieces were written for and in collaboration with the world-renowned flutist Emmanuel Pahud. Pahud provided feedback on the early drafts of the score during the composition process. The pieces were first published in 2007 as part of a collaborative volume by Universal Edition titled Flute Project: New Pieces for Flute Solo, which featured five composers collaborating with five prominent flutists.
The titles of these four short pieces are intended to trigger the imagination of both the player and the audience:
1. Birdy: Energetic, featuring chirping sounds and contrasting silences.
2. Elegy: A lyrical, melodic movement and the most frequently performed of the set.
3. Happy Hour: A spikey, virtuosic miniature filled with chromatic alterations and semiquavers.
4. Walk on Moonlight: Atmospheric, using fragmented sounds that resolve into a lyrical phrase.
In 2007, Borisova-Ollas was firmly established as a leading voice in contemporary Swedish music, having recently received an Award of the Swedish Music Publishers Association for her work The Ground Beneath Her Feet. This period marked a peak in her chamber music productivity, following the 2005 premiere of her Symphony No. 1 and preceding her major 2008 commission, Angelus, for the city of Munich.
Live performance at the University of Iowa, 2024
1. Birdy; 2. Elegy; 3. Happy Hour; 4. Walk on Moonlight
Victoria Borisova-Ollas (1969) is an award-winning Russian-Swedish composer known for her vivid orchestral colors and "glittering" soundscapes.
Born in Vladivostok, Russia, she received her initial training at the Moscow Central School of Music and the Tchaikovsky Conservatory, where she studied under Nikolai Korndorf.
In 1992, she moved to Sweden and continued her advanced studies at the Royal College of Music in Stockholm and the Malmö Academy of Music. She completed further post-graduate research at the Royal Academy of Music in London, studying with Paul Patterson.
Her compositions are characterized by a dramatic sense of narrative and an ability to create dense, shimmering orchestral textures.
Among her most notable compositions: orchestra work "Angelus" (2008); an "orchestral song cycle" with narration based on the novel by Salman Rushdie: "The Ground Beneath Her Feet"(2007), and "Exodus" (2021).