Romantic
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Borne François
Akimenko, Theodore
Albeniz, Isaac
Andersen, Joachim
Barnett, John Francis
Bazzini, Antonio
Beach, Amy
Bellini, Vincenzo
Bizet, George
Blahetka, Leopoldine
Blodek, Wilhelm
Boehm, Theobald
Bonis, Mel
Borne, François
Brahms, Johannes
Briccialdi, Giulio
Bruch, Max
Caplet, André
Chaminade, Cécile
Chopin, Frédéric
Danzi, Franz Ignaz
Debussy, Claude
Demersseman, Jules-Auguste Edouard
Donizetti, Gaetano
Donjon, Johannes
Doppler, Albert Franz
Du Puy, Édouard
Dvořák, Antonin
Elgar, Edward
Fauré, Gabriel
Foote, Arthur
Franck, César
Frühling, Carl
Fürstenau, Anton Bernhard
Gade, Niels Wilhelm
Ganne, Louis
Génin, Paul Agricole
German, Edward
Glière, Reinhold
Godard, Benjamin
Gounod, Charles
Grandval, Clémence
Hahn, Reynaldo
Hüe, Georges Adolphe
Hummel, Johann Nepomuk
Jadassohn, Solomon
Kohler, Ernesto
Kreisler, Fritz
Kuhlau, Friedrich
Lefebvre, Charles Edouard
Liszt, Franz
Maier, Amanda
Massenet, Jules
Mendelssohn, Fanny
Mendelssohn, Felix
Mercadante, Saverio
Meyer-Olbersleben, Max
Molique, Wilhelm Bernhard
Morlacchi, Pietro
Mouquet, Jules
Nielsen, Carl
Paganini, Niccolo
Périlhou, Albert
Pierné, Gabriel
Popp, Wilhelm
Rabboni, Giuseppe
Reger, Max
Reichert, Matthieu Andre
Reinecke, Carl Heinrich Carsten
Ries, Ferdinand
Rietz, Julius
Rossini, Gioacchino
Saint-Saëns, Camille
Sarasate, Pablo de
Schubert, Franz
Schumann, Clara
Schumann, Robert
Sibelius, Jean
Silcher, Friedrich
Strauss, Richard
Taffanel, Claude Paul
Tulou, Jean-Louis
Vitali, Tomaso Antonio
Wagner, Siegfried
Widor, Charles Marie Jean Albert
Carmen Fantasy for Flute and orchestra
Carmen Fantasy for Flute and orchestra
F. Borne: "Fantasie Brillante" on Themes from George Bizet's opera "Carmen" for flute and piano was written in 1880, five years after the premiere of the opera. Fantasy was a very popular form of composition at that time, showcasing the capabilities of solo instrument.
At the time of composition, Borne was a flutist with the orchestra of the Grand Théâtre de Bordeaux. Additionally, together with Djalma Julliot, he co-invented the "split E" mechanism on the flute, later known as the Borne-Julliot system, further advancing the Boehm system and enhancing the playability of the flute.
Borne François
François Borne (1840-1920) was a French flutist and composer. Born in Toulouse, France, in a family of a farmer and gardener, he early showed aptitude for music. By age 13, he was already entrusted with playing the great organ at the Église Saint-Denis in Montpellier. Despite offers for prestigious positions in Paris, he remained deeply rooted in his native region.
Borne served as the principal flutist for the orchestra of the Grand Théâtre de Bordeaux (Bordeaux Opera House). Additionally, he was a dedicated educator, serving as a professor at the Conservatoire de Musique de Toulouse (Toulouse Conservatory).
Beyond performing, he was an expert in flute mechanics. He is famously credited with co-inventing the "split E" mechanism with Djalma Julliot, a technical modification that improved the playability of the high E on the Boehm system flute.
Due to Boehm's inventions, many composers took advantage of now fully chromatic instrument to showcase new possibilities of the flute. The Fantasie Brilliante was one of the fantasies composed in the second part of the 19th century and greatly contributed to the flute repertoire.