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20th century

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Solo repertoire

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Alto flute

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Boulanger Marie-Juliette

Aitken, Robert

Amirov, Fikret

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Amram, David

Andriessen, Jurriaan

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Boulanger, Marie-Juliette

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Nocturne for Flute and Piano

By Boulanger Marie-Juliette

Lili Boulanger: Nocturne for Flute and Piano was written in 1911, and originally scored for solo violin and piano accompaniment. As the title suggests the nighttime was the basis of inspiration for this composition.
The Nocturne was written a year before she started her composition studies at the Paris Conservatoire while already being proficient at singing and playing the piano, violin, cello, and harp.

Juliette Hurel

Helène Couvert (piano), live performance on 3 November, 2019, Flautissimo Roma.

Nocturne

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Boulanger Marie-Juliette

Marie-Juliette ("Lili") Boulanger (1893-1918) was a French composer of extraordinary talent who, despite her tragically short life, became one of the most significant figures in early 20th-century music.
Born in Paris to a highly distinguished musical family. Her father, Ernest Boulanger, was a Prix de Rome-winning composer and professor at the Paris Conservatoire. Her mother, Raïssa Myashetskaya, was a Russian princess and singer. Her elder sister was the legendary pedagogue Nadia Boulanger.
At the age of two, Lili contracted bronchial pneumonia, which permanently weakened her immune system and led to what is now believed to be Crohn’s disease. Her life was a constant struggle with chronic illness, which informed the spiritual and melancholy nature of her music. Her talent was identified early by family friend Gabriel Fauré, who discovered she had perfect pitch. Too ill to attend classes regularly, she was homeschooled by her sister and later studied at the Paris Conservatoire under Paul Vidal and Georges Caussade.
In 1913, at age 19, she became the first woman ever to win the Grand Prix de Rome for her cantata "Faust et Hélène". This shattered a centuries-old glass ceiling in French music and made her an international celebrity. Her stay at the Villa Medici in Rome was interrupted by the outbreak of World War I. She returned to Paris and co-founded an organization to support musicians serving in the war.
Aware of her approaching death, she spent her final years in a feverish burst of creativity, dictating her final masterpiece, the Pie Jesu, to her sister Nadia while on her deathbed. Among her most prominent works: Les sirènes for soprano and choir, three psalm settings, and the symphonic poem "D'un matin de printemps".