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Bournonville Armand

Aitken, Robert

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"Danse Pour Katia" for flute and piano

"Danse Pour Katia" for flute and piano

By Bournonville Armand

Armand Bournonville: "Danse Pour Katia" for flute and piano was written in 1929 and dedicated to Marcel Moyse.
The title likely refers to a dedication to a young family member or student, which was a common practice for pedagogical salon pieces in 1920s France. In the context of early 20th-century French music, "Katia" was a fashionable, slightly exotic diminutive name for Catherine.
This piece is a lighthearted, intermediate-level waltz for flute and piano that is widely used in pedagogical settings, featuring elements common to French flute music of the era, such as whole-tone scales and a "singing" (ben cantando) style.
In 1929, Bournonville was active as a composer and pedagogue in France. During this same year, his dedicatee, Marcel Moyse, was at the height of his performing career in Paris, just before becoming a professor at the Paris Conservatory in the 1930s.

Leonard Garrison

Roger McVey (piano), 2015, Albany Records / Orchard

Danse pour Katia

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Bournonville Armand

Armand Bournonville (1890–1957) was a French composer, conductor, and pedagogue who was a minor but respected figure in the French wind music tradition during the first half of the 20th century.
His formal training was likely heavily focused on musical theory and analysis, as he later became a specialist in solfège music. Additionally, born into a period when the "French Flute School" led by Paul Taffanel and Philippe Gauberty, Bournonville was exposed to the technical innovations and stylistic elegance of Paris's elite musical circles from a young age. This influence is evident in his melodic, "salon-style" compositions. He excelled at writing "character pieces". Works that were musically charming and accessible while providing technical value for students.

His style is characterized by lyrical, "singing" melodies (ben cantando) and the occasional use of impressionistic harmonies, such as whole-tone scales, which were popular in Paris during his active years.
Bournonville's music gained widespread international reach through the American flutist and pedagogue Robert Cavally, who was a student of Marcel Moyse.