20th century
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Bozza Eugène Joseph
Aitken, Robert
Amirov, Fikret
Amlin, Martin
Amram, David
Andriessen, Jurriaan
Arnold, Malcolm
Arrieu, Claude
Auric, Georges
Babbit, Milton
Bacchus, Peter
Bacri, Nicolas
Baker, Michael Conway
Baksa, Robert
Barber, Samuel
Barrere, Georges
Bartók, Béla Viktor János
Baton, René-Emmanuel
Beaser, Robert
Bennet, Richard Rodney
Berg, Gunnar
Berio, Luciano
Bernofsky, Lauren
Bernstein, Leonard
Bloch, Ernest
Bolling, Claude
Bon, Maarten
Bonis, Mel
Boughton, Rutland
Boulanger, Marie-Juliette
Boulez, Pierre
Bourdin, Roger
Bournonville, Armand
Bowen, Edwin York
Bozza, Eugène Joseph
Bréville, Pierre
Brings, Allen
Brotons, Salvador
Brown, Elizabeth
Brun, Georges
Burkhard, Willy
Burton, Eldin
Büsser, Henri
Camus, Pierre
Carmichael, John
Carter, Elliott
Casella, Alfredo
Chaynes, Charles
Clarke, Ian
Colgrass, Michael
Colquhoun, Michael
Copland, Aaron
Corigliano, John
Cortese, Luigi
Currier, Sebastian
Dahl, Walter Ingolf Marcus
Damase, Jean-Michel
Davidovsky, Mario
De Lorenzo, Leonardo
Debussy, Claude
Del Tredici, David
DeLaney, Charles Oliver
Delerue, Georges
Denisov, Edison
Dèsbriere, Jacques
Dick, Robert
Dinicu, Grigoraș
Dodgson, Stephen
Dohnányi, Ernő
Dubois, Pierre Max
Dukas, Paul
Durey, Louis
Dutilleux, Henri
Enescu, George
Farkas, Ferenc
Feld, Jindřich
Ferroud, Pierre-Octave
Flothuis, Marius
Folio, Cynthia
Foote, Arthur
Foss, Lukas
Françaix, Jean
Fukushima, Kazuo
Gade, Jacob
Gál, Hans
Gaubert, Philippe
Genzmer, Harald
George, Thom Ritter
Ghidoni, Armando
Gieseking, Walter
Glass, Philip
Glière, Reinhold
Golovin, Andrei
Gordeli, Otar
Grier, Lita
Griffes, Charles Tomlinson
Grinblat, Romuald
Grovlez, Gabriel
Guarnieri, Mozart Camargo
Gubajdulina, Sofia
Hahn, Reynaldo
Hailstork, Adolphus
Halphen, Fernand
Hanson, Howard Harold
Harberg, Amanda
Harbison, John
Harsányi, Tibor
Harty, Hamilton
Heiss, John
Heith, David
Henze, Hans-Werner
Higdon, Jennifer
Hindemith, Paul
Holliger, Heinz
Holmboe, Vagn
Honegger, Arthur
Hoover, Katherine
Hosokawa, Toshio
Hovhaness, Alan
Hüe, Georges Adolphe
Hurel, Philippe
Ibert, Jacques
Ichiyanagi, Toshi
Ittzés, Gergely
Ives, Charles
Jacob, Gordon
James, Bob
Jemnitz, Sándor
Jirák, Karel Boleslav
Jóhannsson, Magnús Blöndal
Jolivet, André
Jongen, Joseph
Karg-Elert, Sigfrid
Kay, Ulysses
Kelterborn, Rudolf
Ķeniņš, Tālivaldis
Kennan, Kent Wheeler
Kennedy, Martin
Kernis, Aaron Jay
Khachaturian, Aram
Kocsár, Miklós
Kodaly, Zoltan
Koechlin, Charles
Kornauth, Egon
Kraft, Leo
Krzywicki, Jan
Kupferman, Meyer
La Montaine, John
Lauber, Joseph
Lavista, Mario
Lee, Eugene
Leeuwen, Ary van
Levinson, Gerald
Liebermann, Lowell
Loudova, Ivana
Mack, Dieter
Mahler, Gustav
Maresz, Yan
Martin, Frank
Martino, Donald
Martinů, Bohuslav
Meltzer, Harold
Messiaen, Olivier
Mihalovici, Marcel
Milhaud, Darius
Mouquet, Jules
Mower, Mike
Muczynski, Robert
Nielsen, Carl
Norby, Erik
Nordenstrom, Gladys
Offermans, Wil
Olsen, Carl Gustav Sparre
Paget, Daniel
Perle, George
Petrovics, Emil
Piazzolla, Astor
Piston, Walter
Poulenc, Francis
Prokofiev, Sergey
Rachmaninoff, Sergei
Ran, Shulamit
Raphael, Günter
Rautavaara, Einojuhani
Ravel, Maurice
Reynolds, Verne
Riegger, Wallingford
Rivier, Jean
Rodrigo, Joaquin
Rota, Nino
Rotaru, Doina
Rouse, Christopher
Roussel, Albert
Rutter, John
Saariaho, Kaija
Sancan, Pierre
Schmidt, Ole
Schocker, Gary
Schulhoff, Erwin
Schwantner, Joseph
Sciarrino, Salvatore
Shostakovich, Dmitri
Sibelius, Jean
Smit, Leo
Tailleferre, Germaine
Takemitsu, Tōru
Taktakishvili, Otar
Tansman, Alexandre
Tomasi, Henri
Tower, Joan
Uébayashi, Yuko
Varèse, Edgar
Vasks, Pēteris
Weigl, Vally
Weinberg, Mieczysław
Wilder, Alec
Williams, Ralph Vaughan
Yi, Chen
Yun, Isang
Zgraja, Krystof
Fantaisie Italienne for flute and piano
E.J. Bozza: "Fantaisie Italienne" for flute and piano was written in 1939, just after his Rome years (Prix de Rome 1934; Villa Médicis residence) and at the moment he began conducting at the Opéra-Comique (Paris, appointment in 1938). The title signals the music’s “Italianate” character, marked by a vocal, operatic opening and a finale with a dance impulse.
The structure of this piece is akin to a compact fantasy: an exordium/cadenza, a lyrical cantabile, followed by quick, extroverted writing that invites nimble articulation and theatrical timing.
First issued by Alphonse Leduc for clarinet and piano and later published for flute and piano (Leduc, 1953), the work belongs to Bozza’s fertile late-1930s wind period, when—fresh from his Prix de Rome years and newly engaged at Paris’s Opéra-Comique—he defined the poised, songful virtuosity that made his name among wind players.
Yeaji Han (flute), live performance at the Kumho Art Hall, 2019
Fantaisie Italienne
Bozza Eugène Joseph
Eugène Bozza (1905-1991) was a French violinist and composer, and is mostly known as one of the most prolific composers of chamber music for wind instruments. Born in Nice, he started his musical training with his father, who was a violinist. At the age of eleven, he entered the Royal Conservatory of Saint Cecilia of Rome. He completed his studies there in 1919 at the age of seventeen, receiving a diploma in violin. In 1922, Bozza entered the Paris Conservatory of Music, studying violin with Edouard Nadaud.
In 1924, he graduated with the first prize in violin and took a position of solo violinist with L 'L'Orchestre de Pasdeloup in 1925. Five years later, Bozza reentered the Paris Conservatory to study
conducting with Henri Rabaud. In 1931, while completing his military service, he was awarded the first prize in conducting. Later that year, he was appointed to the Ballet Russe de Monte Carlo as conductor, where he stayed for one year.
In 1932, he entered the Paris Conservatory for the third time to study composition with Henri Büsser.
In 1934, after winning the first prize in composition, he was awarded the Premier Grand Prix de Rome for his work Légende de Roukmani.
Upon returning from Rome, Bozza was appointed Chef d'Orchestre at the Opera Comique in 1938, where he worked until 1950. During that time, he composed most of his compositions for woodwinds.
In 1950, he became the director of the Ecole Nationale de Musique in Valenciennes, France, a post he held until his retirement in 1975. During these years, Bozza composed most of his chamber music compositions.
Despite a vast spectrum of large-scale works, Bozza is mostly known as a composer of various instrumental works. Among his key works: concertos for tuba, clarinet, and French horn,an Aria for Alto Saxophone and Piano, Image for solo flute.