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Briccialdi Giulio

Akimenko, Theodore

Albeniz, Isaac

Andersen, Joachim

Barnett, John Francis

Bazzini, Antonio

Beach, Amy

Bellini, Vincenzo

Bizet, George

Blahetka, Leopoldine

Blodek, Wilhelm

Boehm, Theobald

Bonis, Mel

Borne, François

Brahms, Johannes

Briccialdi, Giulio

Bruch, Max

Caplet, André

Chaminade, Cécile

Chopin, Frédéric

Danzi, Franz Ignaz

Debussy, Claude

Demersseman, Jules-Auguste Edouard

Donizetti, Gaetano

Donjon, Johannes

Doppler, Albert Franz

Du Puy, Édouard

Dvořák, Antonin

Elgar, Edward

Fauré, Gabriel

Foote, Arthur

Franck, César

Frühling, Carl

Fürstenau, Anton Bernhard

Gade, Niels Wilhelm

Ganne, Louis

Génin, Paul Agricole

German, Edward

Glière, Reinhold

Godard, Benjamin

Gounod, Charles

Grandval, Clémence

Hahn, Reynaldo

Hüe, Georges Adolphe

Hummel, Johann Nepomuk

Jadassohn, Solomon

Kohler, Ernesto

Kreisler, Fritz

Kuhlau, Friedrich

Lefebvre, Charles Edouard

Liszt, Franz

Maier, Amanda

Massenet, Jules

Mendelssohn, Fanny

Mendelssohn, Felix

Mercadante, Saverio

Meyer-Olbersleben, Max

Molique, Wilhelm Bernhard

Morlacchi, Pietro

Mouquet, Jules

Nielsen, Carl

Paganini, Niccolo

Périlhou, Albert

Pierné, Gabriel

Popp, Wilhelm

Rabboni, Giuseppe

Reger, Max

Reichert, Matthieu Andre

Reinecke, Carl Heinrich Carsten

Ries, Ferdinand

Rietz, Julius

Rossini, Gioacchino

Saint-Saëns, Camille

Sarasate, Pablo de

Schubert, Franz

Schumann, Clara

Schumann, Robert

Sibelius, Jean

Silcher, Friedrich

Strauss, Richard

Taffanel, Claude Paul

Tulou, Jean-Louis

Vitali, Tomaso Antonio

Wagner, Siegfried

Widor, Charles Marie Jean Albert

Ballabile Di Concerto for flute and piano, Op. 15

By Briccialdi Giulio

Giulio Briccialdi: Ballabile Di Concerto for flute and piano, Op. 15 was written in the late 1830s or early 1840s while Briccialdi was active in Italy (Rome, Naples, or Milan).
Originally composed for flute and orchestra, this virtuoso showpiece bridges the gap between a concerto movement and a traditional dance. A "Ballabile" is a piece of music intended for dancing, often found in 19th-century Italian operas. Briccialdi’s version is a stylized, highly technical work that reflects the Bel Canto influence of his era, blending catchy, dance-like melodies with challenging technical displays.
The work is dedicated to C. Heinemeyer. This likely refers to Christian Heinemeyer (1796–1872), a celebrated German flutist and contemporary of Briccialdi.

Paul Lustig Dunkel (flute), Peter Basquin (piano), live recital recording, 2006, MSR Classics / Orchard

Ballabile Di Concerto

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Briccialdi Giulio

Giulio Briccialdi (1818-1881) was a preeminent Italian flutist and composer, widely hailed during his lifetime as the
"Paganini of the Flute." He was a central figure in transitioning the flute into its modern form and expanding its technical repertoire. Briccialdi is most famous among flutists for inventing the B-flat thumb lever in 1849. This mechanical improvement solved a major fingering difficulty on the Boehm-system flute and remains a standard feature on nearly every flute manufactured nowadays.
Born in Terni, he became the flute teacher to the Count of Syracuse (brother of the King of Naples) at age 17. He later toured Europe and the Americas as a celebrated virtuoso, known for his extraordinary speed and melodic grace. He was a master of the operatic paraphrase, creating elaborate fantasies on works by Verdi (such as Rigoletto and Macbeth), Rossini, and Bellini.
After years of touring Europe and America, Briccialdi spent the 1850s transitioning back to his home country. He returned to Milan and Turin for concert series in 1852, eventually settling permanently in Florence by 1870 to focus on teaching. His technical studies and his appointment as Professor of Flute at the Florence Conservatory ensured his influence on future generations of performers. Upon his death in 1881, he was so revered that a public subscription was organized to return his remains to his birthplace in Terni, where the city's Conservatorio Statale di Musica Giulio Briccialdi is named in his honor.