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Briccialdi Giulio

Akimenko, Theodore

Albeniz, Isaac

Andersen, Joachim

Barnett, John Francis

Bazzini, Antonio

Beach, Amy

Bellini, Vincenzo

Bizet, George

Blahetka, Leopoldine

Blodek, Wilhelm

Boehm, Theobald

Bonis, Mel

Borne, François

Brahms, Johannes

Briccialdi, Giulio

Bruch, Max

Caplet, André

Chaminade, Cécile

Chopin, Frédéric

Danzi, Franz Ignaz

Debussy, Claude

Demersseman, Jules-Auguste Edouard

Donizetti, Gaetano

Donjon, Johannes

Doppler, Albert Franz

Du Puy, Édouard

Dvořák, Antonin

Elgar, Edward

Fauré, Gabriel

Foote, Arthur

Franck, César

Frühling, Carl

Fürstenau, Anton Bernhard

Gade, Niels Wilhelm

Ganne, Louis

Génin, Paul Agricole

German, Edward

Glière, Reinhold

Godard, Benjamin

Gounod, Charles

Grandval, Clémence

Hahn, Reynaldo

Hüe, Georges Adolphe

Hummel, Johann Nepomuk

Jadassohn, Solomon

Kohler, Ernesto

Kreisler, Fritz

Kuhlau, Friedrich

Lefebvre, Charles Edouard

Liszt, Franz

Maier, Amanda

Massenet, Jules

Mendelssohn, Fanny

Mendelssohn, Felix

Mercadante, Saverio

Meyer-Olbersleben, Max

Molique, Wilhelm Bernhard

Morlacchi, Pietro

Mouquet, Jules

Nielsen, Carl

Paganini, Niccolo

Périlhou, Albert

Pierné, Gabriel

Popp, Wilhelm

Rabboni, Giuseppe

Reger, Max

Reichert, Matthieu Andre

Reinecke, Carl Heinrich Carsten

Ries, Ferdinand

Rietz, Julius

Rossini, Gioacchino

Saint-Saëns, Camille

Sarasate, Pablo de

Schubert, Franz

Schumann, Clara

Schumann, Robert

Sibelius, Jean

Silcher, Friedrich

Strauss, Richard

Taffanel, Claude Paul

Tulou, Jean-Louis

Vitali, Tomaso Antonio

Wagner, Siegfried

Widor, Charles Marie Jean Albert

Flute Concerto No. 4 in A-Flat Major

By Briccialdi Giulio

Giulio Briccialdi: Flute Concerto No. 4 in A-Flat Major was written during Briccialdi's most active years as a traveling virtuoso, likely between 1846 and 1867.
Briccialdi, known as "The Prince of the Flute," wrote this concerto as a personal vehicle for his own performances. Unlike his popular operatic paraphrases designed for commercial success, these concertos were based on original material and designed to showcase the full technical range of the newly evolved Boehm-system flute. The work is written in the "Italian Bel Canto" style, blending lyrical, song-like melodies with extreme "Paganini-like" virtuosity.
At the time of its likely composition, Briccialdi was at the height of his fame, touring major European capitals like Vienna, London, and Munich. He was also heavily involved in the technical development of the instrument, having recently introduced the B-flat thumb key (often called the "Briccialdi key"), which allowed for the increased technical speed demonstrated in this concerto.

Ginevra Petrucci

Virtuosi Italiani, 2008, Ricordi

1. Allegro ma non tanto

00:00
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Ginevra Petrucci

Virtuosi Italiani, 2008, Ricordi

2. Valse lento

00:00
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Ginevra Petrucci

Virtuosi Italiani, 2008, Ricordi

3. Allegro con fuoco

00:00
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Briccialdi Giulio

Giulio Briccialdi (1818-1881) was a preeminent Italian flutist and composer, widely hailed during his lifetime as the
"Paganini of the Flute." He was a central figure in transitioning the flute into its modern form and expanding its technical repertoire. Briccialdi is most famous among flutists for inventing the B-flat thumb lever in 1849. This mechanical improvement solved a major fingering difficulty on the Boehm-system flute and remains a standard feature on nearly every flute manufactured nowadays.
Born in Terni, he became the flute teacher to the Count of Syracuse (brother of the King of Naples) at age 17. He later toured Europe and the Americas as a celebrated virtuoso, known for his extraordinary speed and melodic grace. He was a master of the operatic paraphrase, creating elaborate fantasies on works by Verdi (such as Rigoletto and Macbeth), Rossini, and Bellini.
After years of touring Europe and America, Briccialdi spent the 1850s transitioning back to his home country. He returned to Milan and Turin for concert series in 1852, eventually settling permanently in Florence by 1870 to focus on teaching. His technical studies and his appointment as Professor of Flute at the Florence Conservatory ensured his influence on future generations of performers. Upon his death in 1881, he was so revered that a public subscription was organized to return his remains to his birthplace in Terni, where the city's Conservatorio Statale di Musica Giulio Briccialdi is named in his honor.