Romantic
Baroque
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Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Briccialdi Giulio
Akimenko, Theodore
Albeniz, Isaac
Andersen, Joachim
Barnett, John Francis
Bazzini, Antonio
Beach, Amy
Bellini, Vincenzo
Bizet, George
Blahetka, Leopoldine
Blodek, Wilhelm
Boehm, Theobald
Bonis, Mel
Borne, François
Brahms, Johannes
Briccialdi, Giulio
Bruch, Max
Caplet, André
Chaminade, Cécile
Chopin, Frédéric
Danzi, Franz Ignaz
Debussy, Claude
Demersseman, Jules-Auguste Edouard
Donizetti, Gaetano
Donjon, Johannes
Doppler, Albert Franz
Du Puy, Édouard
Dvořák, Antonin
Elgar, Edward
Fauré, Gabriel
Foote, Arthur
Franck, César
Frühling, Carl
Fürstenau, Anton Bernhard
Gade, Niels Wilhelm
Ganne, Louis
Génin, Paul Agricole
German, Edward
Glière, Reinhold
Godard, Benjamin
Gounod, Charles
Grandval, Clémence
Hahn, Reynaldo
Hüe, Georges Adolphe
Hummel, Johann Nepomuk
Jadassohn, Solomon
Kohler, Ernesto
Kreisler, Fritz
Kuhlau, Friedrich
Lefebvre, Charles Edouard
Liszt, Franz
Maier, Amanda
Massenet, Jules
Mendelssohn, Fanny
Mendelssohn, Felix
Mercadante, Saverio
Meyer-Olbersleben, Max
Molique, Wilhelm Bernhard
Morlacchi, Pietro
Mouquet, Jules
Nielsen, Carl
Paganini, Niccolo
Périlhou, Albert
Pierné, Gabriel
Popp, Wilhelm
Rabboni, Giuseppe
Reger, Max
Reichert, Matthieu Andre
Reinecke, Carl Heinrich Carsten
Ries, Ferdinand
Rietz, Julius
Rossini, Gioacchino
Saint-Saëns, Camille
Sarasate, Pablo de
Schubert, Franz
Schumann, Clara
Schumann, Robert
Sibelius, Jean
Silcher, Friedrich
Strauss, Richard
Taffanel, Claude Paul
Tulou, Jean-Louis
Vitali, Tomaso Antonio
Wagner, Siegfried
Widor, Charles Marie Jean Albert
Rigoletto Fantasy, Op. 106 for flute and piano
Ballabile Di Concerto for flute and piano, Op. 15
Andante e Polonese, Op. 62 for flute and piano
Flute Concerto No. 1, Op. 65 in B-Flat Major
Flute Concerto No. 2, Op. 19 in E Minor
Flute Concerto No. 3 in C Major
Flute Concerto No. 4 in A-Flat Major
Le carezze, Op. 79 for flute and piano
Rigoletto Fantasy, Op. 106 for flute and piano
Giulio Briccialdi: Rigoletto Fantasy, Op. 106 for flute and piano is a virtuosic opera paraphrase for flute and piano based on themes from Giuseppe Verdi’s masterpiece. It is likely composed in the early 1870s, as part of a set of six fantasies (Op. 106–111) that Briccialdi wrote toward the end of his life after Verdi's opera "Rigoletto" (1851) had achieved global dominance in the opera house. The Op. 106 is dedicated to the Allievi dell'Istituto Musicale di Firenze (Students of the Florence Musical Institute). Briccialdi was appointed a professor at the Florence Conservatory in 1870 and wrote these works to challenge and showcase the advanced technical abilities of his pupils.
Briccialdi was an Italian virtuoso, often referred to as "Paganini on the flute", who popularized the "paraphrase" genre concert pieces that transformed famous opera arias into technical showpieces for solo instruments.
Briccialdi performed these works on a flute featuring his own mechanical innovation—the Briccialdi B-flat thumb key—which facilitated the execution of such complex chromatic passages.
Giulio Briccialdi (1818-1881) was a preeminent Italian flutist and composer, widely hailed during his lifetime as the
"Paganini of the Flute." He was a central figure in transitioning the flute into its modern form and expanding its technical repertoire. Briccialdi is most famous among flutists for inventing the B-flat thumb lever in 1849. This mechanical improvement solved a major fingering difficulty on the Boehm-system flute and remains a standard feature on nearly every flute manufactured nowadays.
Born in Terni, he became the flute teacher to the Count of Syracuse (brother of the King of Naples) at age 17. He later toured Europe and the Americas as a celebrated virtuoso, known for his extraordinary speed and melodic grace. He was a master of the operatic paraphrase, creating elaborate fantasies on works by Verdi (such as Rigoletto and Macbeth), Rossini, and Bellini.
After years of touring Europe and America, Briccialdi spent the 1850s transitioning back to his home country. He returned to Milan and Turin for concert series in 1852, eventually settling permanently in Florence by 1870 to focus on teaching. His technical studies and his appointment as Professor of Flute at the Florence Conservatory ensured his influence on future generations of performers. Upon his death in 1881, he was so revered that a public subscription was organized to return his remains to his birthplace in Terni, where the city's Conservatorio Statale di Musica Giulio Briccialdi is named in his honor.