20th century
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Brown Elizabeth
Aitken, Robert
Amirov, Fikret
Amlin, Martin
Amram, David
Andriessen, Jurriaan
Arnold, Malcolm
Arrieu, Claude
Auric, Georges
Babbit, Milton
Bacchus, Peter
Bacri, Nicolas
Baker, Michael Conway
Baksa, Robert
Barber, Samuel
Barrere, Georges
Bartók, Béla Viktor János
Baton, René-Emmanuel
Beaser, Robert
Bennet, Richard Rodney
Berg, Gunnar
Berio, Luciano
Bernofsky, Lauren
Bernstein, Leonard
Bloch, Ernest
Bolling, Claude
Bon, Maarten
Bonis, Mel
Boughton, Rutland
Boulanger, Marie-Juliette
Boulez, Pierre
Bourdin, Roger
Bournonville, Armand
Bowen, Edwin York
Bozza, Eugène Joseph
Bréville, Pierre
Brings, Allen
Brotons, Salvador
Brown, Elizabeth
Brun, Georges
Burkhard, Willy
Burton, Eldin
Büsser, Henri
Camus, Pierre
Carmichael, John
Carter, Elliott
Casella, Alfredo
Chaynes, Charles
Clarke, Ian
Colgrass, Michael
Colquhoun, Michael
Copland, Aaron
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Cortese, Luigi
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Dahl, Walter Ingolf Marcus
Damase, Jean-Michel
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Del Tredici, David
DeLaney, Charles Oliver
Delerue, Georges
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Dèsbriere, Jacques
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Dinicu, Grigoraș
Dodgson, Stephen
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Dubois, Pierre Max
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Durey, Louis
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Ferroud, Pierre-Octave
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Folio, Cynthia
Foote, Arthur
Foss, Lukas
Françaix, Jean
Fukushima, Kazuo
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Gál, Hans
Gaubert, Philippe
Genzmer, Harald
George, Thom Ritter
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Glass, Philip
Glière, Reinhold
Golovin, Andrei
Gordeli, Otar
Grier, Lita
Griffes, Charles Tomlinson
Grinblat, Romuald
Grovlez, Gabriel
Guarnieri, Mozart Camargo
Gubajdulina, Sofia
Hahn, Reynaldo
Hailstork, Adolphus
Halphen, Fernand
Hanson, Howard Harold
Harberg, Amanda
Harbison, John
Harsányi, Tibor
Harty, Hamilton
Heiss, John
Heith, David
Henze, Hans-Werner
Higdon, Jennifer
Hindemith, Paul
Holliger, Heinz
Holmboe, Vagn
Honegger, Arthur
Hoover, Katherine
Hosokawa, Toshio
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Hüe, Georges Adolphe
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Ibert, Jacques
Ichiyanagi, Toshi
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Ives, Charles
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James, Bob
Jemnitz, Sándor
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Jóhannsson, Magnús Blöndal
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Jongen, Joseph
Karg-Elert, Sigfrid
Kay, Ulysses
Kelterborn, Rudolf
Ķeniņš, Tālivaldis
Kennan, Kent Wheeler
Kennedy, Martin
Kernis, Aaron Jay
Khachaturian, Aram
Kocsár, Miklós
Kodaly, Zoltan
Koechlin, Charles
Kornauth, Egon
Kraft, Leo
Krzywicki, Jan
Kupferman, Meyer
La Montaine, John
Lauber, Joseph
Lavista, Mario
Lee, Eugene
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Levinson, Gerald
Liebermann, Lowell
Loudova, Ivana
Mack, Dieter
Mahler, Gustav
Maresz, Yan
Martin, Frank
Martino, Donald
Martinů, Bohuslav
Meltzer, Harold
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Mouquet, Jules
Mower, Mike
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Rivier, Jean
Rodrigo, Joaquin
Rota, Nino
Rotaru, Doina
Rouse, Christopher
Roussel, Albert
Rutter, John
Saariaho, Kaija
Sancan, Pierre
Schmidt, Ole
Schocker, Gary
Schulhoff, Erwin
Schwantner, Joseph
Sciarrino, Salvatore
Shostakovich, Dmitri
Sibelius, Jean
Smit, Leo
Tailleferre, Germaine
Takemitsu, Tōru
Taktakishvili, Otar
Tansman, Alexandre
Tomasi, Henri
Tower, Joan
Uébayashi, Yuko
Varèse, Edgar
Vasks, Pēteris
Weigl, Vally
Weinberg, Mieczysław
Wilder, Alec
Williams, Ralph Vaughan
Yi, Chen
Yun, Isang
Zgraja, Krystof
Trillium for Flute solo
Elizabeth Brown: Trillium for Flute solo was written in 1999 on commission by the National Flute Association for the High School Competition (2000). The piece requires mastery of multiphonics, microtones, timbral trills, and spatial notation.
This delicate music is strongly influenced by Japanese shakuhachi music and birdsong. The title refers to the Trillium, a woodland wildflower with three leaves and three petals. The work is structured to reflect this tripartite symmetry.
In 1999, Brown was deeply immersed in her role as a professional shakuhachi player (known by the name Kiku-Sui). Trillium is a "Western" transcription of this aesthetic, utilizing microtonal pitch bends, "breathing" textures, and birdsong-inspired motives. During 1999, Brown also completed a residency at Acadia National Park, where she composed Acadia (for flute and shakuhachi), further cementing her interest in modeling musical form after natural landscapes.
1999 was also the year Brown purchased her first Moog theremin, which she began incorporating into her performance practice, influencing her interest in the vocal, non-tempered pitch qualities found in Trillium.
Elizabeth Brown (1953) is an American composer and performer who extensively writes music for flute, the traditional Japanese instrument shakuhachi (end-blown flute made of bamboo), and other unconventional instruments.
Born in 1953 in Lafayette, Alabama, she grew up in a rural environment that fostered a deep connection to nature and acoustic space, themes that permeate her later work. Brown began her musical journey as a flutist. This firsthand experience as a performer informed her highly idiomatic writing for wind instruments. She pursued her higher education at the University of Montevallo before moving to New York to attend the Juilliard School, where she earned both her Bachelor's and Master of Music degrees in flute performance.
In the 1970s, she turned increasingly to composition. Her approach was further transformed by her study of the shakuhachi (Japanese bamboo flute), which she began in the 1980s. She eventually became a recognized master of the instrument, receiving the professional name Kiku-Sui.
Brown is known for her eclectic instrumentation, often combining the shakuhachi with strings, theremin, or glass harmonica to create unique "luminous" soundscapes. Her musical style had been characterized as otherworldly, employing microtonal expression, unique instrumentation, and freewheeling language.