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20th century

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Brun Georges

Aitken, Robert

Amirov, Fikret

Amlin, Martin

Amram, David

Andriessen, Jurriaan

Arnold, Malcolm

Arrieu, Claude

Auric, Georges

Babbit, Milton

Bacchus, Peter

Bacri, Nicolas

Baker, Michael Conway

Baksa, Robert

Barber, Samuel

Barrere, Georges

Bartók, Béla Viktor János

Baton, René-Emmanuel

Beaser, Robert

Bennet, Richard Rodney

Berg, Gunnar

Berio, Luciano

Bernofsky, Lauren

Bernstein, Leonard

Bloch, Ernest

Bolling, Claude

Bon, Maarten

Bonis, Mel

Boughton, Rutland

Boulanger, Marie-Juliette

Boulez, Pierre

Bourdin, Roger

Bournonville, Armand

Bowen, Edwin York

Bozza, Eugène Joseph

Bréville, Pierre

Brings, Allen

Brotons, Salvador

Brown, Elizabeth

Brun, Georges

Burkhard, Willy

Burton, Eldin

Büsser, Henri

Camus, Pierre

Carmichael, John

Carter, Elliott

Casella, Alfredo

Chaynes, Charles

Clarke, Ian

Colgrass, Michael

Colquhoun, Michael

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Dutilleux, Henri

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Françaix, Jean

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Genzmer, Harald

George, Thom Ritter

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Romance for Flute and piano in G Major, Op. 41

Romance for Flute and piano in G Major, Op. 41

By Brun Georges

Georges Brun: Romance for Flute and Piano in G Major, Op. 41 was written in 1905 and dedicated to French flutist Georges Barrère during his active years in Paris before his move to New York in 1905. Barrère was a titan of the French flute school and a student of Paul Taffanel; he later immigrated to the United States and significantly influenced American flute playing as a principal in the New York Symphony Orchestra.
The Romance reflects the sophisticated, "singing" style of the French flute school that Barrère was about to export to the United States.
In 1905, Brun was a young composer establishing himself in the vibrant Parisian musical scene. His marriage in 1907 to the opera star Antoinette Laute-Brun further embedded him in the elite vocal and instrumental circles of Paris.
The Romance belongs to a genre that became immensely popular in the 19th century. A song-like, lyrical piece typically in ABA form.
This "lyrical gem" of the early 20th-century French flute repertoire demonstrates Brun's commitment to a refined Romantic aesthetic during a decade when musical modernism was beginning to stir.

Leonard Garrison

Roger McVey (piano), 2015, Albany Records

Romance

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Rita D’Arcangelo

Giuliano Mazzoccante (piano), 2020, Da Vinci Classics

Romance

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Brun Georges

Georges Brun (1878-1961) was a French composer who is recognized by music historians as a refined exponent of the late French Romantic tradition.
Born in Paris, France, he was raised in the cultural heart of Paris during a period of intense artistic revitalization following the Franco-Prussian War. He studied at the Paris Conservatoire under Xavier Leroux (harmony) and Charles-Marie Widor (composition and organ).
He was a distinguished student, earning several first prizes during his tenure at the Conservatoire, which provided him with the structural foundation for his later lyrical and harmonically fluid style.
Brun’s career was deeply intertwined with the Parisian vocal scene. In 1907, he married the celebrated operatic soprano Antoinette Laute-Brun, a prominent figure at the Paris Opéra. This personal connection significantly influenced his melodic writing, which is frequently described in master's theses as having a "vocal" or "cantabile" quality.
Throughout the early 20th century, Brun was active as a conductor and composer of large-scale works. His catalog includes several symphonic poems, a symphony, and choral works like La Sulamite.
He moved in the same circles as luminaries like Georges Barrère and Philippe Gaubert, the leading flutists of the day, which led to the creation of his most enduring works.
He is primarily remembered through his short instrumental pieces, Romance for flute, and suite for orchestra Paysages d'Alsace.