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Alto flute

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Bréville Pierre

Aitken, Robert

Amirov, Fikret

Amlin, Martin

Amram, David

Andriessen, Jurriaan

Arnold, Malcolm

Arrieu, Claude

Auric, Georges

Babbit, Milton

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Bacri, Nicolas

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Bréville, Pierre

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Une flûte dans les vergers for flute and piano

Une flûte dans les vergers for flute and piano

By Bréville Pierre

Pierre de Bréville: "Une flûte dans les vergers" (A Flute in the Orchards) for flute and piano was written in 1920 and dedicated to Louis Fleury, a renowned French flutist and a champion of contemporary music who notably premiered Claude Debussy's Syrinx.
The piece belongs to a tradition of French "pastoral" flute music, but Bréville’s approach is more structured and solemn than the lighter salon pieces of his contemporaries. It utilizes a sophisticated "singing" melody that suits the wooden flutes often preferred by performers like Louis Fleury. As one of the "most faithful disciples" of César Franck, Bréville remained committed to a refined, serious, and harmonically rich style even as "Les Six" and other modernist movements began to dominate the post-WWI Parisian scene.
In 1920, Bréville had recently completed a significant tenure (1914–1918) teaching chamber music composition at the Paris Conservatoire. His writing for the flute reflects this expertise in chamber textures.
Additionally, he was also active as a prominent music critic, contributing to major journals like Mercure de France and La Revue blanche. This dual role made him a central observer and participant in the evolution of French instrumental music during the interwar period.

Thies Roorda

Alessandro Soccorsi (piano), 2019, Naxos

Une flûte dans les vergers

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Bréville Pierre

Pierre de Bréville (1861 - 1949) was a French composer. Born in Bar-le-Duc, Meuse, he studied law with the goal of becoming a diplomat. Nevertheless, he decided to study music at the Conservatoire de Paris. Among his teachers were Théodore Dubois and César Franck.

In 1892 he became a professor at the Schola Cantorum in Paris where he taught counterpoint. For four years (1914 - 1918) he taught chamber music and composition at the Conservatoire de Paris.
Additionally, he established himself as a music critic and wrote reviews and commentary in Mercure de France, Le Courrier musical and La Revue blanche.
He is an author of several stage and ochestral Works, as well as chamber music compositions.
Along with Vincent d'Indy and Ernest Chausson he completed the orchestration of César Franck's unfinished opera Ghiselle.