21st century
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Bullard Janice Maille
Adler, Samuel
Albert, Adrienne
Amlin, Martin
Arnauts, Dimitri
Bacri, Nicolas
Baksa, Robert
Balter, Marcos
Beal, Jeff
Bilotta, John
Borisova-Ollas, Victoria
Bullard, Janice Maille
Bunch, Kenji
Carter, Elliott
Chamberlain, Nicole
Chyrzynski, Marcel
Clarke, Ian
Coleman, Valerie
Connesson, Guillaume
Costa Roldán, Eduardo
Cueto, Daniel
Dalbavie, Marc-André
Daugherty, Michael
Dehnhard, Tilmann
Desenne, Paul
Dorff, Daniel
Egger, Fabian Johannes
Eggert, Kenneth
Firšt, Nenad
Furrer, Beat
Garrop, Stacy
Ghidoni, Armando
Gibb, Charles
Hailstork, Adolphus
Harberg, Amanda
Hersh, Howard
Hoover, Katherine
Igudesman, Aleksey
Ittzés, Gergely
Kernis, Aaron Jay
Khoury, Houstaf
Kukal, Ondřej
León, Tania
Lias, Stephen
Liebermann, Lowell
Lindberg, Christian
Linthicum-Blackhorse, William
Louke, Phyllis Avidan
Magalif, Eugene
Mitchell, Jonathan
Monroe, Ervin
Mower, Mike
Mucha, Geraldine
Mulleman, Tim
Ornstein, Maarten
Pann, Carter
Panufnik, Roxanna
Pärt, Arvo
Pattillo, Greg
Penman, Katrina
Petrič, Ivo
Price, William
Pritsker, Gene
Pucihar, Blaž
Ran, Shulamit
Rea, Stephanie
Rotaru, Doina
Rozman, Anže
Schocker, Gary
Schwantner, Joseph
Sciarrino, Salvatore
Seif, Sami
Serebrier, José
Skipworth, Lachlan
Sollberger, Harvey
Somma, Victor
Uébayashi, Yuko
Vasks, Pēteris
Widmann, Jörg
Witt, Carl
Woolf, Randall
Yi, Chen
Fantasies On Celtic Airs for flute and piano
Janice Maille Bullard: Fantasies On Celtic Airs for flute and piano was
written in 2018. The collection was published posthumously by Falls House Press in 2019.
The piece consists of four movements, each based on a traditional air that Bullard elaborates through her background in sacred music and improvisation.
1. "The Water Is Wide": Based on the traditional Scottish tune also known as "O Waly, Waly," this fantasy begins with a simple statement of the melody followed by variations in different keys.
2. "The Skye Boat Song": This movement depicts the 18th-century Scottish air about Prince Charles Edward Stuart's escape to the Isle of Skye. It is noted for a section where the flute performs a low version of the melody immediately following a high-octave variation.
3. "Londonderry Air": Set to the world-famous tune most commonly associated with "Danny Boy," this fantasy follows a variation form that is technically more challenging than the first two pieces in the collection.
4. "Down by the Sally Gardens": Based on a poem by W.B. Yeats set to an old Irish air, this is the most technically demanding movement of the four. It features intricate fingering, large intervals, and complex rhythmic patterns.
Janice Maille Bullard was a prolific composer and church musician who was actively writing up until her passing. Her obituary mentions that Falls House Press was already preparing to release the collection around
that time. Given that she spent 61 years as the music director at the Village Baptist Church in Fort Edward, these fantasies reflect her late-career focus on blending sacred "verse anthem" styles with traditional folk melodies.
Darrin Thaves (flute), Wendy Caldwell (piano), live performance on February 12, 2020 at the California State University
1. The Water is Wide
Darrin Thaves (flute), Wendy Caldwell (piano), live performance on February 12, 2020 at the California State University
2. The Skye Boat Song
Darrin Thaves (flute), Wendy Caldwell (piano), live performance on February 12, 2020 at the California State University
3. Londonderry Air
Janice Maille Bullard (1938–2018) was an American composer, organist, and educator known for her versatile musicianship that bridged sacred music, jazz, and the classical flute repertoire.
Born in Glens Falls, New York, she was raised in a musical household. Her early environment was centered around the church and local community music in upstate New York.
She studied at the Crane School of Music (SUNY Potsdam), a premier institution for music education in the United States. She was particularly drawn to the verse anthem structure and the art of improvisation, which she practiced daily throughout her life.
Bullard’s most significant professional appointment was her 61-year tenure as the Music Director and Organist at the Village Baptist Church in Fort Edward, New York. Beyond the organ loft, she was a respected jazz pianist and accompanist.