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21st century

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Bullard Janice Maille

Adler, Samuel

Albert, Adrienne

Amlin, Martin

Arnauts, Dimitri

Bacri, Nicolas

Baksa, Robert

Balter, Marcos

Beal, Jeff

Bilotta, John

Borisova-Ollas, Victoria

Bullard, Janice Maille

Bunch, Kenji

Carter, Elliott

Chamberlain, Nicole

Chyrzynski, Marcel

Clarke, Ian

Coleman, Valerie

Connesson, Guillaume

Costa Roldán, Eduardo

Cueto, Daniel

Dalbavie, Marc-André

Daugherty, Michael

Dehnhard, Tilmann

Desenne, Paul

Dorff, Daniel

Egger, Fabian Johannes

Eggert, Kenneth

Firšt, Nenad

Furrer, Beat

Garrop, Stacy

Ghidoni, Armando

Gibb, Charles

Hailstork, Adolphus

Harberg, Amanda

Hersh, Howard

Hoover, Katherine

Igudesman, Aleksey

Ittzés, Gergely

Kernis, Aaron Jay

Khoury, Houstaf

Kukal, Ondřej

León, Tania

Lias, Stephen

Liebermann, Lowell

Lindberg, Christian

Linthicum-Blackhorse, William

Louke, Phyllis Avidan

Magalif, Eugene

Mitchell, Jonathan

Monroe, Ervin

Mower, Mike

Mucha, Geraldine

Mulleman, Tim

Ornstein, Maarten

Pann, Carter

Panufnik, Roxanna

Pärt, Arvo

Pattillo, Greg

Penman, Katrina

Petrič, Ivo

Price, William

Pritsker, Gene

Pucihar, Blaž

Ran, Shulamit

Rea, Stephanie

Rotaru, Doina

Rozman, Anže

Schocker, Gary

Schwantner, Joseph

Sciarrino, Salvatore

Seif, Sami

Serebrier, José

Skipworth, Lachlan

Sollberger, Harvey

Somma, Victor

Uébayashi, Yuko

Vasks, Pēteris

Widmann, Jörg

Witt, Carl

Woolf, Randall

Yi, Chen

Fantasies On Celtic Airs for flute and piano

Fantasies On Celtic Airs for flute and piano

By Bullard Janice Maille

Janice Maille Bullard: Fantasies On Celtic Airs for flute and piano was
written in 2018. The collection was published posthumously by Falls House Press in 2019.
The piece consists of four movements, each based on a traditional air that Bullard elaborates through her background in sacred music and improvisation.
1. "The Water Is Wide": Based on the traditional Scottish tune also known as "O Waly, Waly," this fantasy begins with a simple statement of the melody followed by variations in different keys.
2. "The Skye Boat Song": This movement depicts the 18th-century Scottish air about Prince Charles Edward Stuart's escape to the Isle of Skye. It is noted for a section where the flute performs a low version of the melody immediately following a high-octave variation.
3. "Londonderry Air": Set to the world-famous tune most commonly associated with "Danny Boy," this fantasy follows a variation form that is technically more challenging than the first two pieces in the collection.
4. "Down by the Sally Gardens": Based on a poem by W.B. Yeats set to an old Irish air, this is the most technically demanding movement of the four. It features intricate fingering, large intervals, and complex rhythmic patterns.
Janice Maille Bullard was a prolific composer and church musician who was actively writing up until her passing. Her obituary mentions that Falls House Press was already preparing to release the collection around
that time. Given that she spent 61 years as the music director at the Village Baptist Church in Fort Edward, these fantasies reflect her late-career focus on blending sacred "verse anthem" styles with traditional folk melodies.

Darrin Thaves (flute), Wendy Caldwell (piano), live performance on February 12, 2020 at the California State University

1. The Water is Wide

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Darrin Thaves (flute), Wendy Caldwell (piano), live performance on February 12, 2020 at the California State University

2. The Skye Boat Song

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Darrin Thaves (flute), Wendy Caldwell (piano), live performance on February 12, 2020 at the California State University

3. Londonderry Air

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Darrin Thaves (flute), Wendy Caldwell (piano), live performance on February 12, 2020 at the California State University

4. Down by the Sally Gardens

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Bullard Janice Maille

Janice Maille Bullard (1938–2018) was an American composer, organist, and educator known for her versatile musicianship that bridged sacred music, jazz, and the classical flute repertoire.
Born in Glens Falls, New York, she was raised in a musical household. Her early environment was centered around the church and local community music in upstate New York.
She studied at the Crane School of Music (SUNY Potsdam), a premier institution for music education in the United States. She was particularly drawn to the verse anthem structure and the art of improvisation, which she practiced daily throughout her life.
Bullard’s most significant professional appointment was her 61-year tenure as the Music Director and Organist at the Village Baptist Church in Fort Edward, New York. Beyond the organ loft, she was a respected jazz pianist and accompanist.