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20th century

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Burkhard Willy

Aitken, Robert

Amirov, Fikret

Amlin, Martin

Amram, David

Andriessen, Jurriaan

Arnold, Malcolm

Arrieu, Claude

Auric, Georges

Babbit, Milton

Bacchus, Peter

Bacri, Nicolas

Baker, Michael Conway

Baksa, Robert

Barber, Samuel

Barrere, Georges

Bartók, Béla Viktor János

Baton, René-Emmanuel

Beaser, Robert

Bennet, Richard Rodney

Berg, Gunnar

Berio, Luciano

Bernofsky, Lauren

Bernstein, Leonard

Bloch, Ernest

Bolling, Claude

Bon, Maarten

Bonis, Mel

Boughton, Rutland

Boulanger, Marie-Juliette

Boulez, Pierre

Bourdin, Roger

Bournonville, Armand

Bowen, Edwin York

Bozza, Eugène Joseph

Bréville, Pierre

Brings, Allen

Brotons, Salvador

Brown, Elizabeth

Brun, Georges

Burkhard, Willy

Burton, Eldin

Büsser, Henri

Camus, Pierre

Carmichael, John

Carter, Elliott

Casella, Alfredo

Chaynes, Charles

Clarke, Ian

Colgrass, Michael

Colquhoun, Michael

Copland, Aaron

Corigliano, John

Cortese, Luigi

Currier, Sebastian

Dahl, Walter Ingolf Marcus

Damase, Jean-Michel

Davidovsky, Mario

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Debussy, Claude

Del Tredici, David

DeLaney, Charles Oliver

Delerue, Georges

Denisov, Edison

Dèsbriere, Jacques

Dick, Robert

Dinicu, Grigoraș

Dodgson, Stephen

Dohnányi, Ernő

Dubois, Pierre Max

Dukas, Paul

Durey, Louis

Dutilleux, Henri

Enescu, George

Farkas, Ferenc

Feld, Jindřich

Ferroud, Pierre-Octave

Flothuis, Marius

Folio, Cynthia

Foote, Arthur

Foss, Lukas

Françaix, Jean

Fukushima, Kazuo

Gade, Jacob

Gál, Hans

Gaubert, Philippe

Genzmer, Harald

George, Thom Ritter

Ghidoni, Armando

Gieseking, Walter

Glass, Philip

Glière, Reinhold

Golovin, Andrei

Gordeli, Otar

Grier, Lita

Griffes, Charles Tomlinson

Grinblat, Romuald

Grovlez, Gabriel

Guarnieri, Mozart Camargo

Gubajdulina, Sofia

Hahn, Reynaldo

Hailstork, Adolphus

Halphen, Fernand

Hanson, Howard Harold

Harberg, Amanda

Harbison, John

Harsányi, Tibor

Harty, Hamilton

Heiss, John

Heith, David

Henze, Hans-Werner

Higdon, Jennifer

Hindemith, Paul

Holliger, Heinz

Holmboe, Vagn

Honegger, Arthur

Hoover, Katherine

Hosokawa, Toshio

Hovhaness, Alan

Hüe, Georges Adolphe

Hurel, Philippe

Ibert, Jacques

Ichiyanagi, Toshi

Ittzés, Gergely

Ives, Charles

Jacob, Gordon

James, Bob

Jemnitz, Sándor

Jirák, Karel Boleslav

Jóhannsson, Magnús Blöndal

Jolivet, André

Jongen, Joseph

Karg-Elert, Sigfrid

Kay, Ulysses

Kelterborn, Rudolf

Ķeniņš, Tālivaldis

Kennan, Kent Wheeler

Kennedy, Martin

Kernis, Aaron Jay

Khachaturian, Aram

Kocsár, Miklós

Kodaly, Zoltan

Koechlin, Charles

Kornauth, Egon

Kraft, Leo

Krzywicki, Jan

Kupferman, Meyer

La Montaine, John

Lauber, Joseph

Lavista, Mario

Lee, Eugene

Leeuwen, Ary van

Levinson, Gerald

Liebermann, Lowell

Loudova, Ivana

Mack, Dieter

Mahler, Gustav

Maresz, Yan

Martin, Frank

Martino, Donald

Martinů, Bohuslav

Meltzer, Harold

Messiaen, Olivier

Mihalovici, Marcel

Milhaud, Darius

Mouquet, Jules

Mower, Mike

Muczynski, Robert

Nielsen, Carl

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Nordenstrom, Gladys

Offermans, Wil

Olsen, Carl Gustav Sparre

Paget, Daniel

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Piston, Walter

Poulenc, Francis

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Ran, Shulamit

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Rivier, Jean

Rodrigo, Joaquin

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Roussel, Albert

Rutter, John

Saariaho, Kaija

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Schmidt, Ole

Schocker, Gary

Schulhoff, Erwin

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Smit, Leo

Tailleferre, Germaine

Takemitsu, Tōru

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Tansman, Alexandre

Tomasi, Henri

Tower, Joan

Uébayashi, Yuko

Varèse, Edgar

Vasks, Pēteris

Weigl, Vally

Weinberg, Mieczysław

Wilder, Alec

Williams, Ralph Vaughan

Yi, Chen

Yun, Isang

Zgraja, Krystof

Suite for flute solo Op. 98

Suite for flute solo Op. 98

By Burkhard Willy

W. Burkhard: Suite for flute solo Op. 98 was written in 1955, during the last year of the Swiss composer's life, and dedicated to the composer's daughter, Ursula, who was a flutist.
The music of Suite was prompted by a piece Ursula was practicing at the time: J. S. Bach’s Sonata in E minor, BWV 1034. That Bachian spark is evident throughout the Suite: compound melody, invertible counterpoint, and a poised, Baroque-informed rhetoric—yet voiced in a compact mid-20th-century idiom that sits beautifully on the instrument.
The suite quickly became one of the best-loved modern works for unaccompanied flute in the Swiss repertoire and remains a frequent recital choice.

Peter-Lucas Graf

1989, Claves / Orchard

1. Tranquillo

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Peter-Lucas Graf

1989, Claves / Orchard

2. Dialog

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Peter-Lucas Graf

1989, Claves / Orchard

3. Lied

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Peter-Lucas Graf

1989, Claves / Orchard

4. Allegro agitato

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Burkhard Willy

Willy Burkhard (1900–1955) was a highly influential Swiss composer and academic teacher, renowned for his significant contributions to sacred and instrumental music in the 20th century.
Born in Leubringen, near Bern in Switzerland, he studied music with Ernst Graf in Bern. Later, in Leipzig, he studied composition with Sigfrid Karg-Elert and piano with Robert Teichmüller.
In 1928, he was appointed a theory teacher at the Bern Conservatory, where he also conducted various choirs and small orchestras.
From 1933 to 1942, due to tuberculosis, he relocated to the Swiss mountain resorts of Montana and Davos, where he focused on composition.
In 1942, he moved to Zurich, where he taught composition and music theory at the Zurich Conservatory until his death at the age of 54.

Though his career was shaped by periods of fragile health, Burkhard became a central figure in Swiss musical life, admired as both a teacher and a craftsman of integrity and spiritual depth.

Burkhard’s music draws on the structure and clarity of the Baroque and Classical traditions but speaks in a modern harmonic language — lucid, transparent, and deeply human. His output ranges from oratorios and choral works to chamber music and solo pieces, revealing a composer who prized counterpoint and vocal expressiveness above all else. Among his most significant large-scale works are the oratorios Das Gesicht Jesajas (The Vision of Isaiah, 1939) and Die Sintflut (The Flood, 1944), both celebrated for their profound text setting and architectural design.