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Solo repertoire

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Alto flute

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Cambini Giovanni Giuseppe

Beethoven, Ludwig van

Cambini, Giovanni Giuseppe

Campagnoli, Bartolomeo

Devienne, François

Gluck, Christoph Willibald

Gossec, Francois-Joseph

Graf, Friedrich Hartmann

Grétry, André Ernest Modeste

Hartmann, Johan Peter

Haydn, Franz Joseph

Haydn, Johann Michael

Hoffmeister, Franz Anton

Hugot, Antoine

Hummel, Johann Nepomuk

Jadin, Louis-Emmanuel

Lebrun, Ludwig August

Mozart, Wolfgang Amadeus

Müller, August Eberhard

Nicolai, Johann Gottlieb

Piccinni, Niccolò

Pleyel, Ignace Joseph

Rault, Felix

Reicha, Josef

Romberg, Bernhard

Rosetti, Francesco Antonio

Schwindel, Friedrich

Stamitz, Anton

Stamitz, Carl Philipp

Wagenseil, Georg Christoph

Wendling, Johann Baptist

Wunderlich, Johann Georg

Concerto for flute and orchestra in D Major

Concerto for flute and orchestra in D Major

By Cambini Giovanni Giuseppe

Giovanni Giuseppe Cambini: Concerto for flute and orchestra in D Major was written around 1780 and published by the House of Sieber in Paris.in 1783 as one of "2 Flute Concerti, Op. 37".

In the early 1780s, Cambini was a highly successful and prolific composer in Paris, known especially for his chamber music and symphonies concertantes (of which he wrote over 80). He was not tied to a single patron but composed for the general public and an active concert life that included a wealthy bourgeois class of amateur musicians. His style reflected the popular French galant aesthetic, which prioritized lightness, charm, and elegant melody, making his music very popular at the time.

This period is marked by the infamous 1778 incident where Mozart accused Cambini of conspiring to prevent the performance of his own Sinfonia Concertante for winds at the Concert Spirituel in Paris.
In April 1778, during his stay in Paris, the 22-year-old Mozart was commissioned by Legros to write a sinfonia concertante for a group of virtuoso Mannheim wind players who were visiting Paris.
At the last minute, Mozart's piece was removed from the program. According to Mozart's letters to his father, a piece by Cambini for similar forces was performed instead at the April concert.
In a letter to his father, Leopold, Mozart voiced his suspicion that Cambini, who was the leading composer of symphonies concertantes in Paris at the time, was responsible for the cancellation out of envy and professional rivalry. He believed Cambini had somehow intervened to ensure his own work was performed instead, effectively silencing Mozart's work in Paris.

Mario Ancillotti

Symphonia Perusina orchestra, 1991, Nar Classical

1. Allegro

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Mario Ancillotti

Symphonia Perusina orchestra, 1991, Nar Classical

2. Romance

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Mario Ancillotti

Symphonia Perusina orchestra, 1991, Nar Classical

3. Allegro con moto

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Cambini Giovanni Giuseppe

Giovanni Giuseppe Cambini (1746–1825) was an Italian composer and violinist who became an incredibly prolific and popular figure in the vibrant musical life of late 18th-century Paris. He was one of the era's most successful composers of chamber music and symphonies concertantes.
Born in Livorno, Italy, in 1746, Cambini studied the violin and composition in his youth. The details of his early life are somewhat obscured by biographical fictions and his own accounts, but by the early 1770s, he had settled in Paris, which was a central hub for musical publishing and performance.
Cambini was a versatile and rapid composer, perfectly suited for the commercial demands of the Parisian market. He was not employed by a court but worked as a freelancer, writing for public concerts like the Concert Spirituel and fulfilling commissions from wealthy amateur musicians.
His music is characteristic of the galant style—it is light, elegant, melodically charming, and designed to please a broad audience. This style made his music very fashionable and widely published during his prime years.
Cambini was astonishingly productive, composing over 60 symphonies, more than 80 symphonies concertantes, numerous operas, and a vast amount of chamber music, including over 140 string quartets.
After the French Revolution, the musical market shifted dramatically. Cambini struggled financially, fading into obscurity.