Classical
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Campagnoli Bartolomeo
Beethoven, Ludwig van
Cambini, Giovanni Giuseppe
Campagnoli, Bartolomeo
Devienne, François
Gluck, Christoph Willibald
Gossec, Francois-Joseph
Graf, Friedrich Hartmann
Grétry, André Ernest Modeste
Hartmann, Johan Peter
Haydn, Franz Joseph
Haydn, Johann Michael
Hoffmeister, Franz Anton
Hugot, Antoine
Hummel, Johann Nepomuk
Jadin, Louis-Emmanuel
Lebrun, Ludwig August
Mozart, Wolfgang Amadeus
Müller, August Eberhard
Nicolai, Johann Gottlieb
Piccinni, Niccolò
Pleyel, Ignace Joseph
Rault, Felix
Reicha, Josef
Romberg, Bernhard
Rosetti, Francesco Antonio
Schwindel, Friedrich
Stamitz, Anton
Stamitz, Carl Philipp
Wagenseil, Georg Christoph
Wendling, Johann Baptist
Wunderlich, Johann Georg
Flute Concerto in G Major, Op. 3, No. 3
Bartolomeo Campagnoli: Flute Concerto in G Major, Op. 3, No. 3 was written and published around the 1790s, as part of the set of 3 Flute Concertos, Op. 3.
The work was originally conceived for flute solo, with an orchestra consisting of 2 oboes, 2 horns, and strings.
The concerto is part of a series of works that incorporate an "Italian soul" with "German learnedness" in its structure and lyrical style, indicative of the transition from the late Baroque to the early Classical era.
Around the 1790s, Campagnoli was a well-established Italian violinist and composer touring Europe. He was known as a virtuoso performer of the "old school" Italian style but was active in Germany, holding important posts in cities like Dresden and Leipzig, where he became concertmaster of the Gewandhaus Orchestra in 1797.
Bartolomeo Campagnoli (1751–1827) was an Italian violinist, composer, conductor, and pedagogue. He was a highly influential figure in the musical transition from the late Baroque to the early Classical era, renowned for his elegant and lyrical style of performance and composition.
Born in Cento, near Bologna, Campagnoli began studying the violin at a young age. He traveled to various Italian cities to study with prominent teachers, eventually studying with the renowned pedagogue and composer Giuseppe Tartini in Padua. This Italian training provided the foundation for his "old school" style of playing, which emphasized the beauty of tone and expressive lyricism.
He served as a violinist in the court orchestra in the Duchy of Saxe-Gotha for many years. In 1797, he became the concertmaster of the prestigious Gewandhaus Orchestra in Leipzig.
Campagnoli was a prolific composer who wrote primarily for his own instrument, the violin, but also contributed to other genres, including several flute concertos.
Additionally, Campagnoli was a highly respected pedagogue. His most important work was the Nouvelle méthode de la mécanique progressive du jeu de violon (New Method for the Progressive Mechanics of Violin Playing), published in 1827, which became a widely used and influential textbook for over a century.