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Solo repertoire

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Campagnoli Bartolomeo

Beethoven, Ludwig van

Cambini, Giovanni Giuseppe

Campagnoli, Bartolomeo

Devienne, François

Gluck, Christoph Willibald

Gossec, Francois-Joseph

Graf, Friedrich Hartmann

Grétry, André Ernest Modeste

Hartmann, Johan Peter

Haydn, Franz Joseph

Haydn, Johann Michael

Hoffmeister, Franz Anton

Hugot, Antoine

Hummel, Johann Nepomuk

Jadin, Louis-Emmanuel

Lebrun, Ludwig August

Mozart, Wolfgang Amadeus

Müller, August Eberhard

Nicolai, Johann Gottlieb

Piccinni, Niccolò

Pleyel, Ignace Joseph

Rault, Felix

Reicha, Josef

Romberg, Bernhard

Rosetti, Francesco Antonio

Schwindel, Friedrich

Stamitz, Anton

Stamitz, Carl Philipp

Wagenseil, Georg Christoph

Wendling, Johann Baptist

Wunderlich, Johann Georg

Flute Concerto in G Major, Op. 3, No. 3

Flute Concerto in G Major, Op. 3, No. 3

By Campagnoli Bartolomeo

Bartolomeo Campagnoli: Flute Concerto in G Major, Op. 3, No. 3 was written and published around the 1790s, as part of the set of 3 Flute Concertos, Op. 3.
The work was originally conceived for flute solo, with an orchestra consisting of 2 oboes, 2 horns, and strings.
The concerto is part of a series of works that incorporate an "Italian soul" with "German learnedness" in its structure and lyrical style, indicative of the transition from the late Baroque to the early Classical era.

Around the 1790s, Campagnoli was a well-established Italian violinist and composer touring Europe. He was known as a virtuoso performer of the "old school" Italian style but was active in Germany, holding important posts in cities like Dresden and Leipzig, where he became concertmaster of the Gewandhaus Orchestra in 1797.

Mario Ancillotti

Virtuosi Italiani, 1999, Dynamic / Naxos

1. Allegro

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Mario Ancillotti

Virtuosi Italiani, 1999, Dynamic / Naxos

2. Andante, Romance

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Mario Ancillotti

Virtuosi Italiani, 1999, Dynamic / Naxos

3. Rondo

00:00
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Campagnoli Bartolomeo

Bartolomeo Campagnoli (1751–1827) was an Italian violinist, composer, conductor, and pedagogue. He was a highly influential figure in the musical transition from the late Baroque to the early Classical era, renowned for his elegant and lyrical style of performance and composition.
Born in Cento, near Bologna, Campagnoli began studying the violin at a young age. He traveled to various Italian cities to study with prominent teachers, eventually studying with the renowned pedagogue and composer Giuseppe Tartini in Padua. This Italian training provided the foundation for his "old school" style of playing, which emphasized the beauty of tone and expressive lyricism.
He served as a violinist in the court orchestra in the Duchy of Saxe-Gotha for many years. In 1797, he became the concertmaster of the prestigious Gewandhaus Orchestra in Leipzig.
Campagnoli was a prolific composer who wrote primarily for his own instrument, the violin, but also contributed to other genres, including several flute concertos.

Additionally, Campagnoli was a highly respected pedagogue. His most important work was the Nouvelle méthode de la mécanique progressive du jeu de violon (New Method for the Progressive Mechanics of Violin Playing), published in 1827, which became a widely used and influential textbook for over a century.