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Casella Alfredo
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Barcarola et Scherzo for flute and piano Op. 4
Barcarola et Scherzo for flute and piano Op. 4
Alfredo Casella: Barcarola et Scherzo for flute and piano, Op. 4, was written in 1903. The work is dedicated to the celebrated French flutist and conductor Philippe Gaubert. Gaubert was a professor at the Paris Conservatory, where Casella was a student at the time. The piece was first published in 1907 by Mathot in Paris.
In 1903, the 20-year-old Casella was a student at the Paris Conservatory, studying piano under Louis Diémer and composition under Gabriel Fauré. During this period, Casella was deeply immersed in the Parisian "melting pot" of musical styles. His classmates included Maurice Ravel and George Enescu. Although he developed a profound admiration for Debussy after hearing Prélude à l'après-midi d'un faune in 1898, his compositions from this year, including Op. 4, still leaned toward a Late Romantic expressiveness influenced more by Richard Strauss and Gustav Mahler than by French Impressionism.
Barcarola et Scherzo is one of his earliest published opuses, predating his First Symphony (1905), which marked his official debut as a conductor.
Marta Cencini (piano), live performance at the Forlì Musica Festival, April 2021
Barcarola et Scherzo
Casella Alfredo
Alfredo Casella (1883-1947) was an Italian pianist, conductor, and composer, known as the primary architect of the 20th-century Italian musical renaissance.
Born in Turin, Italy, he was raised in a deeply musical environment. His father, Carlo, was a professional cellist and professor at the Turin Conservatory, and his mother was a talented pianist. At the age of 13, he moved to Paris to enter the Paris Conservatoire, placing him in the center of European modernism. At the Conservatoire, he studied piano with Louis Diémer and composition with Gabriel Fauré. During his 19-year stay in Paris, he became close friends with Maurice Ravel and George Enescu, and was a fervent early advocate for the music of Igor Stravinsky.
Casella returned to Italy in 1915 to teach at the Accademia di Santa Cecilia in Rome. He found the Italian musical landscape dominated by opera and set out to revive instrumental music. He co-founded the "Società Italiana di Musica Moderna" to promote avant-garde music in Italy, bringing international figures like Schoenberg and Stravinsky to Italian stages.
His style evolved from an early Wagnerian influence to a complex, dissonant period, and finally to a refined Neoclassicism. He drew heavily from the 18th-century Italian traditions of Vivaldi and Scarlatti, seeking to create a "specifically Italian" modern style.
Although a brilliant pianist and notable composer (ballet "La Giara" etc.), one of his main achievements was the resurrection of Antonio Vivaldi's works.