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21st century

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Chamberlain Nicole

Adler, Samuel

Albert, Adrienne

Amlin, Martin

Arnauts, Dimitri

Bacri, Nicolas

Baksa, Robert

Balter, Marcos

Beal, Jeff

Bilotta, John

Borisova-Ollas, Victoria

Bullard, Janice Maille

Bunch, Kenji

Carter, Elliott

Chamberlain, Nicole

Chyrzynski, Marcel

Clarke, Ian

Coleman, Valerie

Connesson, Guillaume

Costa Roldán, Eduardo

Cueto, Daniel

Dalbavie, Marc-André

Daugherty, Michael

Dehnhard, Tilmann

Desenne, Paul

Dorff, Daniel

Egger, Fabian Johannes

Eggert, Kenneth

Firšt, Nenad

Furrer, Beat

Garrop, Stacy

Ghidoni, Armando

Gibb, Charles

Hailstork, Adolphus

Harberg, Amanda

Hersh, Howard

Hoover, Katherine

Igudesman, Aleksey

Ittzés, Gergely

Kernis, Aaron Jay

Khoury, Houstaf

Kukal, Ondřej

León, Tania

Lias, Stephen

Liebermann, Lowell

Lindberg, Christian

Linthicum-Blackhorse, William

Louke, Phyllis Avidan

Magalif, Eugene

Mitchell, Jonathan

Monroe, Ervin

Mower, Mike

Mucha, Geraldine

Mulleman, Tim

Ornstein, Maarten

Pann, Carter

Panufnik, Roxanna

Pärt, Arvo

Pattillo, Greg

Penman, Katrina

Petrič, Ivo

Price, William

Pritsker, Gene

Pucihar, Blaž

Ran, Shulamit

Rea, Stephanie

Rotaru, Doina

Rozman, Anže

Schocker, Gary

Schwantner, Joseph

Sciarrino, Salvatore

Seif, Sami

Serebrier, José

Skipworth, Lachlan

Sollberger, Harvey

Somma, Victor

Uébayashi, Yuko

Vasks, Pēteris

Widmann, Jörg

Witt, Carl

Woolf, Randall

Yi, Chen

"Smorgasboard" for solo flute/piccolo

By Chamberlain Nicole

Nicole Chamberlain: "Smorgasboard" for solo flute/piccolo was written in 2010. The piece was performed in 2010 at the Society of Composers, Inc. (SCI) Conference at the University of Central Missouri and broadcast on WPLN’s "Live in Studio C" that same year.
The title is a metaphor for the wide variety of sounds (the "ingredients") a flutist can create by manipulating their air stream. Chamberlain uses the term to describe how a flutist has a "smorgasbord of ingredients in the pantry" that can be combined into a complete work.
Each movement’s title represents a different food texture translated into sound through extended techniques:
1. Crunchy: Uses aggressive attacks and "punches".
2. Gelatinous: Uses pitch bending to create a fluid, unstable sound.
3. Carbonated: Features pops, clicks, and varying embouchure shapes to simulate fizzing.
4. Fluffy: Performed on piccolo; incorporates singing while playing and flutter tonguing.
The year 2010 was a pivotal breakout year for Nicole Chamberlain as a composer. She won the "Audience Favorite" award at the Atlanta Opera's 24-Hour Opera Project for her short opera Scrub-A-Dub Raw, which led to her first major commission for the children's opera "Rabbit Tales".
In 2010, Chamberlain was still balancing her career in web animation and graphic design with her music. Many of her works from this period began to explicitly reflect the visual storytelling and "metamorphosis of sound" influenced by her animation background.

Matthew Angelo (flute), 2018, MSR Classics, Orchard

1. Crunchy

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Matthew Angelo (flute), 2018, MSR Classics, Orchard

2. Gelatinous

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Matthew Angelo (flute), 2018, MSR Classics, Orchard

3. Carbonated

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Matthew Angelo (flute), 2018, MSR Classics, Orchard

4. Fluffy

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Chamberlain Nicole

Nicole Chamberlain (1977) is an American composer and virtuoso flutist based in Atlanta, Georgia. Her work is characterized by the innovative use of extended techniques and visual storytelling.
Originally from Savannah, Georgia, Chamberlain began her musical journey as a flutist, performing with the Savannah Flute Ensemble. At the University of Georgia, she earned a Bachelor of Music (B.M.) in Music Composition and a Bachelor of Fine Arts (B.F.A.) in Digital Media in 2000.
Her early career path was shaped by a desire to combine music and visual art; she initially intended to be an animator who composed her own soundtracks.
After college, she spent nearly a decade in the corporate world working as a web and graphic designer and animator to support her "addiction to music". At age 32, she left her corporate career to become a full-time freelance composer and performer. Chamberlain has composed numerous award-winning works, particularly for the flute, winning honors from the National Flute Association and the Flute New Music Consortium. She is highly active as a Powell Flutes Artist, performing nationally and teaching a large studio of private students in the Atlanta area.