21st century
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Chamberlain Nicole
Adler, Samuel
Albert, Adrienne
Amlin, Martin
Arnauts, Dimitri
Bacri, Nicolas
Baksa, Robert
Balter, Marcos
Beal, Jeff
Bilotta, John
Borisova-Ollas, Victoria
Bullard, Janice Maille
Bunch, Kenji
Carter, Elliott
Chamberlain, Nicole
Chyrzynski, Marcel
Clarke, Ian
Coleman, Valerie
Connesson, Guillaume
Costa Roldán, Eduardo
Cueto, Daniel
Dalbavie, Marc-André
Daugherty, Michael
Dehnhard, Tilmann
Desenne, Paul
Dorff, Daniel
Egger, Fabian Johannes
Eggert, Kenneth
Firšt, Nenad
Furrer, Beat
Garrop, Stacy
Ghidoni, Armando
Gibb, Charles
Hailstork, Adolphus
Harberg, Amanda
Hersh, Howard
Hoover, Katherine
Igudesman, Aleksey
Ittzés, Gergely
Kernis, Aaron Jay
Khoury, Houstaf
Kukal, Ondřej
León, Tania
Lias, Stephen
Liebermann, Lowell
Lindberg, Christian
Linthicum-Blackhorse, William
Louke, Phyllis Avidan
Magalif, Eugene
Mitchell, Jonathan
Monroe, Ervin
Mower, Mike
Mucha, Geraldine
Mulleman, Tim
Ornstein, Maarten
Pann, Carter
Panufnik, Roxanna
Pärt, Arvo
Pattillo, Greg
Penman, Katrina
Petrič, Ivo
Price, William
Pritsker, Gene
Pucihar, Blaž
Ran, Shulamit
Rea, Stephanie
Rotaru, Doina
Rozman, Anže
Schocker, Gary
Schwantner, Joseph
Sciarrino, Salvatore
Seif, Sami
Serebrier, José
Skipworth, Lachlan
Sollberger, Harvey
Somma, Victor
Uébayashi, Yuko
Vasks, Pēteris
Widmann, Jörg
Witt, Carl
Woolf, Randall
Yi, Chen
"Three-Nine Line" for Flute and Piano
Nicole Chamberlain: "Three-Nine Line" for Flute and Piano was written in 2015. The piece was a finalist in the Flute New Music Consortium (FNMC) Composition Competition in the flute and accompaniment category.
The title "Three-Nine Line" is an aviation slang term referring to the invisible line that runs across an airplane’s wingspan, extending from the 3 o’clock position to the 9 o’clock position. In aerial combat (dogfighting), the 3-9 line is a critical tactical boundary. Pilots strive to keep their opponent in front of their own 3-9 line (offensive) while preventing the opponent from crossing behind their own 3-9 line (defensive).
Nicole Chamberlain uses this concept as the foundation for her "aviation sonata," where each of the four movements reflects a specific aspect of flight or aerial maneuvering:
1. Flathatting: Mimics daredevil stunts of flying fast and low to the ground.
2. Deadstick: A slow movement representing a plane gliding without power.
3. Trim: A minuet-like movement inspired by the aviation technique used to maintain a plane's nose position.
4. Jink: A fast finale reflecting violent, quick maneuvers used to escape threats.
Around 2015, Nicole Chamberlain was transitioning into a full-time "virtuoso flutist-composer" after leaving a career in web animation. Her work from this year often utilized her background in visual storytelling to create evocative, programmatically-driven music.
Nicole Chamberlain (1977) is an American composer and virtuoso flutist based in Atlanta, Georgia. Her work is characterized by the innovative use of extended techniques and visual storytelling.
Originally from Savannah, Georgia, Chamberlain began her musical journey as a flutist, performing with the Savannah Flute Ensemble. At the University of Georgia, she earned a Bachelor of Music (B.M.) in Music Composition and a Bachelor of Fine Arts (B.F.A.) in Digital Media in 2000.
Her early career path was shaped by a desire to combine music and visual art; she initially intended to be an animator who composed her own soundtracks.
After college, she spent nearly a decade in the corporate world working as a web and graphic designer and animator to support her "addiction to music". At age 32, she left her corporate career to become a full-time freelance composer and performer. Chamberlain has composed numerous award-winning works, particularly for the flute, winning honors from the National Flute Association and the Flute New Music Consortium. She is highly active as a Powell Flutes Artist, performing nationally and teaching a large studio of private students in the Atlanta area.