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Chaminade Cécile
Akimenko, Theodore
Albeniz, Isaac
Andersen, Joachim
Barnett, John Francis
Bazzini, Antonio
Beach, Amy
Bellini, Vincenzo
Bizet, George
Blahetka, Leopoldine
Blodek, Wilhelm
Boehm, Theobald
Bonis, Mel
Borne, François
Brahms, Johannes
Briccialdi, Giulio
Bruch, Max
Caplet, André
Chaminade, Cécile
Chopin, Frédéric
Danzi, Franz Ignaz
Debussy, Claude
Demersseman, Jules-Auguste Edouard
Donizetti, Gaetano
Donjon, Johannes
Doppler, Albert Franz
Du Puy, Édouard
Dvořák, Antonin
Elgar, Edward
Fauré, Gabriel
Foote, Arthur
Franck, César
Frühling, Carl
Fürstenau, Anton Bernhard
Gade, Niels Wilhelm
Ganne, Louis
Génin, Paul Agricole
German, Edward
Glière, Reinhold
Godard, Benjamin
Gounod, Charles
Grandval, Clémence
Hahn, Reynaldo
Hüe, Georges Adolphe
Hummel, Johann Nepomuk
Jadassohn, Solomon
Kohler, Ernesto
Kreisler, Fritz
Kuhlau, Friedrich
Lefebvre, Charles Edouard
Liszt, Franz
Maier, Amanda
Massenet, Jules
Mendelssohn, Fanny
Mendelssohn, Felix
Mercadante, Saverio
Meyer-Olbersleben, Max
Molique, Wilhelm Bernhard
Morlacchi, Pietro
Mouquet, Jules
Nielsen, Carl
Paganini, Niccolo
Périlhou, Albert
Pierné, Gabriel
Popp, Wilhelm
Rabboni, Giuseppe
Reger, Max
Reichert, Matthieu Andre
Reinecke, Carl Heinrich Carsten
Ries, Ferdinand
Rietz, Julius
Rossini, Gioacchino
Saint-Saëns, Camille
Sarasate, Pablo de
Schubert, Franz
Schumann, Clara
Schumann, Robert
Sibelius, Jean
Silcher, Friedrich
Strauss, Richard
Taffanel, Claude Paul
Tulou, Jean-Louis
Vitali, Tomaso Antonio
Wagner, Siegfried
Widor, Charles Marie Jean Albert
Concertino for flute and piano in D Major, Op. 107
C. Chaminade: Flute Concertino in D Major, Op. 107 was composed in 1902 on commission by the Paris Conservatoire as an examination piece for flute students. The composition was dedicated to the French flautist Paul Taffanel, who taught flute at the Conservatoire. A few years later, Chaminade created an arrangement for flute and orchestra for a London concert where her friend, flautist Marguerite de Forest Anderson, premiered it.
As Lawrence Gilman, an American author and music critic, wrote about the Concertino: "A remarkable feature of the work is its use of the orchestra's heaviest artillery in the accompaniment, for which three trombones and tubas are requisitioned (the trumpets take a holiday)."
At the time of the composition of the Concertino, Chaminade was newly married (in 1901) to Louis-Mathieu Carbonel, a music publisher from Marseille. However, their marriage was considered rather unconventional since they lived separately: he stayed in Marseille and Cécile at a villa in Le Vésinet, in a suburb of Paris. Her home was known for its beautiful garden and serene environment. Nevertheless, she kept close connections with many prominent musicians and composers of her time, including her close friend Georges Bizet.
The Royal Philharmonic Orchestra, Charles Dutoit (conductor), 1980, Sony
Concertino
Cécile Chaminade (1857-1944) was a prolific French composer and pianist who achieved unprecedented commercial success and international fame during the "Belle Époque." She was the first female composer to be awarded the Légion d'Honneur, the highest French order of merit, established by Napoleon Bonaparte in 1802.
Born in Paris to a musical family (her mother was a pianist and singer), she began composing at a very young age. When she was eight, she played some of her sacred music for Georges Bizet, who was so impressed he called her his "little Mozart."
Nevertheless, her father, a director of an insurance company, disapproved of professional musical training for a woman of her social standing. Consequently, she was forbidden from enrolling in the Paris Conservatoire.
To circumvent her father's restrictions, she studied privately with illustrious professors from the Conservatoire, including Félix Le Couppey (piano), Augustin Savard (composition), and Benjamin Godard.
Chaminade’s formal public debut was an act of subversion. In 1877, while her father was away on a business trip, she organized her first public recital at the Salle Pleyel in Paris. She performed a piano trio by Widor, effectively launching her career as a concert pianist at age 18.
Gradually, she built her reputation in the musical salons of Paris. Her parents hosted bi-weekly musical evenings where she networked with luminaries like Georges Bizet and Emmanuel Chabrier.
In 1878, her teacher Le Couppey organized a concert devoted entirely to her own compositions. By 1880, she was performing full programs of her work at the Salle Érard, which became the archetype for her future international tours. The most critical factor in her global fame was her relationship with the French publisher Enoch & Cie. Chaminade signed an exclusive contract with Enoch, which ensured her works were distributed worldwide. She intentionally wrote "character pieces" and mélodies that were technically accessible to amateur musicians. This led to massive sheet music sales. Her famous "Scarf Dance", Op. 37 sold millions of copies.
Within a rather short period of time, she became a global sensation, particularly in the United States, where over 200 "Chaminade Clubs" were formed by female musicians who admired her work and her status as a self-sufficient professional woman. In 1908, she made a massive tour of the U.S., performing her own Concertstück with the Philadelphia Orchestra and selling out concert halls across the country.
Her music is characterized by charm, wit, and elegant French lyricism. While she also wrote large-scale works like an opera (La Sévillane) and a ballet (Callirhoë), she is best remembered for her miniatures, although the most popular composition for flute remains her "Flute Concertino" in D major, Op. 107.