Romantic
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Chopin Frédéric
Akimenko, Theodore
Albeniz, Isaac
Andersen, Joachim
Barnett, John Francis
Bazzini, Antonio
Beach, Amy
Bellini, Vincenzo
Bizet, George
Blahetka, Leopoldine
Blodek, Wilhelm
Boehm, Theobald
Bonis, Mel
Borne, François
Brahms, Johannes
Briccialdi, Giulio
Bruch, Max
Caplet, André
Chaminade, Cécile
Chopin, Frédéric
Danzi, Franz Ignaz
Debussy, Claude
Demersseman, Jules-Auguste Edouard
Donizetti, Gaetano
Donjon, Johannes
Doppler, Albert Franz
Du Puy, Édouard
Dvořák, Antonin
Elgar, Edward
Fauré, Gabriel
Foote, Arthur
Franck, César
Frühling, Carl
Fürstenau, Anton Bernhard
Gade, Niels Wilhelm
Ganne, Louis
Génin, Paul Agricole
German, Edward
Glière, Reinhold
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Gounod, Charles
Grandval, Clémence
Hahn, Reynaldo
Hüe, Georges Adolphe
Hummel, Johann Nepomuk
Jadassohn, Solomon
Kohler, Ernesto
Kreisler, Fritz
Kuhlau, Friedrich
Lefebvre, Charles Edouard
Liszt, Franz
Maier, Amanda
Massenet, Jules
Mendelssohn, Fanny
Mendelssohn, Felix
Mercadante, Saverio
Meyer-Olbersleben, Max
Molique, Wilhelm Bernhard
Morlacchi, Pietro
Mouquet, Jules
Nielsen, Carl
Paganini, Niccolo
Périlhou, Albert
Pierné, Gabriel
Popp, Wilhelm
Rabboni, Giuseppe
Reger, Max
Reichert, Matthieu Andre
Reinecke, Carl Heinrich Carsten
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Rietz, Julius
Rossini, Gioacchino
Saint-Saëns, Camille
Sarasate, Pablo de
Schubert, Franz
Schumann, Clara
Schumann, Robert
Sibelius, Jean
Silcher, Friedrich
Strauss, Richard
Taffanel, Claude Paul
Tulou, Jean-Louis
Vitali, Tomaso Antonio
Wagner, Siegfried
Widor, Charles Marie Jean Albert
Nocturne No. 20 in C-sharp minor, Op. posth.
F. Chopin: Nocturne No. 20 in C-sharp minor for piano solo was written in 1830 and dedicated to Chopin’s older sister Ludwika with a note: “To my sister Ludwika as an exercise before beginning the study of my Second Concerto”. Due to tempo marking Lento con gran espressione, it is sometimes called Reminiscence (a story about a past event remembered by the narrator).
The Nocturne was published only in 1875, twenty-one years after Chopin’s death.
The composition has a special, emotional story about the event that took place on September 23, 1939, when pianist Władysław Szpilman performed it on a live broadcast of Polish radio during the day when the German army besieged Warsaw. This pianist, Holocaust survivor was later known as “The Pianist” from the Roman Polanski movie with the same title, brilliantly played by Adrien Brody who then gained international recognition by receiving The Academy Award for Best Actor (2002).
Frédéric Chopin (1810-1849) was a Polish pianist and composer. Considered as poetic genius of Romantic period, Chopin mostly composed for piano. He grew up in Warsaw where his father taught French at the Warsaw Lyceum, located in the Saxon Place, and where Chopin family resided during that time. Even though his father was French, young Frédéric was raised in a Polish speaking household. Since his father played flute and violin but his mother played piano, Frédéric was exposed to musical education as well. His first piano tutor was Wojciech Żywny and young boy rapidly progressed into a child prodigy. He composed his first polonaises for piano at age of 7. Later he studied composition with Józef Elsner at the Warsaw Conservatory and kept giving recitals, playing newly invented aelomelodicon – an instrument that combined features of piano and mechanical organ.
Chopin received a wider recognition in 1825, after the recital featuring his Rondo Op.1 given for Russian Tsar Alexander I. The Rondo became the first published work and was praised by foreign press. During his Conservatory years he attended numerous inspiring concerts. Thus, after listening Niccolò Paganini playing violin, Chopin composed variations Souvenir de Paganini, and composed his first Études for piano. Upon graduating from Conservatory and encouraged by success of his performances in Vienna, Chopin decided to leave Warsaw in 1830. Due to various circumstances, he finally settled in Paris next year. Shortly he established himself as one of the most demanded musicians. His compositions were regularly published providing him steady income. Since he disliked performing for large audiences and preferred more intimate salon performances the income from publishing his works was essential. The biggest audience he played in Paris was annual concert at the Salle Pleyel with three hundred seats. He mostly preferred to play at his own apartment for some friends and invited guests.
In 1836 he met George Sand, a popular novelist at that time who gradually played various roles in his later years. During their on/off relationship she gradually moved from being lover to nurse when Chopin fell ill.
Raised in classical music tradition, Chopin introduced new genres, suited for performing at salons: ballades, scherzos, preludes, études, mazurkas, polonaises, and nocturnes.