21st century
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Chyrzynski Marcel
Adler, Samuel
Albert, Adrienne
Amlin, Martin
Arnauts, Dimitri
Bacri, Nicolas
Baksa, Robert
Balter, Marcos
Beal, Jeff
Bilotta, John
Borisova-Ollas, Victoria
Bullard, Janice Maille
Bunch, Kenji
Carter, Elliott
Chamberlain, Nicole
Chyrzynski, Marcel
Clarke, Ian
Coleman, Valerie
Connesson, Guillaume
Costa Roldán, Eduardo
Cueto, Daniel
Dalbavie, Marc-André
Daugherty, Michael
Dehnhard, Tilmann
Desenne, Paul
Dorff, Daniel
Egger, Fabian Johannes
Eggert, Kenneth
Firšt, Nenad
Furrer, Beat
Garrop, Stacy
Ghidoni, Armando
Gibb, Charles
Hailstork, Adolphus
Harberg, Amanda
Hersh, Howard
Hoover, Katherine
Igudesman, Aleksey
Ittzés, Gergely
Kernis, Aaron Jay
Khoury, Houstaf
Kukal, Ondřej
León, Tania
Lias, Stephen
Liebermann, Lowell
Lindberg, Christian
Linthicum-Blackhorse, William
Louke, Phyllis Avidan
Magalif, Eugene
Mitchell, Jonathan
Monroe, Ervin
Mower, Mike
Mucha, Geraldine
Mulleman, Tim
Ornstein, Maarten
Pann, Carter
Panufnik, Roxanna
Pärt, Arvo
Pattillo, Greg
Penman, Katrina
Petrič, Ivo
Price, William
Pritsker, Gene
Pucihar, Blaž
Ran, Shulamit
Rea, Stephanie
Rotaru, Doina
Rozman, Anže
Schocker, Gary
Schwantner, Joseph
Sciarrino, Salvatore
Seif, Sami
Serebrier, José
Skipworth, Lachlan
Sollberger, Harvey
Somma, Victor
Uébayashi, Yuko
Vasks, Pēteris
Widmann, Jörg
Witt, Carl
Woolf, Randall
Yi, Chen
Haiku No. 3 for flute solo
Haiku No. 3 for flute solo
Marcel Chyrzynski: Haiku No. 3 for flute solo was written in 2018 and dedicated to the Polish flutist Natalia Jarząbek.
The composition is part of a broader series of works by Chyrzyński that allude to Japanese culture and art forms (like Ukiyo-e and Haiku). The piece is written specifically for an instrumentalist who has mastered the technique of permanent (circular) breathing, although the publisher notes that performers without this skill can adapt the breathing and phrasing to their individual preferences.
Around 2018, Marcel Chyrzyński was a Professor of Composition at the Academy of Music in Kraków. During this time, he composed several other works, including Ukiyo-e No. 4 for clarinet, French horn, piano, and string orchestra, and completed Haiku No. 2 for clarinet and piano in 2016.
Chyrzynski Marcel
Marcel Chyrzynski (1971) is a prominent Polish composer, educator, and festival director. He is known for his versatile style that incorporates elements of jazz and various contemporary techniques while maintaining a foundation in traditional composition.
Chyrzyński received his master's degree with distinction from the Academy of Music in Kraków in 1995, where he studied composition under Marek Stachowski, orchestration under Krzysztof Penderecki, and computer music.
Chyrzyński is described as a "polystylist" who "flirts" with various influences, including the jazz of the 1950s and 60s (Miles Davis, Chick Corea) and electroacoustic music. He avoids strict stylistic labels, emphasizing authenticity and inner development in his compositions. His work often explores specific sound qualities, sometimes using techniques like aleatoricism and fugal canon, and he has a particular interest in contemporary theatre music.
His extensive catalogue of works includes chamber music, orchestral pieces, choral works, and music for the stage. Key compositions often refer to Japanese art and culture, such as the Ukiyo-e and Haiku series.