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Cortese Luigi

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"Introduzione e Allegro" for flute and piano

By Cortese Luigi

Luigi Cortese: "Introduzione e Allegro" for flute and piano, Op. 40 was written in 1959 and dedicated to the renowned Italian flutist Silvio Clerici, who was a prominent soloist and professor at the Conservatory of Santa Cecilia in Rome. The work was premiered shortly after its completion in Genoa, Cortese's home city, during the 1959–1960 concert season.
The piece is noted for its "vocal" quality in the flute line, a hallmark of Cortese’s style which was deeply rooted in his studies of French and Italian vocal music.
In 1959, Cortese was at the height of his administrative and cultural influence as the Artistic Director of the Giovine Orchestra Genovese (GOG), a position he held from 1955 until his death.
By 1959, Cortese had firmly established his voice as a "Neoclassical Lyricist." While his contemporaries in the Darmstadt School were pursuing total serialism, Cortese remained committed to a style influenced by his mentor, Alfredo Casella. This work reflects the "Italian instrumental rebirth," prioritizing clear formal structures and instrumental virtuosity.
Op. 40 belongs to Cortese’s mature period. During this year, he was focused on refining his harmonic language—moving away from strict tonality toward a more expanded modality, which is evident in the shimmering, fluid opening of the "Introduzione".

Mario Carbotta

Roberto Cognazzo (piano), 1994, EG Classics

Introduzione e Allegro

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Cortese Luigi

Luigi Cortese (1899–1976) was an Italian composer, serving as a bridge between the neoclassical movement of his mentors and the cultural administration of postwar Italy.
Born in Genoa, Cortese came from a cultured, upper-middle-class background. Initially, he earned a degree in Mathematics from the University of Genoa in 1923, a background that scholars suggest influenced the structural logic of his compositions.
His serious musical studies took him to Paris, where he studied with André Pirro. Upon returning to Italy, he became a protégé of Alfredo Casella in Rome and studied composition with Giacomo Orefice in Milan. This dual exposure to French elegance and Italian neoclassicism defined his mature style.
Cortese is most famous for his leadership of the Giovine Orchestra Genovese (GOG), which he directed from 1955 to 1976. He served as the Director of the Niccolò Paganini Conservatory in Genoa for over a decade, significantly modernizing its curriculum and expanding its international reputation.
Cortese’s music is characterized by "a rejection of easy emotionalism" in favor of linear clarity and refined harmony. He remained largely independent of the radical avant-garde (serialism), preferring a tonal language enriched by modality. His output includes the opera Prometeo (1947), various orchestral suites, and a significant body of chamber music, where he was noted for his idiomatic understanding of wind instruments, as seen in his "Introduzione e Allegro" (1959) for flute and piano.