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Piccolo

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Damase Jean-Michel

Adler, Samuel

Andersen, Joachim

Auric, Georges

Baksa, Andreas

Beaser, Robert

Benshoof, Ken

Boisson, Felix

Bonnisseau, Frédéric

Chamberlain, Nicole

Damase, Jean-Michel

Daugherty, Michael

Dehnhard, Tilmann

Donatoni, Franco

Dorff, Daniel

Harberg, Amanda

Huylebroeck, Jan

Jacob, Gordon

Janáček, Leoš

Koechlin, Charles

Krek, Uroš

Lavista, Mario

Liebermann, Lowell

Loeb, David

Mălăncioiu, Gabriel

Martinů, Bohuslav

Meltzer, Harold

Morlacchi, Pietro

Mower, Mike

Musgrave, Thea

Papandopulo, Boris

Persichetti, Vincent

Poulenc, Francis

Reichert, Matthieu Andre

Rotaru, Doina

Schocker, Gary

Silva, Pattápio

Smith, Matt

Vivaldi, Antonio

Wilder, Alec

Yun, Isang

"For Piccolo" for piccolo and piano

By Damase Jean-Michel

Jean-Michel Damase: "For Piccolo" was written in 2011 by commission of the National Flute Association (NFA) to serve as a competitive centerpiece for the NFA Piccolo Artist Competition.
It was premiered by Jean-Louis Beaumadier on August 21, 2011, at the NFA Convention in Charlotte, North Carolina.
This short recital piece perfectly captures this signature French charm, treating piccolo with melodic grace and sophisticated wit.
Despite its delightful and airy demeanor, it is a highly challenging work intended for advanced players. The story of the piece relies entirely on an intimate, tightly woven dialogue where the piano and piccolo lines intertwine through intricate "ribbons" of texture. It demands perfect synchronicity, clean articulation, flexible embouchure control across all registers, and extreme rhythmic precision from both musicians.

Damase was fascinated by Beaumadier’s unique ability to make the piccolo sound lyrical, "sweet," and expressive, rather than merely sharp or piercing. Damase trusted Beaumadier completely to edit, finger, and dictate the performance traditions of his piccolo manuscripts for future generations of players.
In 2011, Jean-Michel Damase was entering the final chapter of his life and career. At 83 years old, he was a highly respected elder statesman of the French classical music community, living in Paris and continuing to work despite his advanced age. In 2011, he was still serving on the faculty of the École Normale de Musique de Paris (the very institution where he had studied under Alfred Cortot seven decades prior). He also continued to judge international panels, consult for musical organizations, and give select masterclasses.

Jean-Louis Beaumadier

Jordi Torrent (piano), 2017, Scarbo

For Piccolo

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Damase Jean-Michel

Jean-Michel Damase (1928-2013) was a French pianist, conductor and composer who was famous for his bon vivant lifestyle and lyric composition style that was similar to tonal traditions of Fauré, Poulenc and Ravel.
Born in a family of musicians (his mother Micheline Kahn was a renown harpist who premiered compositions of Caplet, Fauré, Ravel, Vierne), he was considered a child prodigy, composing first three songs at age of 9. Later he studied piano with Armand Ferté and composition with Henri Büsser and Marcel Dupré at the Paris Conservatoire where he won the first prize in piano (1943) and composition (1947).  
Damase made a successful career as a concert pianist, winning the Grand Prix du Disque for his recordings of Gabriel Fauré’s nocturnes and barcarolles. Gradually he devoted more time for composing and teaching at the École Normal de Musique de Paris. Among his most popular compositions: ballet “Balance à trois”, opera “L'héritière”, and Double concerto for flute, harp and string orchestra.
Although Damase was rather prolific composer, his music is not known outside his native France.