20th century
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Davidovsky Mario
Aitken, Robert
Arnold, Malcolm
Barber, Samuel
Bartók, Béla Viktor János
Beaser, Robert
Bennet, Richard Rodney
Berio, Luciano
Bloch, Ernest
Bolling, Claude
Boulanger, Marie-Juliette
Bozza, Eugène Joseph
Brown, Elizabeth
Brun, Georges
Burton, Eldin
Büsser, Henri
Camus, Pierre
Carter, Elliott
Casella, Alfredo
Clarke, Ian
Colquhoun, Michael
Copland, Aaron
Corigliano, John
Dahl, Walter Ingolf Marcus
Damase, Jean-Michel
Davidovsky, Mario
Debussy, Claude
Del Tredici, David
Denisov, Edison
Dick, Robert
Dohnányi, Ernő
Dutilleux, Henri
Enescu, George
Feld, Jindřich
Ferroud, Pierre-Octave
Foote, Arthur
Foss, Lukas
Françaix, Jean
Fukushima, Kazuo
Gaubert, Philippe
Gieseking, Walter
Gordeli, Otar
Griffes, Charles Tomlinson
Grovlez, Gabriel
Guarnieri, Mozart Camargo
Hanson, Howard Harold
Harty, Hamilton
Heiss, John
Heith, David
Higdon, Jennifer
Hindemith, Paul
Honegger, Arthur
Hoover, Katherine
Hosokawa, Toshio
Hovhaness, Alan
Hüe, Georges Adolphe
Ibert, Jacques
Ichiyanagi, Toshi
Ittzés, Gergely
Jacob, Gordon
Jolivet, André
Karg-Elert, Sigfrid
Kennan, Kent Wheeler
La Montaine, John
Liebermann, Lowell
Martin, Frank
Martino, Donald
Martinů, Bohuslav
Messiaen, Olivier Eugène Prosper Charles
Milhaud, Darius
Mouquet, Jules
Mower, Mike
Muczynski, Robert
Nielsen, Carl
Offermans, Wil
Piazzolla, Astor
Piston, Walter
Poulenc, Francis
Prokofiev, Sergey
Ran, Shulamit
Ravel, Maurice
Reynolds, Verne
Rivier, Jean
Roussel, Albert
Rutter, John
Sancan, Pierre
Schulhoff, Erwin
Schwantner, Joseph
Sciarrino, Salvatore
Takemitsu, Tōru
Taktakishvili, Otar
Varèse, Edgar
Vasks, Pēteris
Williams, Ralph Vaughan
Yun, Isang
Synchronisms No.1 for flute and tape
Synchronisms No.1 for flute and tape
M. Davidovsky: Synchronisms No. 1 for flute and tape was written in 1963, exploring possibilities of new technologies available at that time. Overall Davidovsky created twelve Synchronisms, each for different instrument, ensemble or orchestra, coaxing electronic sounds with acoustic instrument. His attempts to make electronic sounds more nuanced were acknowledged with the Pulitzer Prize for music in 1971.
Davidovsky Mario
Mario Davidovsky (1934-2019) was an Argentinian-born American composer who is mostly known for his "Synchronisms": series of works for solo instrument and electroacoustic sounds played from a tape. Encouraged by his teacher Aaron Copland, Davidovsky explored possibilities of electroacoustic music and became associate director of the Columbia-Princeton Electronic Music Center, and later – professor of music at Harvard.
Starting from 1970s Davidovsky mostly wrote nonelectronic music. Among best of his know works: Transients for Orchestra, String Quartet No. 3, Festino for guitar, viola, violoncello and contrabass, and Sefarad: Four Spanish-Ladino Folk scenes for baritone, flute, clarinet, violin, cello and percussion.